Captain Drew Matthews is sent on a mission behind enemy lines to secure vital information. He is ambushed but is able to escape. Joining a group of American soldiers, led by Corporal Dane Shaw, refugees from the recent battle, they make their way across the desert to the city of Sfax, where Drew is to meet with the mysterious ‘Monsieur Gascoigne’. They stumble across a small group of Arabs and Germans guarding a halftrack filled with treasure looted from murdered Jews and rescue their prisoner, the beautiful Frenchwoman Angelique DuBois. While driving to Sfax, Dane shares his Christian faith with his companions while trying to avoid a group of Arab raiders. Dane relies on God to direct his life while proving himself a wise and outstanding commander with ferocious fighting skills. While Dane and his men fight off the Arab bandits, Drew and Angelique enter Sfax for their meeting only to be met with a number of very unwelcome surprises. Escaping by a series of fortunate circumstances, which leads them to believe that there may be something to Dane’s God, they return to camp only to run into more trouble. Zabronski, one of the American soldiers, filled with lust for the treasure and for Angelique, subverts the other soldiers, kidnaps Drew and Angelique and wounds Dane. Forcing Drew to reveal where the treasure is hidden, they are met by the Germans and Arab bandits who have joined forces and tracked them down. Drew and Angelique are rescued by Dane, and in a wild night ride across the desert, pursued by vengeful Germans and Arabs, they attempt to reach the American lines before dawn. Will they make it, and will Angelique solve the dilemma of which man she loves and which god she will serve?

    Volume 5 of the Sarah Woods Mystery Series A Death in Tuscany (Book 13) The Stares of Strangers (Book 14) The Devil You Know (Book 15)

    She smiles like she is hiding a secret. She holds her head high, like she is wearing an invisible crown. The air Around her is charged with confidence, strength, and courage. Have you heard the whispers? She woke up different today. Yet it feels she has been like this always. Maybe it’s the story that has changed.About the Author‘Fragile but Unbreakable’ is how Reecha describes herself. She believes in miracles, takes life head on, and is passionate about weaving magic with her words. And now that she has found her calling, she desires to spend her entire life reading, travelling, and dwelling in her own little fictional and poetic worlds. An MBA from Loyola Institute of Business Administration, she is based out of New Delhi where she lives with her husband and two kids. She – Screw Silence is her third book.

    This new poetic translation seeks to capture the nuances of meaning and the whole spirit of this poetry. It is not merely a selection but covers all the surviving poems and intelligible fragments, apart from the works of Pindar and Bacchylides, and includes a number of pieces not previously translated. The introduction gives a brief account of the poets, and explanatory notes on the texts can be found at the end.

    Hughes's Oresteia is quickly becoming the standard edition for English-language readers and for the stage, too.

    

    But heartbreak awaits among the tidy gardens and green lawns and soon seventeen-year-old Alison is forced to take on responsibility for her out-of-work father and brothers and put her own ambitions aside.Love as well as loss threatens Alison’s future, however, and leads her into a relationship with teacher Jim Abbott, an affair which her brothers, even the brooding Henry, are powerless to understand, let alone prevent. Throughout the Depression years of the early 30s, the Burnsides – united by a shared heritage yet divided by their dreams – square up to the challenge of poverty and fight to hold the family together, whatever the cost.

    It's for the seekers searching for a new home, for the wanderers leaving their old homes, for the lovers creating a home wherever they are. Sometimes you hold on to what is left, sometimes you just let go to start afresh.

    Cool under pressure with a tough, take-no-prisoners demeanor, he has been recruited by the CIA to head up an undercover team tasked with capturing a ruthless international drug trafficker.Posing as a sailing school captain in the U.S. Virgin Islands, he meets his fair share of young women, but his desires run dark and deep, and there is no room for romantic entanglements.When sassy, sexy, auburn-haired spitfire Beth Cameron charters his yacht, he keeps her at arm's length--until her rebellious streak puts her life in danger. Jerking her over his lap, he delivers a stinging spanking, then suddenly surrendering to temptation, he throws her on his bed and mercilessly ravages her until she is screaming his name and begging for more.Though he wants to oblige, engine trouble forces his return to shore, but just moments after they dock she vanishes. No note, no call, no text.It's now six months later, and he cannot believe his eyes.She is running frantically down the wharf towards him, terror in her face and wearing a long, blonde wig...

    Some of the major tales in the 'Fall of Troy' are: how the Amazonian Queen, Penthesileia, died for Troy; the death of Memnon; how Apollo slayed Achilles; and the death of Paris.

    . . . The translation is faithful in the very best sense: it reflects both the meaning and the beauty of the Greek text. . . . The footnotes are always helpful, never obtrusive. A one-page outline is useful since there are no editorial additions to mark major divisions in the dialogue. An appendix containing fragments of early Greek love poetry helps the reader appreciate the rich, and perhaps elusive, meaning of eros. . . . The entire Introduction is crisply written, and the authors' erudition shines throughout, without a trace of pedantry. . . . this is an excellent book that deservedly should find wide circulation for many years to come." --Tim Mahoney, University of Texas at Arlington

    But some say that Helen was never in Troy, that she had been conveyed by Zeus to Egypt, and that Greeks and Trojans alike fought for an illusion. A fifty-line fragment by the poet Stesichorus of Sicily (c. 640-555 B.C.), what survives of his Pallinode, tells us almost all we know of this other Helen, and from it H. D. wove her book-length poem. Yet Helen in Egypt is not a simple retelling of the Egyptian legend but a recreation of the many myths surrounding Helen, Paris, Achilles, Theseus, and other figures of Greek tradition, fused with the mysteries of Egyptian hermeticism.

    The War Nerd takes on Homer in a new translation; a classic gory, funny, tragic story in today's language.

    Originating in the wild imagination of French poet and playwright Alfred Jarry and his schoolmates, resisting clear definition, purposefully useless, and almost impossible to understand, 'pataphysics nevertheless lies around the roots of Absurdism, Dada, futurism, surrealism, situationism, and other key cultural developments of the twentieth century. In this account of the evolution and influence of 'pataphysics, Andrew Hugill offers an informed exposition of a rich and difficult territory, staying aloft on a tightrope stretched between the twin dangers of oversimplifying a serious subject and taking a joke too seriously. Drawing on more than twenty-five years' research, Hugill maps the 'pataphysical presence (partly conscious and acknowledged but largely unconscious and unacknowledged) in literature, theater, music, the visual arts, and the culture at large, and even detects 'pataphysical influence in the social sciences and the sciences. He offers many substantial excerpts (in English translation) from primary sources, intercalated with a thorough explication of key themes and events of 'pataphysical history. In a Jarryesque touch, he provides these in reverse chronological order, beginning with a survey of 'pataphysics in the digital age and working backward to Jarry and beyond. He looks specifically at the work of Jean Baudrillard, Georges Perec, Italo Calvino, J. G. Ballard, Asger Jorn, Gilles Deleuze, Roger Shattuck, Jacques Pr?vert, Antonin Artaud, Ren? Clair, the Marx Brothers, Joan Mir?, Max Ernst, Marcel Duchamp, James Joyce, Flann O'Brien, Raymond Roussel, Jean-Pierre Brisset, and many others.

    Long celebrated as a pathbreaking achievement in the social history of the ancient world, M.I. Finley's brilliant study remains, as classicist Bernard Knox notes in his introduction to this new edition, "as indispensable to the professional as it is accessible to the general reader"--a fundamental companion for students of Homer and Homeric Greece.