Country musicians and magicians, professional wrestlers and rock stars, all have turned to Nashville's historic Hatch Show Print to create showstopping posters. Established in 1879, Hatch preserves the art of traditional printing that has earned a loyal following to this day (including the likes of Beck, Emmylou Harris, and the Beastie Boys). Hatch Show Print: The History of a Great American Poster Shop is the first fully illustrated tour of this iconic print shop and also chronicles the long life and large cast of employees, entertainers, and American legends whose histories are intertwined with it. Complete with 190 illustrations--as well as a special book jacket that unfolds to reveal an original Hatch poster on the reverse--Hatch Show Print is a dazzling document of this legendary institution.

    But, Žižek argues in this new study and collection of original texts, Lenin's true greatness can be better grasped in the very last couple of years of his political life. Russia had survived foreign invasion, embargo and a terrifying civil war, as well as internal revolts such as at Kronstadt in 1921. But the new state was exhausted, isolated and disorientated in the face of the world revolution that seemed to be receding. New paths had to be sought, almost from scratch, for the Soviet state to survive and imagine some alternative route to the future. With his characteristic brio and provocative insight, Žižek suggests that Lenin's courage as a thinker can be found in his willingness to face this reality of retreat lucidly and frontally.

    In the years since we have seen the dismantling of the Soviet bloc and the restoration of Ukraine's independence - a time of celebration for Ukrainians throughout the world, and of tumultuous change for those in the homeland.With this new edition of "Ukraine: A History," Subtelny revises the story up to the spring of 2000. A new chapter focuses on the achievements and failures of the new state and society in international affairs, internal politics, and economic and social development.Third edition: ISBN 0-8020-4871-4 / 9780802048714 (cloth)Third edition: ISBN 0-8020-8390-0 / 9780802083906 (paper)Third edition: ISBN 1282033956 / 9781282033955 / 9786612033957 (mass market hardcover)Third edition: ISBN 6612033959 / 1442682825 / 9781442682825 (mass market paperback)

    It's not an autobiography, though it does offer a revealing and highly personal inside view of contemporary culture. It's an essential tool kit for understanding the world around us. Deyan Sudjic studied architecture in Edinburgh, edited Domus in Milan, was the director of the Venice architecture biennale, and a curator in Glasgow, Istanbul and Copenhagen. The author of The Language of Things and The Edifice Complex, Deyan Sudjic is now Director of the Design Museum, London.

    After the Bolshevik Revolution, the Baron - now in command of a lethally effective rabble of cavalrymen - conquered Mongolia, the last time in history a country was seized by an army mounted on horses. He was a Kurtz-like figure, slaughtering everyone he suspected of irreligion or of being a Jew. And his is a story that rehearses later horrors in Russia and elsewhere. James Palmer's book is an epic recreation of a forgotten episode and will establish him as a brilliant popular historian.

    Between 1900 and 1920, Russia underwent a complete and irreversible transformation: by the end of these two decades, a new regime was in place, the economy had collapsed, and over 20 million Russians had died during the revolution and what followed. Still, Bolshevik power remained intact due to a remarkable combination of military prowess, violent terror tactics, and the failures of their opposition. And as McMeekin shows, Russia's revolutionaries were aided at nearly every step by countries like Germany and Sweden who sought to benefit—politically and economically—from the chaotic changes overtaking the country.The first comprehensive history of these momentous events in a decade, The Russian Revolution combines cutting-edge scholarship and a fast-paced narrative to shed new light on a great turning point of the twentieth century.

    His name brings to mind brutal terrorism and ruthless oppression. Yet, as New York Times bestselling author Ian Grey shows, at the core of the Man of Steel was a humble, puritanical Georgian peasant. What set him above others was his intelligence, discipline, perception, indomitable will, and above all, a messianic determination to lead Russia to a grand destiny. Grey's comprehensive biography portrays Stalin as a complex, paradoxical figure - a leader whose power was rooted in the tsarist traditions he abhorred and whose tyranny was based on an ambition to ensure the strength of his party. In his single-minded dedication to the growth of Russia under communism, Stalin was able to disregard all sense of morality. Yet, through his magnetism, he commanded the respect of his colleagues and the adulation of his people. Even Winston Churchill held him in awe. Stalin is a powerful history of Russia's evolution from backward nation to world power, as well as a dramatic portrait of a man who was called both "The Implacable" and "Beloved Father."

    Bursting at the seams with rare and previously unpublished photographs from Hammer’s archive and private collections worldwide, and featuring many new interviews, Hammer Glamour is a lavish, full colour celebration of Hammer’s female stars, including Ingrid Pitt, Martine Beswick, Caroline Munro, Barbara Shelley, Joanna Lumley, Nastassja Kinski, and of course Raquel Welch (who can forget her fur bikini in One Million Years B. C.?)

    Since its 1970 s renaissance in the iconic album designs of bands such as the Grateful Dead, the skull has found its way into the visual vocabulary of urban life, adorning T-Shirts, badges and rock memorabilia as the ultimate symbol of anarchy and rebellion. Repurposed and recast by artists, illustrators and designers, it has become one of the most iconic cultural symbols of our time. In response to this cultural phenomenon, The Book of Skulls presents a cool visual guide to the skull, charting its rebirth through music and street fashion to become today s ultimate anti-establishment icon. From Black Sabbath to Cypress Hill, skater punk graffiti to Gothic tattoos, from high-couture to Hello Kitty and Dali to Damien Hirst, this book is the ultimate collection of cool and iconic skull motifs. Drawing together artwork from music, fashion, street art and graphic design The Book of Skulls is a celebration of one of today s most iconic cultural symbols.

    Hopefully, you'll also laugh along the way.Each spread in this colorful, pocket-sized book contains a series of several questions illustrated in Stefan Bucher's unique, whimsical, hand-lettered style. The questions are designed to get you thinking and drawing and writing with room on each spread to fill in the blanks and jot down ideas. Sample questions include: Can you name 10 things that reliably stress you out? Do you need 10 more spaces? Was filling out lists on your list? Or the decimal system? What happens when you get stressed out? Do you think stress is heroic? Can you please convince me that that's really stupid?In addition to the questions provided by Bucher, the book features questions from creative celebrities who share some of the questions they were asked on the way to success, or, in some cases, the questions they wish they had been asked. The talented group of writers, musicians, and artists contributing to the book include: Jed Alger Judd Apatow Marian Bantjes Ken Carbone Tim Carvell Deanne Cheuk Wayne Coyne Russell Davies Arem Duplessis Dave Eggers Karen Fowler Ze Frank Jona Frank Jill Greenberg Stanley Hainsworth Peter Hannan Debbie Millman Rick Morris Seth Morris Christoph Niemann David Norland Patton Oswalt Martha Rich Stefan Sagmeister Meredith Scardino J.J. Sedelmaier Dave Stewart Lara Tomlin Jakob Trollb�ck Rick Valicenti Esther Pearl Watson Lynda Weinman Jan Wilker Doyald Young Tarsem If you answer even half of the questions in this book, it will change your life.

    He talks of the creation of the work of art, the importance of the community, the problem of communication, and the critical theories governing the artist and his audience.

    The valiant and sardonic citizens of the former Communist countries—surrounded by secret police, threatened with arrest, imprisonment and forced labor, a failed economic system, and bombarded with ludicrous propaganda—turned joke-telling into an art form, using them as a coded way of speaking the truth and coping with the absurdity of the system. In this poignant and historically revealing book, rare and previously unpublished archive material, including cartoons, caricatures, photographs, and oral transcripts take the reader on a unique journey through the real experience of the Communist era.

    From the Pale Gold (15-0927 TPX) and Almost Mauve (12-2103 TPX) of the 1900 Universal Exposition in Paris to the Rust (18-1248 TPX) and Midnight Navy (19-4110 TPX) of the countdown to the Millennium, the 20th century brimmed with color. Longtime Pantone collaborators and color gurus Leatrice Eiseman and Keith Recker identify more than 200 touchstone works of art, products, d cor, and fashion, and carefully match them with 80 different official PANTONE color palettes to reveal the trends, radical shifts, and resurgences of various hues. This vibrant volume takes the social temperature of our recent history with the panache that is uniquely Pantone.

    Aside from Gorbachev, Pozner is the most widely known Russian personality in America, and he earns his fame with these controversial commentaries that reveal his strongly humanistic philosophy.

    Richard Nixon used it for his presidential campaign, as did Hillary Clinton. Indeed, Futura is one of the most used fonts in the world today—the typeface of modern design—more so even than Helvetica. This fascinating book explores the cultural history and uses of a face that's so common you might not notice, until you start looking, and then you can't escape it. Douglas Thomas traces Futura from its Bauhaus-inspired origin in Paul Renner's 1924 design, to its current role as the go-to choice for corporate work, logos, motion pictures, and advertisements. Never Use Futura is illuminating, sometimes playful, reading, not just for type nerds, but for anyone interested in how typefaces are used, take on meaning, and become a language of their own.