It tells the story of how Orbis Rex, Young Matt and his Circle of Friends, Queen Dido and the blind Dom'nic did battle with 'a wet and withered bat' from Wuhan.

    The resonance of this image grows through each section of the book as Hahn skillfully employs theme and variation, counterpoint and mirroring techniques. The ibis first appears as part of an illusion, the disappearing object in a magician’s trick, which then evokes the greatest disappearing act of all—death—where there are no tricks to bring about a reappearance. The rich complexity multiplies as the second section focuses on a disappearing lady and a dramatic final section brings together the bird and the lady in their common plight—both caged by their mortality, their assigned time and role.  All of the illusions fall away during this brilliant denouement as the two voices share a dialogue on the power of metaphor as the very essence of poetry. bird trick iv It’s all about disappearance. About a bird in a cagewith a mirror, a simple twiston the handle at the sidethat makes it come and go at the magician’s insistence. It’s all about innocence.It’s all about acceptance.It’s all about compliance.It’s all about deference.It’s all about silence. It’s all about disappearance.

    The saga recounts Egil's progression from youthful savagery to mature wisdom as he struggles to avenge his father's exile from Norway, defend his honour against the Norwegian King Erik Bloodaxe, and fight for the English King Athelstan in his battles against Scotland. Exploring issues as diverse as the question of loyalty, the power of poetry, and the relationship between two brothers who love the same woman, Egil's Saga is a fascinating depiction of a deeply human character.

    Published in 1954 in Tabriz, it is about Shahriyar's childhood and his memories of his village Khoshgenab near Tabriz. Heydar Baba is the name of a mountain overlooking the village.In Heydar Babaya Salam Shahriar narrates a nostalgia from his childhood in a village in Iranian Azerbaijan.

    The poet who drew such unusual attention has a surprising background: for many years he has worked for Brooks Brothers, a fact that lends particular nuance to the title of his collection. The Clerk's Tale pays homage not only to Chaucer but to the clerks' brotherhood of service in the mall, where "the light is bright and artificial, / yet not dissimilar to that found in a Gothic cathedral." The fifty poems in The Clerk's Tale are exquisitely restrained, shot through with a longing for permanence, from the quasi-monastic life of two salesmen at Brooks Brothers to the poignant lingering light of a Miami dusk to the weight of geography on an empty Minnesota farm. Gluck describes them as having "an effect I have never quite seen before, half cocktail party, half passion play . . . We do not expect virtuosity as the outward form of soul-making, nor do we associate generosity and humanity with such sophistication of means, such polished intelligence . . . Much life has gone into the making of this art, much patient craft."

    Known for sharp imagery, startling metaphors and deceptively simple diction, his luminous poems offer mysterious glimpses into the deepest facets of humanity, often through the lens of the natural world. These new translations by Patty Crane, presented side by side with the original Swedish, are tautly rendered and elegantly cadenced. They are also deeply informed by Crane’s personal relationship with the poet and his wife during the years she lived in Sweden, where she was afforded greater insight into the nuances of his poetics and the man himself.

    And images of a fantastic idyll complete with falling stars, the sound of the sea, and beautiful countryside. In the hands of Surrealists, though, love poetry also includes gravediggers and murderers, dice and garbage, snakeskin purses and "the drunken kisses of cyclones." Surrealism, the movement founded in the 1920s on the ashes of Dada's nihilism, embraced absurdity, contradiction, and, to a supreme extent, passion and desire. From André Breton's battle cry of "Mad Love" to the quiet lyricism of Robert Desnos, Surrealist writers and artists obsessively expressed the permutations of that fundamental human state, love, and they did so with the vocabulary of natural and unnatural worlds, the explicit language of sex, and a great deal of humor.Surrealist Love Poems brings together sixty poems by Surrealists who charged their work with all forms of eroticism. Expertly and energetically edited by Mary Ann Caws, this collection seeks to demonstrate the truth of Breton's words, that "the embrace of poetry like that of bodies / As long as it lasts / Shuts out all the woes of the world.""Erotic, impassioned and necrophilic, the sixty works gathered in Surrealist Love Poems celebrate the idea of obsessive and transformative love. 'I want to sleep with you side by side. . . . Stretched out on your shadow / Hammered by your tongue / To die in a rabbit's rotting teeth / Happy' writes Joyce Mansour. . . . Caws places poems by major surrealist writers like André Breton and Paul Eluard, along with the poetry of Picasso, Dalí, and Frida Kahlo, side by side with fourteen lushly printed and alluring black-and-white photos by the likes of Man Ray, Lee Miller, and Claude Cahun."—Publishers Weekly

    Even though the ladies have been through hell and back with their boyfriends, they’ve always stood by their men.Hennessey and Desmond tried so hard to let go of the Hood life, but thirsty women and money hungry niggas would not let them fully leave the streets. They both are now on a haunting spree to find Stacy who is on the run after shooting Jessica and leaving her for dead. The surprises that come with Stacy will have the men questioning if touching her in any way is even possible.Keice is keeping a horrible secret from her sister while trying her best to live with it, and not sell her boyfriend out. If she tells Tara that Hennessey killed Ricky the entire family would go down for good. However, here is just one question…Is Keice more loyal to her sister or her man?”Things seem to be crumbling right before their eyes. Will Hennessey move on, or will he try to work it out with the girl who has stuck it out with him through all the BS?This juicy finale is filled with so much drama, action, betrayal, love, and lust. Will things stay the same or will love eventually prevail?

     It is two weeks after millions of people have mysteriously disappeared from the face of the earth, and, like millions of others, Jerry Westfield, Pulitzer Prize-winning journalist, is upset and perplexed at that loss, particularly since it took his best friends, Jeremy and Kathy Palmer. His personal concerns must be set aside, however, when the international situation frantically signals the immanent destruction of the state of Israel. It is there that Jerry is sent to cover the story of his journalistic career and is reunited with Jacob Klausman, a ‘retired’ member of the ‘Mossad,’ Israel’s secret service. It is also there that he will meet with a cataclysmic series of monsters and miracles, including Ruth, the woman who will change his mind about marriage, and the charismatic Demetrius Strapollos, who soon is hailed as the ‘Messiah’ who will rescue Israel and restore her former glory. This quick-moving tale of suspense and power on a cosmic scale is intricately detailed and researched, providing the reader with insights into international politics, Biblical prophecy, the darkness of the human heart, and the challenge of faith in the face of disillusionment and pain. As current as this morning’s newspaper, this book will challenge the reader’s belief system, introduce him or her to the intricate world of international intrigue, and insure that the reader will never look at the Mid-East situation in quite the same light ever again.

    www.aabra.us Amazon: www.amazon.com/taliban-escape-woman&#...

    Additional narrators include Geoffrey Palmer O.B.E., Sir Donald Sinden, and Elaine Stritch. Music: 'Reverie De Sebastian' by Steve Davies.

    Whenever push comes to shove, Desire will go and get it by any means. At 19 years young, she’s no rookie to the streets and she’ll do whatever it takes to survive. The brutal death of her parents, and being repeatedly raped by her uncle for years is to blame. All she needs is money, and her best friends Isyss and Reign by her side. Everything else is irrelevant until she meets a young savage by the name of Yung. With all that has happened in her life, Yung becomes her knight in shining armor, she becomes the air that he breathes. As a kid, Yung was left in the care of his poor excuse for a father; Big Rah, when his mother decided that she no longer wanted to be a mother anymore. She may as well had left him for dead because Big Rah’s only concern was drugs, leaving Yung home alone many nights to fend for himself, and that’s exactly what he did. Down to Ride Til the Very End is sure to take you on a ride; a ride that is filled with love, triumphs, trials, and betrayal. Do they have what it takes to ride until the end or will these challenges break this unstoppable duo apart?

    The pair's innovative and authentic adaptation of Dante's epic, coupled with Birk's striking play on Gustave Dor's classic illustrations, make this a "Divine Comedy" for the 21st century. Acclaimed by both the literary and art worlds; rife with contemporary turns of phrase and slang (just as the original poem was written in the vernacular of its day) and pointed visions of the afterlife as contemporary cities; and rich with bold allusion, cultural critique, and witthis is the must-have collection of modern classics.

    So great was his stature as an Urdu poet that he never had to mould his poetry to suit the demands of film songwriting; instead, producers and composers adapted their requirements to his poetry. His songs in films like Pyaasa, Naya Daur and Phir Subah Hogi have attained the status of classics. This exhaustive biography traces the poet’s rich life, from his troubled childhood and his equally troubled love relationships, to his rise as one of the pre-eminent personalities of the Progressive Writers Movement and his journey as lyricist through the golden era of Hindi film music, the 1950s and 1960s.

    In an effort to understand desire, beauty, and love as transient anodynes to metaphysical loneliness, he invokes Constantine Cavafy, Pablo Neruda, Anna Akhmatova, and Dante Rossetti.from “Jewel-Tongued”   The stillness of a lover’s mouth   assaulted me. I never wearied of anecdotes   on the Commons, gesturing until I scattered   myself into a luminance, shining over a city   of women. Was I less human or more? I hear still   my breathing echoing off their pillows. So many   eyes like crushed flowers. Our fingers splayed   over a bed’s edge. We were blown away.