But with the fall of the Berlin Wall in 1989, she found herself swept up in a flood of startling revelations from her mother's earlier life. As she pored through old photographs and documents, she began to ask questions about secrets and omissions. The answers she found both shocked and inspired her, and would irrevocably transform her view of her mother, herself, and the meaning of family legacy.From Berkeley, California to New York City, to Leipzig, Germany, this compelling memoir takes you across continents and lifetimes."The Woman in the Photograph" will make you wonder about the men and women in your own photographs and how your life has been shaped by events you know little about.

    That is, however, until he took it upon himself to attempt to assassinate the Führer, Adolph Hitler. Being a common man who opposed the Nazi regime, Elser took the skills from his craft and worked to assemble his own bomb detonator. Every night, he snuck out to the Munich Beer Hall, where he worked on assembling the bomb that he planned to use to kill Hitler. Hidden in a hollowed-out space near the speaker’s podium, Elser’s bomb went off successfully, killing eight people. Hitler was not one of them. This is the story, scene by scene, of the events that led up to Georg Elser taking justice into his own hands, his attempt to murder the Führer, and what happened after the bomb went off. The Lone Assassin is a powerfully gripping tale that places the reader in the dark days of Munich in 1939, following Elser from the Munich Beer Hall, across the border, and sadly, to the concentration camp where his heroic life ended.

    It is the story of a spirited girl in a warm and loving Jewish family, living a normal life in a small town in eastern Hungary. In The May Beetles, Baba describes the innocence and excitement of her childhood, remembering her early years with verve and emotion, remarkably unaffected by what took place after the Nazis arrived.What did happen was unspeakable horror. Baba describes the shattering of her family and their community from 1944, when the Germans transported the 3000 Jews of her town to Auschwitz. She lost her father to the gas chambers, yet she and her two sisters survived this concentration camp and several others to which they were transported as slave labour. They eventually escaped the final death march and were liberated by the advancing Russian army. Baba writes about this period of horror with the same directness, freshness and honesty as she writes about her childhood. Baba wrote this book in 1991 but only revealed the manuscript last year, when she was eighty-eight. The May Beetles, prepared with the assistance of Robert Hillman, has a story to tell that will affect all readers deeply.

    In spare, brutal prose he describes a world where where the will to survive overrides compassion and prisoners eat, work and sleep a few yards from where others are murdered; where the difference between human beings is reduced to a second bowl of soup, an extra blanket or the luxury of a pair of shoes with thick soles; and where the line between normality and abnormality vanishes. Published in Poland after the Second World War, these stories constitute a masterwork of world literature.

    The young, bright, lively girl suddenly found herself in a cramped flat hiding with other Jewish families. Then came the raids. To avoid being one of the thousands who were rounded up every day and deported to the camps, Janina was forced to keep on the move. Her escape to the 'Aryan' side was followed by years spent behind hidden doors, where dependence on others was crucial. Told through her teenage diaries, this is an extraordinary tale of a passionate young woman's survival and courage.

    27-year-old American detective and heiress, Slim Moran, is hired by a British spymistress to find Marie-Claire, a spy long presumed dead. Slim soon realizes that scores from the last war have not been settled. She races to find out what happened to this deeply troubled lost spy because if Marie-Claire is not dead, she will be soon.

    Depicting both the horrors of the Holocaust and the lifetime of emptiness that pursues a survivor, 'The Shawl' and 'Rosa' recall the psychological and emotional scars of those who suffered at the hands of the Nazis.

     Based on a true story, MY MOTHER'S SECRET is a profound, captivating, and ultimately uplifting tale intertwining the lives of two Jewish families in hiding from the Nazis, a fleeing German soldier, and the clever and "righteous" mother and daughter who teamed up to save them. Franciszka and her daughter, Helena, are unlikely heroines. They are simple people who mind their own business and don't stand out from the crowd. Until 1939, when crisis strikes. The Nazis have invaded Poland and they are starting to persecute the Jews. Providing shelter to a Jew has become a death sentence. And yet, Franciszka and Helena decide to do just that. In their tiny, two-bedroom home in Sokal, Poland, they cleverly hide a Jewish family of two brothers and their wives in their pigsty out back, a Jewish doctor with his wife and son in a makeshift cellar under the kitchen floorboards, and a defecting German soldier in the attic--each group completely unbeknownst to the others. For everyone to survive, Franciszka will have to outsmart her neighbors and the German commanders standing guard right outside her yard. Told simply and succinctly from four different perspectives, MY MOTHER'S SECRET is a reminder that there are, in fact, no profiles of courage and each individual's character is a personal choice. This book was inspired by the true story of Franciszka Halamajowa, who, with her daughter, saved the lives of fifteen Jews in Poland during the Second World War. She also hid a young German soldier in her attic at the same time. Before the war, there were six thousand Jews in Sokal, Poland. Only thirty survived the war and half of those did so because of Franciszka.

    Josef Breuer—celebrated psychoanalyst—is about to encounter his strangest case yet. Found by the lunatic asylum, thin, head shaved, she claims to have no name, no feelings—to be, in fact, not even human. Intrigued, Breuer determines to fathom the roots of her disturbance.Years later, in Germany, we meet Krysta. Krysta’s Papa is busy working in the infirmary with the ‘animal people,’ so little Krysta plays alone, lost in the stories of Hansel and Gretel, the Pied Piper, and more. And when everything changes and the world around her becomes as frightening as any fairy tale, Krysta finds her imagination holds powers beyond what she could have ever guessed. . . .Eliza Granville has had a life-long fascination with the enduring quality of fairytales and their symbolism, and the idea for Gretel and the Dark was sparked when she became interested in the emphasis placed on these stories during the Third Reich.

    Grove. Photos throughout.

    Taken, along with her mother and father, from the Terezín ghetto in Prague, Dita is adjusting to the constant terror that is life in the camp. When Jewish leader Freddy Hirsch asks Dita to take charge of the eight precious volumes the prisoners have managed to sneak past the guards, she agrees. And so Dita becomes the librarian of Auschwitz. Out of one of the darkest chapters of human history comes this extraordinary story of courage and hope.

    Here, the soldiers were worked to death, starved and brutalized; more than twenty percent died from this horrific treatment.This is one of the last untold stories of World War II, and Roger Cohen re-creates it in all its blistering detail. Ground down by the crumbling Nazi war machine, the men prayed for salvation from the Allied troops, yet even after their liberation, their story was nearly forgotten. There was no aggressive prosecution of the commandants of the camp and the POWs received no particular recognition for their sacrifices. Cohen tells their story at last, in a stirring tale of bravery and depredation that is essential for any reader of World War II history.

    This book is an authorized translation of the original book that was written in Croatian in 1966. What follows was written by the original publisher. There is no stronger or more reliable material than the one that is born from one’s own experience. Eyewitnesses and direct participants provide us with not only the facts, but also that sublimely human spirit common to all happenings in which people participate. It doesn’t matter that this account is about the fear that the people of Jasenovac experienced, or about the deeds of their torturers. For every one hundred thousand people in the Jasenovac camp during its horrifying four-year existence, there was only one—literally one—who survived. Those were the odds in the balance of life and death: one hundred thousand dead and one alive. And there is a witness, right in front of us, who found the strength to reminisce, to go back to the place of his torture, to break the psychological barriers, and to lead us step by step through his nightmare, through waves of terror that exceed every notion of horror. From the beginning of his time at Jasenovac to the end, Egon Berger was witness—and victim—to a rampage without limit. Of those who survived, he is the only one who told the story. Berger does not bring us a literary masterpiece—he brings us only the experience, a story about forty-four months of his life in a camp, told simply. A story is enough—a story that calls images to mind and makes us tremble with the thought, “Are such things possible?” For myself and every person who had been to Jasenovac and lived, it is a miracle that we survived. Yes, it is possible, it is real, and it is true. A terror arose in front of us from the oblivion. It should not be forgotten. Share this record with future generations who will hopefully not know such terror. Ivo Frol, 1966