Geiss is the most dedicated fourth-grade teacher imaginable. She goes to extraordinary lengths to make sure her students are presented with every opportunity—showing them slides from her summer vacations during Geography, reading to them from the classics of children’s literature after lunch, and providing them with the kinds of learning rewards that they will truly respond to—bite-sized nuggets of human flesh. Because Ms. Geiss’ students are pint-sized zombies, and the main tool of her peculiar version of the teaching trade is her trusty Remington .30-06 rifle. Ms. Geiss is firm but fair, and keeps a disciplined classroom. She has far more trouble from the adults shambling through what’s left of town than she does from her students, though a well-bulldozed killing field and the gasoline-filled moat encircling the school usually keeps the worst of the undead marauders at bay. But even the hardest working educators let their guard down sometimes, and after the Tribulations, just one mistake can mean school’s out forever. Bestselling, acclaimed author Dan Simmons’ story “This Year’s Class Picture” is a zombie tale that could itself be described as best in class, honored by the Stoker, Sturgeon, and World Fantasy Awards.

    This landmark collection gathers four groundbreaking fantasy classics from the acclaimed author of Light.Set in the imagined city of Viriconium, here are the masterworks that revolutionized a genre and enthralled a generation of readers: The Pastel City, A Storm of Wings, In Viriconium, and Viriconium Knights.Contents:The Pastel City, 1971 (novel)A Storm of Wings, 1980 (novel)In Viriconium, 1982 (novel)The Lamia & Lord Cromis, 1971 (short story)Viriconium Knights, 1981 (short story)The Luck in the Head, 1984 (novelette)Strange Great Sins, 1983 (short story)The Lords of Misrule, 1984 (short story)The Dancer from the Dance, 1985 (short story)A Young Man’s Journey to Viriconium, 1985 (short story)

    There are no superficial scares here; these are stories that will make you think even as they keep you on the edge of your seat. From bloody horror to supernatural creatures to unsettling, all-too-possible realism, this collection has something for any reader looking for a thrill.Fans of TV’s The Walking Dead, True Blood, and American Horror Story will tear through tales by these talented authors:Stefan BachmannLeigh BardugoKendare BlakeA. G. HowardJay KristoffMarie LuJonathan MaberryDanielle PaigeCarrie RyanMegan ShepherdNova Ren SumaMcCormick TemplemanApril Genevieve TucholkeCat Winters

    From Hugo and Nebula winners to Pulitzer and Booker Prize finalists to New York Times bestsellers, this anthology collects 30 pieces of Subterranean’s best, representing diverse, breathtaking short fiction from today’s modern masters.In “Last Breath” Joe Hill spins the tale of a man who collects the breaths of the dying for his haunting museum. Catherynne M. Valente’s “White Lines on a Green Field” chronicles what might happen if Coyote became a small town high school quarterback. Karen Joy Fowler’s “Younger Women” finds a woman confronting her daughter’s new boyfriend, who happens to be a vampire. Visit the Twilight Zone via George R.R. Martin in the script “The Toys of Caliban”. In Ted Chiang’s “The Truth of Fact, the Truth of Feeling” the narratives of a journalist and a young man are told in contrast, both impacted by technology and literacy. And in Kelley Armstrong’s “The Screams of Dragons” a boy is declared a changeling and things only get stranger from there. Other pieces visit far-flung space and intimate sick rooms, the futuristic pyramids of the rich and a jungle where a man-eating tiger stalks a village.Contents:- Perfidia (2004) by Lewis Shiner- Game (2012) by Maria Dahvana Headley- The Last Log of the Lachrimosa (2014) by Alastair Reynolds- The Seventeenth Kind (2007) by Michael Marshall Smith- Dispersed by the Sun, Melting in the Wind (2007) by Rachel Swirsky- The Pile (2008) by Michael Bishop- The Bohemian Astrobleme (2010) by Kage Baker- Tanglefoot (2008) by Cherie Priest- Hide and Horns (2009) by Joe R. Lansdale- Balfour and Meriwether in The Vampire of Kabul (2011) by Daniel Abraham- Last Breath (2005) by Joe Hill- Younger Women (2011) by Karen Joy Fowler- White Lines on a Green Field (2011) by Catherynne M. Valente- The Least of the Deathly Arts (2012) by Kat Howard- Water Can't Be Nervous (2012) by Jonathan Carroll- Valley of the Girls (2011) by Kelly Link- Sic Him, Hellhound! Kill! Kill! (2012) by Hal Duncan- Troublesolving (2009) by Tim Pratt- The Indelible Dark (2013) by William Browning Spencer- The Prayer of Ninety Cats (2013) by Caitlín R. Kiernan- The Crane Method (2011) by Ian R. MacLeod- The Tomb of the Pontifex Dvorn (2011) by Robert Silverberg- The Toys of Caliban (script) (2005) by George R.R. Martin- The Secret History of the Lost Colony (2008) by John Scalzi- The Screams of Dragons (2014) by Kelley Armstrong- The Dry Spell (2009) by James P. Blaylock- He Who Grew Up Reading Sherlock Holmes (2014) by Harlan Ellison- A Small Price to Pay for Birdsong (2011) by K.J. Parker- The Truth of Fact, the Truth of Feeling (2013) by Ted Chiang- A Long Walk Home (2011) by Jay Lake

    This mesmerizing collection features all of Ken’s award-winning and award-finalist stories, including: “The Man Who Ended History: A Documentary” (Finalist for the Hugo, Nebula, and Theodore Sturgeon Awards), “Mono No Aware” (Hugo Award winner), “The Waves” (Nebula Award finalist), “The Bookmaking Habits of Select Species” (Nebula and Sturgeon award finalists), “All the Flavors” (Nebula award finalist), “The Litigation Master and the Monkey King” (Nebula Award finalist), and the most awarded story in the genre’s history, “The Paper Menagerie” (The only story to win the Hugo, Nebula, and World Fantasy awards).A must-have for every science fiction and fantasy fan, this beautiful book is an anthology to savor.

    Appearing in print for the first time, "Amnesty" is a story of a woman named Noah who works to negotiate the tense and co-dependent relationship between humans and a species of invaders. Also new to this collection is "The Book of Martha" which asks: What would you do if God granted you the ability—and responsibility—to save humanity from itself?Like all of Octavia Butler’s best writing, these works of the imagination are parables of the contemporary world. She proves constant in her vigil, an unblinking pessimist hoping to be proven wrong, and one of contemporary literature’s strongest voices.

    We had beaten the common cold. But in doing so we created something new, something terrible that no one could stop. The infection spread, a man-made virus taking over bodies and minds, filling them with one, unstoppable command...FEED.Countdown"Everglades"San Diego 2014: The Last Stand of the California BrowncoatsHow Green This Land, How Blue This SeaThe Day the Dead Came to Show and TellPlease Do Not Taunt the OctopusAll the Pretty Little HorsesComing to You Live

    They spend their time telling stories to the unborn baby, trying to pass on the lessons they've learned: tales of circuses and stargazing, selkie fishermen and domestic werewolves, child-eating witches and broken-toothed dragons. But each must keep their storytelling a secret from the other, as they've agreed to only ever tell the plain truth. Ruth tells her stories when Liska is at work, to a background of shrieking seabirds; Liska tells hers when Ruth is asleep, with the lighthouse sweeping its steady beam through the window. As their tales build and grow along with their child, Liska and Ruth realise that the truth lives in their stories, and they cannot hide from one another. A Portable Shelter is a beautifully produced collection of elegant, haunting short stories from one of Britain's most exciting new talents. Each story is accompanied by an illustration by award-winning artist Liz Myhill. Produced with the assistance of the Dr Gavin Wallace Fellowship.

    Just because Jenny was born without a head doesn't mean she isn't still annoying to her older brother, and just because the Man of the Future's carefully planned extramarital affair ends in alien abduction and network fame doesn't mean he can't still pine for his absent wife. Romping through the fantastic with big-hearted ease, these stories cut to the core of what it means to navigate family, faith, and longing, whether in the form of a lovesick kraken slowly dragging a ship of sailors into the sea, a small town euthanizing its grandfathers in a time-honored ritual, or a third-grade field trip learning that time travel is even more wondrous--and more perilous--than they might imagine.Andreasen's stories are simultaneously daring and deeply familiar, unfolding in wildly inventive worlds that convey our common yearning for connection and understanding. With a captivating new voice from an incredible author, The Sea Beast Takes a Lover uses the supernatural and extraordinary to expose us at our most human.Our fathers at sea --Bodies in space --The sea beast takes a lover --The king's teacup at rest --He is the rainstorm and the sandstorm, hallelujah, hallelujah --Rockabye, Rocketboy --The saints in the parlor --Andy, lord of ruin --Jenny --Rite of baptism --Blunderbuss

    His earliest stories, the ones that made his name a quarter of a century ago, were set in the jungles of South America and filled with creatures dark and fantastical. Stories like “Salvador,” “The Jaguar Hunter,” and the excoriatingly brilliant “R&R” deconstructed war and peace in South America, in both the past and the future, like no other writer of the fantastic.A writer of great talent and equally great scope, Shepard has also written of the seamier side of the United States at home in classic stories like “Life of Buddha” and “Dead Money,” and in “Only Partly Here” has written one of the finest post-9/11 stories yet. Perhaps strangest of all, Shepard created one of the greatest sequences of “dragon” stories we’ve seen in the tales featuring the enormous dragon Griaule.The Best of Lucius Shepard is the first ever career retrospective collection from one of the finest writers of the fantastic to emerge in the United States over the past quarter century. It contains nearly 300,000 words of his best short fiction and is destined to be recognized as a true classic of the field.

    In her debut collection of short fiction, Due takes us to Gracetown, a small Florida town that has both literal and figurative ghost; into future scenarios that seem all too real; and provides empathetic portraits of those whose lives are touched by Otherness. Featuring an award-winning novella and fifteen stories—one of which has never been published before—Ghost Summer: Stories is sure to both haunt and delight.With an Introduction by Nalo Hopkinson and an Afterword by Steven Barnes.

    And when the reader comes to the artwork, it's like walking into an amazing room, and then throwing open a curtain to see a brilliant scene that makes you understand and appreciate everything you've encountered in a deeper way.

    Each narrator also pays homage to an author who has written imaginatively about animals during much the same time span: Henry Lawson, Colette, Kafka, Virginia Woolf, Tolstoy, Günter Grass, Julian Barnes, and others.These stories are brilliantly plotted, exquisitely written, inevitably poignant but also playful and witty. They ask us to consider profound questions. Why do animals shock us into feeling things we can't seem to feel for other humans? Why do animals allow authors to say the unsayable? Why do we sometimes treat humans as animals, and animals as humans? Can fiction help us find moral meaning in a disillusioned world?Ceridwen Dovey is a prodigiously gifted storyteller, an insightful thinker, and a prose writer of great range. Each of the storylines is an opening to a new way of considering the nature of violence and the relationship between human and animal experiences of the world. Only The Animals will ask you to believe again, just for a moment, in the redemptive power of reading and writing fiction.

    Down the road from a working-class British pub, along the brick wall of a narrow alley, if the conditions are exactly right, you’ll find the entrance to Slade House. A stranger will greet you by name and invite you inside. At first, you won’t want to leave. Later, you’ll find that you can’t. Every nine years, the house’s residents — an odd brother and sister — extend a unique invitation to someone who’s different or lonely: a precocious teenager, a recently divorced policeman, a shy college student. But what really goes on inside Slade House? For those who find out, it’s already too late... Spanning five decades, from the last days of the 1970s to the present, leaping genres, and barreling toward an astonishing conclusion, this intricately woven novel will pull you into a reality-warping new vision of the haunted house story—as only David Mitchell could imagine it.

    Not stories of triumph over adversity, but something completely other. Described in language that is brilliantly sardonic, Woods's characters return repeatedly to places where they don't belong—often the places where they were born. In "Zombie," a coming-of-age story like no other, two young girls find friendship with a mysterious woman in the local cemetery. "Take the Way Home That Leads Back to Sullivan Street" describes a lesbian couple trying to repair their relationship by dropping acid at a Mensa party. In "A New Mohawk," a man in romantic pursuit of a female political activist becomes inadvertently much more familiar with the Palestine/Israel conflict than anyone would have thought possible. And in the title story, Woods brings us into the mind of a queer goth teenager who faces ostracism from her small-town evangelical church.In the background are the endless American wars and occupations and too many early deaths of friends and family. This is fiction that is fresh and of the moment, even as it is timeless.