The ribald masterpiece by one of the world's great novelists -- an unflinching view of private lives in Roman of mid-20th century.

    Major literary talent Ramona Ausubel, author of Sons and Daughters of Ease and Plenty, coming Summer 2016, combines the otherworldly wisdom of her much-loved debut novel, No One Is Here Except All of Us, with the precision of the short-story form. A Guide toBeing Born is organized around the stages of life—love, conception, gestation, birth—and the transformations that happen as people experience deeply altering life events, falling in love, becoming parents, looking toward the end of life. In each of these eleven stories Ausubel’s stunning imagination and humor are moving, entertaining, and provocative, leading readers to see the familiar world in a new way.In “Atria” a pregnant teenager believes she will give birth to any number of strange animals rather than a human baby; in “Catch and Release” a girl discovers the ghost of a Civil War hero living in the woods behind her house; and in “Tributaries” people grow a new arm each time they fall in love. Funny, surprising, and delightfully strange—all the stories have a strong emotional core; Ausubel’s primary concern is always love, in all its manifestations.

    A free short story taken straight from the pages of THE MONSTER’S CORNER, an all original anthology from some of today’s hottest supernatural writers, featuring stories from the monster’s point of view.SPECIMEN 313 is the story of a meat-eating plant named Max, surviving in the greenhouse with his mad doctor keeper when he gets a new female neighbor.

    Who has it. Who doesn’t. How you get it. How you don’t.In Refund, Bender creates an award-winning collection of stories that deeply explore the ways in which money and the estimation of value affect the lives of her characters. The stories in Refund reflect our contemporary world—swindlers, reality show creators, desperate artists, siblings, parents — who try to answer the question: What is the real definition of worth?In “Theft,” an eighty-year-old swindler, accustomed to tricking people for their money, boards a cruise ship to see if she can find something of true value—a human connection. In “Anything for Money,” the creator of a reality show is thrown into the real world when his estranged granddaughter reenters his life in need of a new heart; and in the title story, young artist parents in downtown Manhattan escape the attack on 9/11 only to face a battle over their subletted apartment with a stranger who might have lost more than only her deposit.Set in contemporary America, these stories herald a work of singular literary merit by an important writer at the height of her power.

    Bolano's narrators are usually writers grappling with private (and generally unlucky) quests, who typically speak in the first person, as if giving a deposition, like witnesses to a crime. These protagonists tend to take detours and to narrate unresolved efforts. They are characters living in the margins, often coming to pieces, and sometimes, as in a nightmare, in constant flight from something horrid.In the short story "Silva the Eye," Bolano writes in the opening sentence: "It's strange how things happen, Mauricio Silva, known as The Eye, always tried to escape violence, even at the risk of being considered a coward, but the violence, the real violence, can't be escaped, at least not by us, born in Latin America in the 1950s, those of us who were around 20 years old when Salvador Allende died."Set in the Chilean exile diaspora of Latin America and Europe, and peopled by Bolano's beloved "failed generation," the stories of Last Evenings on Earth have appeared in The New Yorker and Grand Street.

    

    Forbidden by international accords to engage in combat, the "dog soldiers" lend their skills to the regular Army units, sniffing out IEDs and guarding the troops against things that go bump in the night. Sergeant Decker and his 300th comrade, Sergeant Sobieski, are assigned to a Forward Operating Base deep in the mountains of Afghanistan when they have to face a local threat far more dangerous than roadside bombs or insurgent ambushes.

    Written in the author's wry and masterful voice, these evocative stories are infused with all the peculiar customs, ironies and humor so special to the South.The twelve stories in this collection include "Red Clay," which won an Edgar Allen Poe Award, in which a local girl from Thermopylae becomes a movie star who moves back to her sleepy North Carolina home town and is tried for murdering her unfaithful husband. Her trial causes the town and one man in particular to look back with longing and nostalgia at this exquisite Southern belle who captivated-and sometimes manipulated-every man she met."Fast Love," the recipient of an O. Henry Award, is the story of a man who chases down his future wife after seeing her jog past. As he gets closer to his quarry, he also gains the courage to stand up for what he wants and to champion what he believes.In "Blue Cadillac," Marie, blonde and beautiful, shares dinner and her love of Elvis with a high-tech sales rep on his way home to Memphis. Along the way and on the road, they have exquisite sex and decide to part, Marie in her blue Cadillac. As he rings the bell at his mother's house, the young man discovers that he has been robbed of his wallet and his whole life on cards.Self-contained masterpieces, each of these short stories has the impact and power of a full-length novel.Stella : red clay --Marie : blue Cadillac --Precious : winners and losers --Charmain : white trash noir --Lucy : maniac loose --Flonnie : the rising of the South and Flonnie Rogers --Patty : love and other crimes --Meredith : fast love --Angie : the power --Mona : Miss mona's bank --Betty : a deer on the lawn --Mattie : invitation to the ball

    His teenage friend Claire is an ace with numbers, and is always eager to help him with his homework. Max adores her, and loves when she visits him in the old house on Hollow Street. Claire can also weave a ghost story like no one else. But her favorite tale always sends chills down his spine, and hits a little too close to home...

    As he questions God's existence in one of the darkest corners of the world, Gabriel creates a file where he stores any evidence of the divine--no matter how unseemly.

    'Some people lose their sense of proportion; I've lost my sense of scale.' The short story 'Scale' was taken from the collection Grey Area.

    Her characters—young women struggling to find happiness, love, success, security, and adventure—wait tables, run away from home, fall for married men, betray their friends, and find themselves betrayed as well.In "Hungry Self," a young waitress descends into the basement of a seemingly ordinary Chinese restaurant; in "Twenty Grand," a young wife tries to recover her lost fortune; in "Monsters," one family's paranoia leads to a sacrifice; and in "The Witches," an innocent swim on prom night proves more dangerous than anyone could have imagined. With elegant prose and a wicked sense of humor, these stories reveal Curtis's provocative and uncompromising view of life, one that makes her writing so poignant and irresistible.

    It was the Professor's Wife, always a perceptive hostess, came to her husband's rescue by saying, "Top of the stairs, end of the hall, last door."Oddly enough, it was the start of a puzzling and all but unspeakable misadventure. As it were.

    In its harrowing chronicle of the breakup of a relationship, Interiors confirmed Cash's remarkable talents as a lyricist, with songs that were intelligent and astonishingly frank, songs that with their stark empathy transcended the self-involvement that had come to confine the work of many "confessional" singer-songwriters. The Wheel (1993) was further evidence that she had few equals in her field. As one of our most literate lyricists, Cash naturally began to turn to longer prose pieces, and in her first collection, Bodies of Water, she reveals the full breadth and depth of her talent. These stories are a series of portraits of the inner lives of women seeking self-forgiveness, resolution, and freedom in the face of the familiar betrayals of everyday existence. A mother spends a comically forlorn New Year's Eve alone with her young children. Alone in Paris, a traveler faces her loneliness as middle age approaches. A dinner party becomes a battleground of concealed disappointment. It is at the margins of reality and dreams, the boundaries between art and insanity, that Cash's characters come to learn that their redemption is to be found in facing the past, and finally, in retrieving power from it.

    But when the president of the synagogue absconds with a small fortune, far deeper—and more troubling—rifts emerge...In "The Closet," Evelyn's sister flees her family to take up residence in the attic—while the shunned Evelyn finds herself slipping into the waters of her sister's soul....In "Wish List," an expert on terrorism, vacationing at an academic retreat in England,receives a late-night phone call from National Public Radio. Asked for commentary on a hostage situation of which he is ignorant, Ed can whisper only: "It's unspeakable."Total ImmersionIn these and other exquisite stories, Allegra Goodman fills rooms with laughter and voices, captures dinner parties, seaside picnics, academic grudges, shul politics, and the kind of hurts that only families and lovers can know. Featuring two new stories previously published in The New Yorker, Total Immersion is Allegra Goodman's first collection of short fiction—a masterful work from one of the most powerful and eloquent voices on the American literary landscape.