She’s been trying to put the crime out of her mind; what could she have done, really? It’s a dangerous road to be on in the middle of a storm. Her husband would be furious if he knew she’d broken her promise not to take that shortcut home. And she probably would only have been hurt herself if she’d stopped.But since then, she’s been forgetting every little thing: where she left the car, if she took her pills, the alarm code, why she ordered a pram when she doesn’t have a baby.The only thing she can’t forget is that woman, the woman she might have saved, and the terrible nagging guilt.Or the silent calls she’s receiving, or the feeling that someone’s watching her…

    Terrible things. My mind is in a whorl, confused as to what I should relate first. Where to begin? I must describe my cell. After all, it has become my world. Strange, that I who once had the entire globe to choose from, am now confined within a twelve feet by twelve feet boundary." So writes Philip Calder. He is being kept a prisoner, alone, on a remote Scottish island. His life is shrunk to the stifling confines of his small room, a courtyard surrounded by high walls, and the sterile company of two uniformed guards whom he ironically names Morcambe and Wise. He is only allowed a pen and paper to break the monotony. So he writes. He writes about how he came to be there, starting at the beginning, when Maxwell Stone first came into his world.He relates how his world was altered forever when Connie Stone and her ten year old son Max moved into the small mining town of Overthorpe. It's the 1960s, and Connie causes a stir amongst the locals, for wearing bright lipstick, short skirts, and, the worst of all, being a single mother. Calder is at once captivated by her. Philip becomes friends with her son, but it is a strange, volatile relationship. Max is unfathomable, unpredictable, often violent, and as they grow older both Philip and Max vie for one young woman's attention - Ruby. But it's Max's strange fascination with wanting to be Philip Calder, to have his life, his identity, that triggers a series of unpredictable events that will lead to Calder's imprisonment.Gavin Miller is a successful author. He is in possession of Calder's manuscript, having been handed it by the manager of a nursing home called Overton Hall. He knows he must destroy it, because in it is laid bare his own dark secret. In it lies the seeds of his own ruin and why he is irrevocably tied emotionally and physically to the enigmatic Mrs Randolf.But who exactly is Gavin Miller? Who is Mrs Randolf? What is the truth behind Philip Calder's bizarre imprisonment on a remote Scottish island?Max is a brooding novel that twists and turns through the decades to explore the dark workings of a troubled friendship, a diseased mind, and the jealousies and hatred that leads ultimately to madness, deceit and murder.

    Minutes from the city, affluent without pretension, low crime with a friendly vibe—it’s everything Kat never had, and that she’s determined to provide for her infant daughter. Snagging a nice bungalow in this exclusive enclave was worth all the sacrifice. But everything changes overnight when Kat finds a scrawled note outside their front door.That wasn’t very neighborly of you.As increasingly sinister and frighteningly personal notes arrive, each one stabs deeper into the heart of Kat’s insecurities, paranoia, and most troubling, her past. When the neighbors who seemed so perfect reveal their open secret, the menace moves beyond mean notes. Someone’s raising the stakes.As suspicious as she is of every smiling face and as terrified as she’s become of being found out, Kat is still unprepared for the sharp turn that lies just ahead of her on Bayberry Lane.

    The worst sin he’s ever committed bubbles up, threatening to destroy his future.Are the Zodiac killings a coincidence or is someone toying with him, and if so… who?

    Not so, lately. Four women have disappeared from Cleary over the past two years. And there’s always a blue ribbon left near the spot where each of the women was last seen. There are no bodies, no other clues, and no suspicion as to who their abductor might be. And now, another woman has disappeared without a trace. It is to this backdrop that Lilly Martin returns to close the sale of her mountain cabin, marking the end of her turbulent eight-year marriage to Dutch Burton, Cleary’s chief of police. Dutch’s reluctance to let her go isn’t Lilly’s only obstacle. As she’s trying to outrun a snowstorm, her car skids on the icy road and strikes a man who emerges from the woods on foot. She recognizes the injured man as Ben Tierney, whom she’d met the previous summer. They’re forced to wait out the storm in the cabin, but as the hours of their confinement mount, Lilly begins to wonder if the greatest danger to her safety isn’t the blizzard outside, but the mysterious man right beside her. Is Ben Tierney the feared abductor? Or is he who he claims to be...her rescuer from harm and from the tragedy that haunts her?

    He's working a routine case, complete with hours of tedious surveillance, when he sees something that shakes him to the core. There, with the subject, is a little blond girl wearing a pink top and denim shorts—the same outfit worn by Tracy Turner, a six-year-old abducted the day before. When the police are skeptical of Ballard's report—and with his history, who can blame them?—it's the beginning of the most important case of his life.

    Set in the dark, depraved world of sex-trafficking, this gritty, continuing psychological thriller and drama tells the story of six victims and their hope for revenge and redemption. Book One: House of PleasureBRUTALITY Fueled by rage and disgust, Phoenix runs away from home. The situation there had become unbearable. In fact, things couldn’t get any worse.BETRAYAL But they do. Trusting a boy who she thought was a new friend, she finds herself taken prisoner by a low-class pimp. Then, when she thinks she's on her way to her first seedy trick, Phoenix winds up locked in a limo with no way out. She wakes up in an illegal brothel in New Orleans. BACKLASHPhoenix vows she will find a way to destroy Antoine, the owner of the brothel. Instead of being Antoine’s prostitute, she’ll become his lover, his confidante, and pretty soon, his manager. And then, when he least suspects it, she’ll bring the entire house down. She better be damn good. There will only be one chance.

     Ess wasn't aware that a momentary encounter during her childhood had made her the object of obsession nearly twenty years later. Not just the artist’s obsession, but also the art collector’s. The artist had to kidnap her to keep her safe. The truth doesn't always set you free. How do they go on?

    She convinces her three golfing buddies, all in their seventies, to sell their homes and buy adjoining condos. The widows intend to spend the rest of their days golfing, gambling at the casino, and having fun. Oh, the heaven of it. But then they all hire the same maid who uncovers long-hidden criminal secrets kept by each woman. Oh, the horror of it. The reputations of their deceased husbands, a banker, a minister, and a respected farmer, will be tarnished forever. Three of the widows could face jail time, and the fourth fears for her life. Whatever will they do with the conniving, blackmailing maid? If you grew to love the characters in Marie F. Martin’s previous novels Maternal Harbor, Harbored Secrets, and Ratham Creek, you will treasure Roberta and her friends in the mystery Don’t Mess With Mrs. Sedgewick.This is a caper story where the not so pure put their lives at risk to catch the real bad guys and save their little town.

    She’ll end it.FBI special agent Clarke Sinclair doesn’t give up easily. She’s spent years tracking serial killer Simon Cross, forced to follow his twisted clues and photographs across the country. Clarke knows that Cross selects only redheaded women and that he doesn’t target another victim until Clarke discovers the previous one.He’s never broken pattern…until now.A girl has already gone missing in upstate New York when a second one is kidnapped—a blonde. The killer’s MO has changed, sending Clarke back to the drawing board. The closer she gets to the truth, the deeper she’s drawn into an inescapable trap made just for Clarke. Whatever Cross’s ultimate game is, it ends with her.

    Now, after finally getting promoted at work, she is forced to return home and face her past.River Rock is where she’d been abandoned by her two older sisters to suffer alone, and in silence, the unspeakable abuses of her family. It’s also where Sawyer’s best friend disappeared and two teenage girls were murdered. Three cold cases dead and buried with the rest of the town’s secrets.When another girl is slain in a familiar grisly fashion, Sawyer is determined to put an end to the crimes. Pulled back into the horrors of her family history, Sawyer must reconcile with her estranged sisters, who both have shattering memories of their own. As Sawyer’s investigation leads to River Rock’s darkest corners, what will prove more dangerous—what she knows of the past or what she has yet to discover?

    She has no idea how she got there, and notices changes in herself that she cannot explain. Haunted by unsettling dreams of her past, she sets out to escape, joined by Eric, who finds himself in the same predicament. Standing in their way is a madman, and his band of willing followers, with a mind set on murdering their unwelcome visitors. An eccentric hermit who has been living there for years offers them refuge, but they must deny his generosity. Escape is their only option. Yet, they discover this deceptive paradise is harder to leave than they had ever imagined. One mystery leads to another, until their escape throws them into even greater danger as Abby’s frightening past finally catches up with her. Her escape is only the beginning.

    After a successful but destructive career as a high-profile California homicide detective, and then a less successful and even more destructive stint working for a church, he has moved to Virginia to start over as a teacher. The only thing he's bringing with him is Kix, his infant baby boy. He plans for peaceful living with his son, but trouble soon finds him as his new co-workers begin showing up dead outside of his classroom. The Sheriff's Office is stumped, the teachers are scared, and hidden rifts within the county begin surfacing. The town turns to August for help, which he is compelled to provide after learning that evidence suggests he will be the next victim. August must survive entanglements with the small-time police force, a local drug dealer, and the young and aggressive brunette teaching across from him if he is to stop the mysterious killer.

    After a serial killer’s confession to the crime restored justice, Lauren chose to live with her father and grandmother. Now an adult, Lauren has come home to the Sacramento family estate for good, her mother’s lies be damned…It’s been decades since Donna made her cheating husband pay, but she hasn’t forgotten the past. She knows her estranged daughter has made a terrible mistake by returning to the estate. There’s more to the story of the welcoming old homestead—and her childhood—than Lauren knows.As Lauren settles in, she is haunted by the questions of what really happened with her father, what her mother might be hiding, and what secrets the family ranch holds. It’s getting so dark, Lauren may not be able to see the truth to save her life.

    But when eight-year-old Tanisha Walker offers him a jar full of change to find her missing brother, he doesn’t have the heart to turn her away.Justin had hoped to find the boy alive and well. But all that was found of Devon Walker was his brutally murdered body—and the bodies of twelve other African American teenagers, all discarded like trash in a mass grave. Each had been reported missing. And none had been investigated.As simmering racial tensions explode into violence, Justin finds himself caught in the tide. And as he gives voice to the discontent plaguing the city’s forgotten and ignored, he vows to search for the killer who preys upon them.