Published in France in 1958, the same year the Algerian War brought about the collapse of the Fourth French Republic, it is one of Camus most political works an exploration of his commitments to Algeria. Dismissed or disdained at publication, today "Algerian Chronicles, " with its prescient analysis of the dead end of terrorism, enjoys a new life in Arthur Goldhammer s elegant translation.Believe me when I tell you that Algeria is where I hurt at this moment, Camus, who was the most visible symbol of France s troubled relationship with Algeria, writes, as others feel pain in their lungs. Gathered here are Camus strongest statements on Algeria from the 1930s through the 1950s, revised and supplemented by the author for publication in book form.In her introduction, Alice Kaplan illuminates the dilemma faced by Camus: he was committed to the defense of those who suffered colonial injustices, yet was unable to support Algerian national sovereignty apart from France. An appendix of lesser-known texts that did not appear in the French edition complements the picture of a moralist who posed questions about violence and counter-violence, national identity, terrorism, and justice that continue to illuminate our contemporary world.

    In "Bonds of Alliance," Brett Rushforth reveals the dynamics of this system from its origins to the end of French colonial rule. Balancing a vast geographic and chronological scope with careful attention to the lives of enslaved individuals, this book gives voice to those who lived through the ordeal of slavery and, along the way, shaped French and Native societies. Rather than telling a simple story of colonial domination and Native victimization, Rushforth argues that Indian slavery in New France emerged at the nexus of two very different forms of slavery: one indigenous to North America and the other rooted in the Atlantic world. The alliances that bound French and Natives together forced a century-long negotiation over the nature of slavery and its place in early American society. Neither fully Indian nor entirely French, slavery in New France drew upon and transformed indigenous and Atlantic cultures in complex and surprising ways. Based on thousands of French and Algonquian-language manuscripts archived in Canada, France, the United States and the Caribbean, "Bonds of Alliance" bridges the divide between continental and Atlantic approaches to early American history. By discovering unexpected connections between distant peoples and places, Rushforth sheds new light on a wide range of subjects, including intercultural diplomacy, colonial law, gender and sexuality, and the history of race.

    But what is Orientalism, and who were the Orientalists, and how did Western scholars of Islamic culture come to be vilified as insidious agents of European imperialism? In Robert Irwin's groundbreaking new history, he answers this question with a detailed and colorful story of the motley crew of intellectuals and eccentrics who brought an understanding of the Islamic world to the West. In a narrative that ranges from an analysis of Ancient Greek perceptions of the Persians to a portrait of the first Western European translators of Arabic to the contemporary Muslim world's perceptions of the Western study of Islam, Irwin affirms the value of the Orientalists' legacy: not only for the contemporary scholars who have disowned it, but also for anyone committed to fostering the cross-cultural understanding which could bridge the real or imagined gulf between Islamic and Western civilization. Dangerous Knowledge is a both riveting and entertaining history, a bold argument, and an urgent redress of our conceptions about Western culture's relationship with its nearest neighbor.

    But today normality itself is open to medical modification. Equipped with a new molecular understanding of bodies and minds, and new techniques for manipulating basic life processes at the level of molecules, cells, and genes, medicine now seeks to manage human vital processes. The Politics of Life Itself offers a much-needed examination of recent developments in the life sciences and biomedicine that have led to the widespread politicization of medicine, human life, and biotechnology.Avoiding the hype of popular science and the pessimism of most social science, Nikolas Rose analyzes contemporary molecular biopolitics, examining developments in genomics, neuroscience, pharmacology, and psychopharmacology and the ways they have affected racial politics, crime control, and psychiatry. Rose analyzes the transformation of biomedicine from the practice of healing to the government of life; the new emphasis on treating disease susceptibilities rather than disease; the shift in our understanding of the patient; the emergence of new forms of medical activism; the rise of biocapital; and the mutations in biopower. He concludes that these developments have profound consequences for who we think we are, and who we want to be.

    Dumb crooks, celebrities gone bad, unsolved mysteries, odd laws, and more—Strange Crime has plenty of stories that will make you ask yourself, “What could they possibly have been thinking?” This easily portable paperback book is ideal for readers on the go. Take it to school, to work, to jury duty!

    Musical Theatre: A History presents a comprehensive history of stage musicals from the earliest accounts of the ancient Greeks and Romans, for whom songs were common elements in staging, to Jacques Offenbach in Paris during the 1840s, to Gilbert and Sullivan in England, to the rise of music halls and vaudeville traditions in America, and eventually to "Broadway's Golden Age" with George M. Cohan, Victor Herbert, Jerome Kern, George and Ira Gershwin, Rodgers and Hart, Oscar Hammerstein, Leonard Bernstein, and Andrew Lloyd Webber. The 21st century has also brought a popular new wave of musicals to the Broadway stage, from The Producers to Spamalot, and Mamma Mia! to The Drowsy Chaperone. Musical Theatre: A History covers it all, from the opening number to the curtain call, offering readers the most comprehensive and up-to-date history of the art form. As informative as it is entertaining, Musical Theatre is richly illustrated with anecdotes of shows and show people. It is cause for celebration for those working in the theatre as well as its legion of devoted fans.

    Marked by the Manson murders, rampant inflation, and recession, the decade seemed to usher in a gritty and unsightly reality. The city of glitz and glamour overnight became the city of smog and traffic, a cultural and environmental wasteland.Los Angeles in the 1970s was a complex and complicated city with local cultural touchstones that rarely made it near the silver screen. In Los Angeles in the 1970s, LA natives, transplants, and escapees talk about their personal lives intersecting with the city during a decade of struggle. From The Doors’ John Densmore seeing the titular L.A. Woman on a billboard on Sunset, to Deanne Stillman’s twisting path from Ohioan to New Yorker to finally finding her true home as an Angeleno, to Chip Jacobs’ thrilling retelling of the “snake in the mailbox” attempted murder, to Anthony Davis recounting his time as “Notre Dame Killer” and USC football hero, these are stories of the real Los Angeles—families trying to survive the closing of factories, teens cruising Van Nuys Boulevard, the Chicano Moratorium that killed three protestors, the making of a porn legend.Los Angeles in the 1970s is a love letter to the sprawling and complicatedfabric of a Los Angeles often forgotten and mostly overlooked. Welcome to the Gold Mine.

    A run-down bungalow sandwiched between a funeral home and a beauty shop in a poor Detroit neighborhood served as his headquarters. The building’s entrance was adorned with a large sign that improbably boasted “Hitsville U.S.A.” The kitchen served as the control room, the garage became the two-track studio, the living room was reserved for bookkeeping, and sales were handled in the dining room. Soon word spread that any youngster with a streak of talent should visit the only record label that Detroit had seen in years. The company’s name was Motown.Motown cuts through decades of unsubstantiated rumors and speculation to tell the true behind-the-scenes narrative of America’s most exciting musical dynasty. It follows the company and its amazing roster of stars from the tumultuous growth years in Detroit, to the drama and intrigue of Hollywood in the 1970s, to resurgence in 2002.Set against the civil rights movement, the decay of America’s northern industrial cities, and the social upheaval of the 1960s, Motown is a tale of the incredible entrepreneurship of Berry Gordy. But it also features the moving stories of kids from Detroit’s inner-city projects who achieved remarkable success and then, in many cases, found themselves fighting the demons that so often come with stardom—drugs, jealousy, sexual indulgence, greed, and uncontrollable ambition. Motown features an extraordinary cast of characters, including Diana Ross, Michael Jackson, Marvin Gaye, Smokey Robinson, and Stevie Wonder. They are presented as they lived and worked: a clan of friends, lovers, competitors, and sometimes vicious foes. Motown reveals how the hopes and dreams of each affected the lives of the others and illustrates why this singular story is a made-in-America Greek tragedy, the rise and fall of a supremely talented yet completely dysfunctional extended family. Based on numerous original interviews and extensive documentation, Motown benefits particularly from the thousands of pages of files crammed into the basement of downtown Detroit’s Wayne County Courthouse. Those court records provide the unofficial—and hitherto largely untold—history of Motown and its stars, since almost every relationship between departing singers, songwriters, producers, and the label ended up in litigation. From its peaks in the late 1960s and early 1970s, when Motown controlled the pop charts and its stars were sought after even by the Beatles, through the inexorable slide caused by their failure to handle their stardom, Motown is a riveting and troubling look inside a music label that provided the unofficial soundtrack to an entire generation.From the Hardcover edition.

    Segal weaves together biblical & literary scholarship, sociology, history & philosophy. A scholar, he examines the maps of the afterlife found in Western religious texts & reveals not only what various cultures believed but how their notions reflected their societies' realities & ideals, & why those beliefs changed over time. He maintains that the afterlife is the mirror in which a society arranges its concept of the self. The composition process for Judaism, Xianity & Islam begins in grief & ends in the victory of the self over death. Arguing that in all religious traditions the afterlife represents the ultimate reward for the good, he combines historical & anthropological data with insights gleaned from religious & philosophical writings to explain the following mysteries: why Egyptians insisted on a heavenly afterlife, while the body was embalmed in a tomb; why Babylonians viewed the dead as living in underground prisons; why Hebrews remained silent about life after death during the 1st Temple period, yet embraced it in the 2nd Temple period (534 BCE-70 CE); & why Xianity placed the afterlife in the center of its belief system. He discusses the inner dialogs & arguments within Judaism & Xianity, showing the underlying dynamic behind them, as well as the ideas marking the differences between the two. In an examination of the influence of biblical views of heaven & martyrdom on Islamic beliefs, he offers a perspective on the current rise of Islamic fundamentalism. In tracing the organic, historical relationships between sacred texts & communities of belief & comparing the visions of life after death that have emerged historically, he sheds light on the intimate connections between afterlife notions, the societies that produced them & the search for life's meaning.

    Bringing a historical perspective to bear on the regimes of race that colonizers have sought to impose on Aboriginal people in Australia, on Blacks and Native Americans in the United States, on Ashkenazi Jews in Western Europe, on Arab Jews in Israel/Palestine, and on people of African descent in Brazil, this book shows how race marks and reproduces the different relationships of inequality into which Europeans have coopted subaltern populations: territorial dispossession, enslavement, confinement, assimilation, and removal. Charting the different modes of domination that engender specific regimes of race and the strategies of anti-colonial resistance they entail, the book powerfully argues for cross-racial solidarities that respect these historical differences.From the Trade Paperback edition.

    As much as unemployment, economic stagnation, and social deprivation exacerbate the ongoing turmoil in the banlieues, the root of the problem lies elsewhere: in the continuing fallout from Europe's colonial era. Combining a fascinating and compulsively readable mix of history, literature, and politics with his years of personal experience visiting the banlieues and countries across the Arab world, especially Algeria, Hussey attempts to make sense of the present situation. In the course of teasing out the myriad interconnections between past and present in Algeria, Morocco, Tunisia, Beirut, and Western Europe, The French Intifada shows that the defining conflict of the twenty-first century will not be between Islam and the West but between two dramatically different experiences of the world—the colonizers and the colonized.

    Nowhere else will you find a more dramatic and convincing presentation of the evidence for its archaeologicalreality. The book uncovers the scientific genius of the ancients and the spiritual power of their mysterious religion. They are revealed as the inventors of a crystal technology to surpass our own, and the master builders of pyramidal monuments around the world. The cultural heritage of Atlantis in the civilizations of pharaonic Egypt, Bronze Age Europe, Maya Mexico and Inca Peru is clearly described. The doomed capital comes alive in a vivid recreation of its heyday of cultural splendour andimperial might. Within the pages of Atlantis and Other Lost Worlds you will also find the answers to many questions, including: - What is the most likely location of Atlantis?- How and when was Atlantis destroyed?- Has Japan's leading geologist found the sunken 'citadel' of Lemuria?- Have Russian oceanographers found the ruins of Atlantis?- What are the disturbing parallels between Atlantis and our time? Atlantis and Other Lost Worlds opens a new window on the ancient past, offering views of Atlantis and its kindred civilizations never seen before.

    Republic is also featured in its entirety.

    Quislings of the French colonial administration, they combined the aggression of gangland mobsters with the opulence of hereditary Indian princes, and ruled with a mixture of flamboyance and terror. On returning from the coronation of Queen Elizabeth II in 1953, T'hami ordered the severed heads of his enemies to be mounted on his gates. Yet in 1956, when the French left Morocco, the Glaoua regime toppled like a pack of cards.A classic story of history, intrigue, mystery, and action.

    St. Francis of Assisi is a profoundly Catholic work, explaining and illuminating the life of St. Francis in a way no other biography has. The spiritual kinship the author felt with his subject enables the reader to delve into insights on the character of Francis that have eluded many. St. Thomas Aquinas is enriched by the author’s unique ability to see the world through the saint’s eyes, a fresh and animated view that shows us Aquinas as no other biography has. Acclaimed as the best book ever written on Aquinas by such outstanding Thomists as Jacques Maritain, Etienne Gilson, and Anton Pegis, this brilliant biography will completely capture the reader and leave him desirous of reading Aquinas’ own monumental work.