Master storyteller Les Edgerton guides us on a haunting journey inside the criminal mind to show that no matter how depraved a person appears to be, there might still exist a spark of humanity.

    Included here are many of Galway Kinnell’s best-loved and most anthologized poems. Kinnell has revised some of the poems for this new edition, and comments on his working method in a prefatory note.

    From the narratives of army life during World War Two to the domestic and familial scenes of his final book, this selection presents Jarrell's art at its best, comparable in power and variety to that of his contemporaries Robert Lowell and Elizabeth Bishop.

    As midnight approaches, the box is opened, a fateful dare is made, and the children as well as Chintana come face to face with the consequences of a malice retold and now foretold.

    She's independent, street-smart and the daughter of a prostitute. Living in the mean streets of East New York and Bedford Stuyvesant Brooklyn shes forced to make a living the only what she knows how. When a wealthy, South African diplomat asks for her hand in marriage things seem to get brighter. Until she realizes that the soft-spoken, reserved, gentleman is pathological, kinky, and sadistic. One day she meets a mysterious stranger who approaches her with The Criss Cross. Is The Criss Cross her ticket to a better life? Or will The Criss Cross ultimately become the double cross? Wait! The Criss Cross isn't done yet! The old gang from Life, Love & Loneliness have some unfinished business to resolve. In this page-turning novel see how the drama unfolds for Lyric, Lacey, Madison, Joshua, and Estelle.

     Worlds of achievement out of mind and remembering,           just as the poem lasts. In the concert of being present.                                                           —from “Arriving” Linda Gregg’s abiding presence in American poetry for more than thirty years is a testament to the longevity of art and the spirit. All of It Singing: New and Selected Poems for the first time collects the ongoing work of Gregg’s career in one book, including poetry from her six previous volumes and thirty remarkable new poems.

    Lana’s music and lyrics evoke images of a saturated Kodachrome photograph, so it would stand to reason that she’d now add “poet” to her artist’s kit. Even without music, her words work their way around you, pulling you into a world that’s not unlike a David Lynch movie.[from barnesandnoble.com]

    A heart - a human heart - slithering down outside the window of a train travelling between London Bridge and Blackfriars. Someone must have thrown it out from a carriage in front. Kumiko is determined to find out who - and why. But Skelton was sitting next to Kumiko on the train and he saw it too, so he also wants to get to the bottom of the mystery. Or he says he does, but really he just wants Kumiko back, because she's walked out on him, just like that, and left him heartbroken. Each for their own reasons, Kumiko and Skelton set out - separately - on a bizarre trail of discovery. Darting between dingy student pubs, the roofs of Borough Market and the corridors and car-parks of Guy's Hospital, they become embroiled in the seedy world of young medical students, until eventually the gossip and the stories lead them both to the hospital's infamous dissection lecturer - known behind his back as 'King Death'...

    The first avocado pears are appearing at the greengrocer's, people are thinking about carpeting their lavatories and boxing in their banisters, and Ronnie Glover, housepainter, husband and father, is feeling the first vague stirrings of discontent with his life. Then, out of the blue, the fabulous, sophisticated (and married) Jacqueline bursts into his life and teaches him to tango. She seems to offer everything he ever dreamt of. But is it all too good to he true?

    Did they?) it might look something like this remarkable little book of Padgett Powell’s.”—Richard FordThe Interrogative Mood is a wildly inventive, jazzy meditation on life and language by the novelist that Ian Frazier hails as “one of the best writers in America, and one of the funniest, too.” A novel composed entirely of questions, it is perhaps the most audacious literary high-wire act since Nicholson Baker’s The Mezzanine or David Foster Wallace’s stories; a playful and profound book that, as Jonathan Safran Foer says, “will sear the unlucky volumes shelved on either side of it. How it doesn’t, itself, combust in flames is a mystery to me.”

    Driven by obsession—in particular, obsession with the legendary French poet, Robert Desnos—Muench’s identification with a true self beyond the self’s known truth is startling.—from the introduction by Carol Muske-Dukes“Simone’s poems have a confidence and sophistication of what I like to call intentionality. Also wit, grace, poise, and a relationship to writing beyond self-referential feeling.”—Anne Waldman“Lush, sprouting, sensuous images line-by-line, adopting myth freely, Muench’s poems are volatile explosives, circling beauty.”—James Tate

    Well, what if you don’t have no people? Or any you know of? What then? Are you doomed?” This is the nagging question of fifteen-year-old Nell’s life. Born with a cleft palate and left a foundling on the doorstep of a convent, she yearns to know her mother, whose name, she knows, was Jane.When the Mother Superior tries to pawn her off to a mean looking farmer and his beaten down wife, Nell opts for the only alternative she can see: she runs away. A chance encounter with a dime novel exhorting the exploits of Calamity Jane, heroine of the west, gives Nell the purpose of her life: to find Calamity Jane, who Nell is convinced is her mother.Her quest takes her down rivers, up rivers and across the Badlands to Deadwood, South Dakota and introduces her to Soot, a big, lovable black dog, and Jeremy Chatterfield, a handsome young Englishman who isn’t particular about how he makes his way, as long as he doesn't have to work for it. Together they trek across the country meeting characters as wonderful and bizarre as the adventure they seek, learning about themselves and the world along the way.

    She was a stripper, but is she now a performance artist and best-selling author, and it is really Barbara Walters she's narrating this tale to? We're too dazzled to know more than that this is about how a girl ends up in the backwash of decadence and sin and how out of the flotsam and jetsam she might construct a story of herself and the South to carry her to salvation.Serial killers, preachers, and prison flower-arranging classes. Bikers, bad boyfriends, and a stripper who performed as a Trans Am. Tiger has seen it all and as she sits on her slab, identifying anecdotes as they go by, we witness Selah Saterstrom at her greatest—funny, bawdy, and steeped in the landscape and all the devastation it has created and absorbed.Selah Saterstrom is the author of the novels The Pink Institution, The Meat and Spirit Plan, and Slab, all published by Coffee House Press. She is also the author of Tiger Goes to the Dogs, a limited edition letterpress project published by Nor By Press. Her prose, poetry, and interviews can be found in publications such as The Black Warrior Review, Postroad, Tarpaulin Sky, Fourteen Hills, and other places. She is the director of the PhD program in creative writing at the University of Denver and teaches and lectures throughout the United States.

    This collection suggests that a person is like a world, full of mysteries and wonders–and equally in need of an encyclopedia, a compendium of everything known. The long title sequence offers entries such as “The Sun” (“There is one mind in all of us, one soul, / who parches the soil in some nations / but in others hides perpetually behind a veil”), “The Elephant” (“How to explain my heroic courtesy?”), “The Pigeon” (“Once startled, you shall feel hours of weird sadness / afterwards”), and “Randall Jarrell” (“If language hurts you, make the damage real”). The mysteriously emotional individual poems coalesce as a group to suggest that our natural world is populated not just by fascinating creatures–who, in any case, are metaphors for the human as Chiasson considers them– but also by literature, by the ghosts of past poetries, by our personal ghosts. Toward the end of the sequence, one poem asks simply, “Which Species on Earth Is Saddest?” a question this book seems poised to answer. But Chiasson is not finally defeated by the sorrows and disappointments that maturity brings. Combining a classic, often heartbreaking musical line with a playful, fresh attack on the standard materials of poetry, he makes even our sadness beguiling and beautiful.

    The Holy Forest, now spanning five decades, is Blaser's highly acclaimed lifelong serial poem. This long-awaited revised and expanded edition includes numerous published volumes of verse, the ongoing "Image-Nation" and "Truth Is Laughter" series, and new work from 1994 to 2004. Blaser's passion for world making draws inspiration from the major poets and philosophers of our time—from friends and peers such as Robert Duncan, Jack Spicer, Charles Olson, Charles Bernstein, and Steve McCaffery to virtual companions in thought such as Hannah Arendt, Maurice Merleau-Ponty, Michel Foucault, and Jacques Derrida, among others. This comprehensive compilation of Blaser's prophetic meditations on the histories, theories, emotions, experiments, and countermemories of the late twentieth century will stand as the definitive collection of his unique and luminous poetic oeuvre.