The enigmatic champion of the down-and-out was shaped by a lonely childhood in poor circumstances, an early priesthood that collided with the upheaval of Vatican 11 and working with the army during the Vietnam War. This is a lively portrait of the man behind the resilient social activist and popular media performer who refuses to be defeated by enforced retirement from the parish over which he presided for nearly forty years.Bob Maguire: 'Some people have called me a maverick or a larrikin or a renegade, or they say I'm plain mad. . .People will have to decide for themselves. But just one thing: Don't ever make me a saint. Because that is something I'm most definitely not.'

    Whether he’s hooking up with a man who dresses as a dolphin, suffering on airplanes and buses next to people with Food From Home, or hovering around an impenetrable circle of attractive people at a cocktail party, Oliver captures the messy, moving, and absurd moments of urban life as we live it today.Since moving to New York a decade ago, Oliver has pined for countless strangers on the subway, slept with half the people in his Washington Heights neighborhood, and observed the best and worst of humanity from behind the glass of a Times Square theater box office. He also rode the subway during Breastfeeding Awareness Week and lived to tell the tale. Culled from years of heartbreak, hook-ups, and more awkwardness than a virgin at prom and a whore in church (and he should know because he’s been both), Intimacy Idiot chronicles Oliver’s encounters with love, infatuation, resilience, and self-acceptance that echo our universal desire for intimacy of all kinds.

    Call us the apathetic generation and we will become that. Say times are changing, nobody cares about prom queens and getting into the college of his choice any more—say that (because it sounds good, it indicates a trend, gives a symmetry to history) and you make a movement and a unit out of a generation unified only in its common fragmentation. If there is a reason why we are where we are, it comes from where we have been.In An 18-Year-Old Looks Back on Life, Joyce Maynard, the New York Times bestselling author of Labor Day and After Her, then just an 18-year-old freshman at Yale, reflects on the culture she inherited—from Jackie Kennedy, to TV, to Women’s Lib—in what became a generation-defining essay. Features an introduction by the author.An 18-Year-Old Looks Back on Life was originally published in the New York Times Magazine, April 23, 1972. Cover design by Adil Dara.Photograph by Ted Croner.

    In this brave and searingly frank memoir, she describes those first horrifying moments and her long journey since. She has written an engrossing, unsentimental, beautifully poised account: as she struggles through the first months following the tragedy, furiously clenched against a reality that she cannot face and cannot deny; and then, over the ensuing years, as she emerges reluctantly, slowly allowing her memory to take her back through the rich and joyous life she’s mourning, from her family’s home in London, to the birth of her children, to the year she met her English husband at Cambridge, to her childhood in Colombo; all the while learning the difficult balance between the almost unbearable reminders of her loss and the need to keep her family, somehow, still alive within her.

    Now Alan Alda has written a memoir as elegant, funny, and affecting as his greatest performances."My mother didn't try to stab my father until I was six," begins Alda's irresistible story. The son of a popular actor and a loving but mentally ill mother, he spent his early childhood backstage in the erotic and comic world of burlesque and went on, after early struggles, to achieve extraordinary success in his profession.Yet Never Have Your Dog Stuffed is not a memoir of show-business ups and downs. It is a moving and funny story of a boy growing into a man who then realizes he has only just begun to grow.It is the story of turning points in Alda's life, events that would make him what he is-if only he could survive them.From the moment as a boy when his dead dog is returned from the taxidermist's shop with a hideous expression on his face, and he learns that death can't be undone, to the decades-long effort to find compassion for the mother he lived with but never knew, to his acceptance of his father, both personally and professionally, Alda learns the hard way that change, uncertainty, and transformation are what life is made of, and true happiness is found in embracing them.Never Have Your Dog Stuffed, filled with curiosity about nature, good humor, and honesty, is the crowning achievement of an actor, author, and director, but surprisingly, it is the story of a life more filled with turbulence and laughter than any Alda has ever played on the stage or screen.

    His plan began when he adopted Maude’s mother and indoctrinated her with his esoteric ideals. Her mission was to give him a daughter as blonde as she was, and then to take charge of the child’s education. That child was Maude, on whom her father conducted his outrageous experiment—to raise the perfect ‘super-human’ being.The three lived in an isolated mansion in northern France, where her father made her undergo endless horrifying endurance tests. Maude had to hold an electric fence without flinching. Her parents locked her in a cellar overnight and ordered her to sit still on a stool in the dark, contemplating death, while rats scurried around her feet.How did this girl, with her loveless and lonely childhood, emerge so unscathed, so full of the empathy that was absent in her childhood? How did she manage to escape?Maude was sustained by her love of nature and animals and her passion for literature. In writing this memoir, Maude Julien shows that it is possible to overcome severe trauma. She recounts her chilling and deeply moving story in a compelling and compassionate voice.

    She shows how we can reclaim true and lasting beauty—the kind that doesn’t depend on self-doubt, exploitation, or comparison—when we reflect God’s glory and embrace our value as he made us to be: strong, brave, and free. Only when we learn to see ourselves as God does can we leave behind our culture’s definitions and demands and find joy in The Other Side of Beauty.

    For those who have questioned their Christian faith, Robert Benson offers an account of his sojourn in a season of trouble and his journey back to God. In this spiritual self-portrait, Benson's experiences--battling depression and re-examining the deep Christian faith in which he has been immersed since childhood--become poignant testament of one believer's struggle with the mysteries of faith's road.

    Living and traveling in Spain during a year of teaching English to university students, she learned to translate and interpret her past and present worlds—to study the surprising moments of communication—as a way to make sense of language and meaning, longing and memory.    Morano focuses first on her year of living in Oviedo, in the early 1990s, a time spent immersing herself in a new culture and language while working through the relationship she had left behind with an emotionally dependent and suicidal man. Next, after subsequent trips to Spain, she explores the ways that travel sparks us to reconsider our personal histories in the context of larger historical legacies. Finally, she turns to the aftereffects of travel, to the constant negotiations involved in retelling and understanding the stories of our lives. Throughout she details one woman’s journey through vocabulary and verb tense toward a greater sense of her place in the world.    Grammar Lessons illustrates the difficulty and delight, humor and humility of living in a new language and of carrying that pivotal experience forward. Michele Morano’s beautifully constructed essays reveal the many grammars and many voices that we collect, and learn from, as we travel.

    “I was, of course, disturbed and worried. But the main change in my state of mind was that the background music had suddenly stopped—the music of daily life that’s constantly going, the music of infinite time and possibilities. Now suddenly it was gone, replaced by nothing, just silence. There you are, one little person, sitting in the late summer sun, with only a few things left to do.” Despite his illness, Kugel was intrigued by this new state of mind and especially the uncanny feeling of human smallness that came with it. There seemed to be something overwhelmingly true about it—and its starkness reminded him of certain themes and motifs he had encountered in his years of studying ancient religions. “This, I remember thinking, was something I should really look into further—if ever I got the chance.” In the Valley of the Shadow is the result of that search. In this wide-ranging exploration of different aspects of religion—interspersed with his personal reflections on the course of his own illness—Kugel seeks to uncover what he calls “the starting point of religious consciousness,” an ancient “sense of self” and a way of fitting into the world that is quite at odds with the usual one. He tracks these down in accounts written long ago of human meetings with gods and angels, anthropologists’ descriptions of the lives of hunter-gatherers, the role of witchcraft in African societies, first-person narratives of religious conversions, as well as the experimental data assembled by contemporary neuroscientists and evolutionary biologists. Though this different sense of how we fit into the world has largely disappeared from our own societies, it can still come back to us as a fleeting state of mind, “when you are just sitting on some park bench somewhere; or at a wedding, while everyone else is dancing and jumping around; or else one day standing in your backyard, as the sun streams down through the trees . . . ” Experienced in its fullness, this different way of seeing opens onto a stark, new landscape ordinarily hidden from human eyes. Kugel’s look at the whole phenomenon of religious beliefs is a rigorously honest, sometimes skeptical, but ultimately deeply moving affirmation of faith in God. One of our generation’s leading biblical scholars has created a powerful meditation on humanity’s place in the world and all that matters most in our lives. Believers and doubters alike will be struck by its combination of objective scholarship and poetic insight, which makes for a single, beautifully crafted consideration of life’s greatest mystery.

    The Good Good Pig celebrates Christopher Hogwood in all his glory, from his inauspicious infancy to hog heaven in rural New Hampshire, where his boundless zest for life and his large, loving heart made him absolute monarch.

    If your train is late, it is typical. If there are no seats on the upper deck of a bus, it is typical. If it starts to rain at five o'clock just before you leave work, it is typical.''The English do not like to be wished "Have a nice day", because to them it sounds like a command. They think, Who the hell do you think you are to order me to have a nice day?' Ten years ago, Angela Kiss arrived in the UK without a word of English. All she brought with her was a small bag, a sense of adventure, a desire to work and a copy of George Mikes' classic 1940s' humour book about the peculiarities of the British, How to be an Alien.Through every dodgy flat share, low-paid waitressing job, awkward date and office mishap, Angela held tight to George's wit and wisdom. With his help she began to understand how to live amongst the English - with their eccentricity, spirit and singing train drivers - and fell in love with a land rich in green spaces, pubs and puddings. A wry, often affectionate view on the English, and how to navigate our national personality.

    Styron is perhaps the first writer to convey the full terror of depression's psychic landscape, as well as the illuminating path to recovery.

    What she does, with clarity, beauty, and candor, is to document, often in their most extreme moments, the complex lives of others. It’s her work, but it’s much more than that: it’s her singular calling.Lynsey Addario was just finding her way as a young photographer when September 11 changed the world. One of the few photojournalists with experience in Afghanistan, she gets the call to return and cover the American invasion. She makes a decision she would often find herself making—not to stay home, not to lead a quiet or predictable life, but to set out across the world, face the chaos of crisis, and make a name for herself.Addario finds a way to travel with a purpose. She photographs the Afghan people before and after the Taliban reign, the civilian casualties and misunderstood insurgents of the Iraq War, as well as the burned villages and countless dead in Darfur. She exposes a culture of violence against women in the Congo and tells the riveting story of her headline-making kidnapping by pro-Qaddafi forces in the Libyan civil war.Addario takes bravery for granted but she is not fearless. She uses her fear and it creates empathy; it is that feeling, that empathy, that is essential to her work. We see this clearly on display as she interviews rape victims in the Congo, or photographs a fallen soldier with whom she had been embedded in Iraq, or documents the tragic lives of starving Somali children. Lynsey takes us there and we begin to understand how getting to the hard truth trumps fear.As a woman photojournalist determined to be taken as seriously as her male peers, Addario fights her way into a boys’ club of a profession. Rather than choose between her personal life and her career, Addario learns to strike a necessary balance. In the man who will become her husband, she finds at last a real love to complement her work, not take away from it, and as a new mother, she gains an all the more intensely personal understanding of the fragility of life.Watching uprisings unfold and people fight to the death for their freedom, Addario understands she is documenting not only news but also the fate of society. It’s What I Do is more than just a snapshot of life on the front lines; it is witness to the human cost of war.

    He was an icon of rugged individualism who had been to hell and back, telling the tale as never before. In his unforgettable autobiography, Johnny Cash tells the truth about the highs and lows, the struggles and hard-won triumphs, and the people who shaped him.In his own words, Cash set the record straight -- and dispelled a few myths -- as he looked unsparingly at his remarkable life: from the joys of his boyhood in Dyess, Arkansas to superstardom in Nashville, Tennessee, the road of Cash's life has been anything but smooth. Cash writes of the thrill of playing with Elvis, the comfort of praying with Billy Graham; of his battles with addiction and of the devotion of his wife, June; of his gratitude for life, and of his thoughts on what the afterlife may bring. Here, too, are the friends of a lifetime, including Willie Nelson, Roy Orbison, Bob Dylan, and Kris Kristofferson. As powerful and memorable as one of his classic songs, Cash is filled with the candor, wit, and wisdom of a man who truly "walked the line."