The accident that ended her burgeoning acting career left her with excruciating, chronic back pain, a failed marriage, and a deepening dependence on painkillers. And now she’s on the verge of losing her job as a college theater director. Determined to put on Shakespeare’s All’s Well That Ends Well, the play that promised, and cost, her everything, she faces a mutinous cast hellbent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers.That’s when she meets three strange benefactors who have an eerie knowledge of Miranda’s past and a tantalizing promise for her future: one where the show goes on, her rebellious students get what’s coming to them, and the invisible, doubted pain that’s kept her from the spotlight is made known.With prose Margaret Atwood has described as “no punches pulled, no hilarities dodged...genius,” Mona Awad has concocted her most potent, subversive novel yet. All’s Well is the story of a woman at her breaking point and a formidable, piercingly funny indictment of our collective refusal to witness and believe female pain.

    They don’t know that she began her day planning to kill herself. But they know that she’s threatening to kill them. They began the ride as her passengers, but now they’re her captives. She’s already shown she won’t hesitate to use that gun in her hand, and no one wants to be the next to die. They have no idea where she’s taking them, who will be left alive when they get there, or what‘s in store for the survivors. With a madwoman at the wheel, the bus has gone far off its route, deep into insanity. And for most of the passengers, the next stop will be their last.

    Tamsen Donner must be a witch. That is the only way to explain the series of misfortunes that have plagued the wagon train known as the Donner Party. Depleted rations, bitter quarrels, and the mysterious death of a little boy have driven the pioneers to the brink of madness. They cannot escape the feeling that someone--or something--is stalking them. Whether it was a curse from the beautiful Tamsen, the choice to follow a disastrous experimental route West, or just plain bad luck--the 90 men, women, and children of the Donner Party are at the brink of one of the deadliest and most disastrous western adventures in American history. While the ill-fated group struggles to survive in the treacherous mountain conditions--searing heat that turns the sand into bubbling stew; snows that freeze the oxen where they stand--evil begins to grow around them, and within them. As members of the party begin to disappear, they must ask themselves "What if there is something waiting in the mountains? Something disturbing and diseased...and very hungry?"

    In fact, she never thought she would escape her small and peculiar hometown. When We Were Animals is Lumen's confessional: as a well-behaved and over-achieving teenager, she fell beneath the sway of her community's darkest, strangest secret. For one year, beginning at puberty, every resident "breaches" during the full moon. On these nights, adolescents run wild, destroying everything in their path.Lumen resists. Promising her father she will never breach, she investigates the mystery of her community's traditions and the stories erased from the town record. But the more we learn about the town's past, the more we realize that Lumen's memories are harboring secrets of their own.A gothic coming-of-age tale for modern times, When We Were Animals is a dark, provocative journey into the American heartland.

    The prisoner demands that Malcolm perform a gory, bewildering task for him. As the clock ticks toward Dusha's release, Malcolm must attempt to find out whether he's assisting a murderer or an innocent. The End of the Sentence combines Kalapuya, Welsh, Scottish and Norse mythology, with a dark imagined history of the hidden corners of the American West.Maria Dahvana Headley and Kat Howard have forged a fairytale of ghosts and guilt, literary horror blended with the visuals of Jean Cocteau, failed executions, shapeshifting goblins, and magical blacksmithery. In Chuchonnyhoof, they've created a new kind of Beast, longing, centuries later, for Beauty.

    A stolen child. Revenge. Death. And an ordinary house at the end of an ordinary street.All these things are true. And yet they are all lies...You think you know what's inside the last house on Needless Street. You think you've read this story before. That's where you're wrong.In the dark forest at the end of Needless Street, lies something buried. But it's not what you think...

    The author deftly puts you inside the mind of a serial killer--succeeding not in writing about madness, but in writing with the logic of madness.

    The trees are coarse and tall in the winter light, standing like men. Lauren and her father Niall live alone in the Highlands, in a small village surrounded by pine forest. When a woman stumbles out onto the road one Halloween night, Niall drives her back to their house in his pickup. In the morning, she's gone. In a community where daughters rebel, men quietly rage, and drinking is a means of forgetting, mysteries like these are not out of the ordinary. The trapper found hanging with the dead animals for two weeks. Locked doors and stone circles. The disappearance of Lauren's mother a decade ago. Lauren looks for answers in her tarot cards, hoping she might one day be able to read her father's turbulent mind. Neighbours know more than they let on, but when local teenager Ann-Marie goes missing it's no longer clear who she can trust. In spare, haunting prose, Francine Toon creates an unshakeable atmosphere of desolation and dread. In a place that feels like the end of the world, she unites the gloom of the modern gothic with the pulse of a thriller. It is the perfect novel for our haunted times.

    John the Divine. It is a strange place of brooding shrines and gleaming towers, guarded by stone angels. For Sweeney, college is a time to experiment with sex, to explore new friendships. It is a time of freedom and discovery--until she makes the wrong discovery.

    In Adrian Tchaikovsky's Elder Race, a junior anthropologist on a distant planet must help the locals he has sworn to study to save a planet from an unbeatable foe.Lynesse is the lowly Fourth Daughter of the queen, and always getting in the way.But a demon is terrorizing the land, and now she’s an adult (albeit barely) and although she still gets in the way, she understands that the only way to save her people is to invoke the pact between her family and the Elder sorcerer who has inhabited the local tower for as long as her people have lived here (though none in living memory has approached it).But Elder Nyr isn’t a sorcerer, and he is forbidden to help, for his knowledge of science tells him the threat cannot possibly be a demon…

    It’s easy money, and a chance to return to his hometown for his first visit in years. The app itself seems like a retread of old ideas—relaxing white noise and guided meditations. But then there are the “Sleep Songs.” A woman’s hauntingly beautiful voice sings a ballad that is anything but soothing—it’s disturbing, really, more of a warning than a relaxation—but it works. Deep, refreshing sleep follows. So do nightmares. Vivid and chilling, they feature a dead woman who calls Nick by name and whispers guidance—or are they threats? And soon her voice follows him long after the song is done. As the effects of the nightmares begin to permeate his waking life, Nick makes a terrifying discovery: no one involved with Clarity has any interest in his article. Their interest is in him. Because while he might not have any memory of it, he’s one of twenty people who have heard this sinister song before and the only one who is still alive.

    The one condition of the inheritance is that they keep the uncle's beloved pet cormorant. They soon discover, however, that the cormorant is no mere bird, but a foul and malignant creature that may exact a greater price than they are willing to pay. Produced by the BBC as a TV film starring Ralph Fiennes.

    Leisel and Evelyn lost everything. Husbands. Families. Friends. Lives that made sense. All they had left was each other, and a friendship that could withstand anything…Even an apocalypse.Until one fateful night, the marginal safety they’d come to rely on comes to a vicious and brutal end. With the help of Alex & Jami, both unlikely allies, Leisel and Evelyn are able to escape their shattered sanctuary only to find themselves face-to-face with a much altered, much crueler life where they have to find the way—and the will—to stay alive in a world they no longer recognize.Traveling across a broken and infection-ridden country; the road-weary group are pitted against endless violence, improbable circumstances, and the ultimate loss.Everything comes at a price—especially safety, the cost of which could very well strip them of the one thing they’ve tried so hard to cling to: their humanity.Yet along with all the trials they’re forced to endure, there’s also hope in the form of love. Having loved Leisel from afar, Alex attempts to put the pieces of her fractured heart back together.But in such a savage world, is there room for love?In a place of nightmares-made-reality, where the living should be feared far more than the dead, an unbreakable friendship and a love amongst all odds can mean the difference between life and death.There are friends…And then there are Leisel and Evelyn.

    Ghosts are real, too. They live inside us, and sometimes, they win."~Stephen KingOfficer Mack Larson is not everything he appears...When twelve-year-old Trey and his best friend Eddy play a prank on Officer Mack, the resulting chain of events rocks the small town of Bay's End.Today, Trey Franklin is a man haunted by his past. Tormented by that one tragic, fateful summer, Trey searches for catharsis the only way he knows how - by writing.A tale of love and loss, bittersweet memories, and the depths of human evil.Welcome to Bay's End.*Warning: Contains graphic language and adult situations.

    No one is sure if this “Camp Slaughter” place is real or not. But a group of college kids renting out a cabin deep in the woods of Pennsylvania will soon realize the truth. They’ll realize the danger, too. Or rather, the cannibal out in the woods will bring the danger to them…