The point here is not to impose a new racial hierarchy, but to remove an existing one. After centuries of waiting for white majorities to overturn white supremacy, it seems to me that it has fallen to Black people to do it themselves.Acclaimed columnist and author Charles Blow never wanted to write a “race book.” But as violence against Black people—both physical and psychological—seemed only to increase in recent years, culminating in the historic pandemic and protests of the summer of 2020, he felt compelled to write a new story for Black Americans. He envisioned a succinct, counterintuitive, and impassioned corrective to the myths that have for too long governed our thinking about race and geography in America. Drawing on both political observations and personal experience as a Black son of the South, Charles set out to offer a call to action by which Black people can finally achieve equality, on their own terms.So what will it take to make lasting change when small steps have so frequently failed? It’s going to take an unprecedented shift in power. The Devil You Know is a groundbreaking manifesto, proposing nothing short of the most audacious power play by Black people in the history of this country. This book is a grand exhortation to generations of a people, offering a road map to true and lasting freedom.

    As you might imagine, he gets a lot of letters in response to his often iconoclastic views. As you might not expect, he writes a lot of letters, too. Now Rooney has collected the funniest, wisest, and most interesting of his letters, spanning several decades and addressing issues both momentous and trivial. He responds to complaints from viewers; he corresponds with old friends; and he writes to his children about the things he cares about most. Variously caustic, hilarious, and sage, these unfailingly entertaining letters reveal not only Rooney the iconoclast but Rooney the American Everyman. Sincerely, Andy Rooney is Andy Rooney at his best-and a wonderful gift book that will make readers chuckle and think twice.

    He's also one of the most scathingly humorous athletes on the planet, and he wants to make you uncomfortable.Bennett adds his unmistakable voice to discussions of racism and police violence, Black athletes and their relationship to powerful institutions like the NCAA and the NFL, the role of protest in history, and the responsibilities of athletes as role models to speak out against injustice. Following in the footsteps of activist-athletes from Muhammad Ali to Colin Kaepernick, Bennett demonstrates his outspoken leadership both on and off the field.Written with award-winning sportswriter and author Dave Zirin, Things that Make White People Uncomfortable is a sports book for our turbulent times, a memoir, and a manifesto as hilarious and engaging as it is illuminating.

    One of the most hyped high school players of all time, with a $20 million Adidas deal in hand, Sebastian found himself in the same position as NBA superstars like Kobe Bryant and LeBron James, both of whom shot to stardom without playing a day of college ball. THE JUMP offers an inside view of Sebastian's journey-a rags-to-riches story of a kid from the Coney Island projects who succeeds in leaving behind the chaos, violence and economic hardship at home for a multi-million dollar life of professional ball and product endorsement. Drawing on exclusive interviews with friends, family, coaches, recruiters, agents and players, USA Today columnist Ian O'Connor offers an intimate portrait of the promising young player's senior year at Lincoln High School and explores the changing nature of basketball in America today.Sebastian Telfair exemplifies a new dynamic emerging in basketball-young, talented teenagers who skip college on the way to NBA fortune and fame. But what is this trend doing to the sport? And do the adults who have hitched their hopes on Sebastian's rising star have the young player's best interests in mind? THE JUMP dives head first into today's high-stakes, anything-goes basketball culture, examining the sneaker companies intent on securing charismatic and mediagenic players to hawk their wares; college boosters willing to break NCAA rules by offering cash incentives to lure promising players to their schools; high school administrators securing big appearance fees from promoters; agents wooing players and their families-and walking the thin line dictating amateur status rules for high school and college ball.O'Connor also delves into the dream that the NBA holds for so many families-a child drafted into the pros offers a first class ticket out of the projects. A colorful cast of characters featured in THE JUMP includes the faces shaping the sport today: Rick Pitino, head coach of the University of Louisville, who recruits Sebastian with the hope of delivering his team to an NCAA championship only to see his dreams dashed by Sebastian's decision to enter the NBA draft; Andy Miller, the agent who vies to sign up Sebastian despite Erica and Otis Telfair's reservations; Stephon Marbury, star of the New York Knicks, who sees Sebastian more as a rival than a cousin (THE JUMP delivers exclusive details on the fracture in the Marbury and Telfair relationship, including interviews with the point guards and relatives on the subject of the family feud); Sonny Vacaro, at different times the face of Nike, Adidas, and Reebok, who uses sneaker company cash to entice coaches and young players; Jay-Z, rapper and owner of Telfair's summer-league team.Under O'Connor's penetrating scrutiny, Sebastian Telfair becomes the prism through which the circus of modern basketball is explored. Can he succeed, or will he flame out-too young, too small, too unprepared? And what is this new trend in basketball doing to the athletes, to college basketball programs, to the quality of play in the NBA and to society at large? As Dave Kindred of The Sporting News states, "THE JUMP is a 21st-century thrill ride into the shadows and bright lights of a basketball culture that breaks hearts and makes superstars."

    Arguing from within the sensibility of devout liberal Hindus who do not believe in exclusive religious nationalism, Juluri argued that these writers had turned their crusade against Hindutva into an egregiously misplaced existential attack on popular Hinduism. Widely read and commented on by lay readers and academics, this important review essay is essential reading for who anyone who cares for both Hinduism and secularism today.

    Black kids who grow up in white spaces, living at an intersection of race and class that many doubt exists. He needed to get far away from the preppy site of his upbringing before he could make sense of it all. Through a series of personal anecdotes and interviews with his peers, Cole transports us to his adolescence and explores what it’s like to be young and in search of identity. He digs into the places where, in youth, a greyboy’s difference is most acutely felt: parenting, police brutality, Trumpism, depression, and dating, to name a few.  Greyboy: Finding Blackness in a White World asks an important question: What is Blackness? It also provides the answer: Much more than you thought, dammit.

    This book is a selection of the best columns written by him over the last eleven years.The columns range from the author's perceptive portraits of politicians and celebrities to his reflections on the state of the media and the peculiarities of the English language. He also turns the gaze on himself—sharing with us his eccentricities, his foibles and anecdotes about himself and his family, including his late wife Nisha. There are also pieces here about his Doon and Cambridge days and vignettes from his travels to cities near and far.

    Faison, along with two partners, was an urban prince with cars, jewels, and people -- in awe of this million-dollar phenomenon -- at his feet. His legacy has been praised by hip-hop's top names in their lyrics, and his life was the basis for the urban cult classic film Paid in Full starring Mekhi Phifer, Wood Harris, and rapper Cam'ron and produced by Jay-Z's Roc-A-Fella Films. In Game Over, Azie brings forth a powerful memoir of New York's perilous drug underworld and music industry, with an intellect and wisdom to empower and challenge the street culture he knows so very well.

    Now, this extraordinary icon tells us the story of that life, giving us its full breadth, letting us share in the struggles, the tragedies, and, most of all, the inspiring triumphs.   Belafonte grew up, poverty-ridden, in Harlem and Jamaica. His mother was a complex woman—caring but withdrawn, eternally angry and rarely satisfied. His father was distant and physically abusive. It was not an easy life, but it instilled in young Harry the hard-nosed toughness of the city and the resilient spirit of the Caribbean lifestyle. It also gave him the drive to make good and channel his anger into actions that were positive and life-affirming. His journey led to the U.S. Navy during World War II, where he encountered an onslaught of racism but also fell in love with the woman he eventually married. After the war he moved back to Harlem, where he drifted between odd jobs until he saw his first stage play—and found the life he wanted to lead. Theater opened up a whole new world, one that was artistic and political and made him realize that not only did he have a need to express himself, he had a lot to express.   He began as an actor—and has always thought of himself as such—but was quickly spotted in a musical, began a tentative nightclub career, and soon was on a meteoric rise to become one of the world’s most popular singers. Belafonte was never content to simply be an entertainer, however. Even at enormous personal cost, he could not shy away from activism. At first it was a question of personal dignity: breaking down racial barriers that had never been broken before, achieving an enduring popularity with both white and black audiences. Then his activism broadened to a lifelong, passionate involvement at the heart of the civil rights movement and countless other political and social causes. The sections on the rise of the civil rights movement are perhaps the most moving in the book: his close friendship with Martin Luther King, Jr.; his role as a conduit between Dr. King and the Kennedys; his up-close involvement with the demonstrations and awareness of the hatred and potential violence around him; his devastation at Dr. King’s death and his continuing fight for what he believes is right.   But My Song is far more than the history of a movement. It is a very personal look at the people in that movement and the world in which Belafonte has long moved. He has befriended many beloved and important figures in both entertainment and politics—Paul Robeson, Eleanor Roosevelt, Sidney Poitier, John F. Kennedy, Marlon Brando, Robert Kennedy, Nelson Mandela, Fidel Castro, Tony Bennett, Bill Clinton—and writes about them with the same exceptional candor with which he reveals himself on every page. This is a book that pulls no punches, and turns both a loving and critical eye on our country’s cultural past.   As both an artist and an activist, Belafonte has touched countless lives. With My Song, he has found yet another way to entertain and inspire us. It is an electrifying memoir from a remarkable man.

     Of the great figure in twentieth-century American history perhaps none is more complex and controversial than Malcolm X. Constantly rewriting his own story, he became a criminal, a minister, a leader, and an icon, all before being felled by assassins' bullets at age thirty-nine. Through his tireless work and countless speeches he empowered hundreds of thousands of black Americans to create better lives and stronger communities while establishing the template for the self-actualized, independent African American man. In death he became a broad symbol of both resistance and reconciliation for millions around the world. Manning Marable's new biography of Malcolm is a stunning achievement. Filled with new information and shocking revelations that go beyond the Autobiography, Malcolm X unfolds a sweeping story of race and class in America, from the rise of Marcus Garvey and the Ku Klux Klan to the struggles of the civil rights movement in the fifties and sixties. Reaching into Malcolm's troubled youth, it traces a path from his parents' activism through his own engagement with the Nation of Islam, charting his astronomical rise in the world of Black Nationalism and culminating in the never-before-told true story of his assassination. Malcolm X will stand as the definitive work on one of the most singular forces for social change, capturing with revelatory clarity a man who constantly strove, in the great American tradition, to remake himself anew.

    Then her life was irreversibly transformed—and so was her philosophy. In this wholly unexpected personal account, the author of A Vindication of Love: Reclaiming Romance for the Twenty-first Century (2009) offers us a Vindication of Life as inspiring as it is heartbreaking. The story of Cristina and her little daughter, Eurydice, is a tale of redemption and self-reinvention. It is about expanding definitions of love--and it is about confronting death. Not least, it speaks to us of life’s sweeping ironies: Sometimes bad luck is the new good luck, and the realization of your worst fears may be the greatest gift you can receive.Biography: Nehring first acquired national attention through her fiery criticism in the pages of Harper's Magazine, The Atlantic Monthly and The New York Times Book Review. A "compassionate contrarian," she won many awards for her politically incorrect cultural and literary essays. Her first book, A Vindication of Love (Harper Collins, 2009) argues for a bolder, braver, wilder form of modern loving, drawing extensively on literary and historical analysis. It was published to wide acclaim and translated into several languages. Nehring also works as a travel writer for Condé Nast Traveler, and holds a Ph.D. in English from the University of California, Los Angeles. She lives in Paris and Los Angeles.

    Included are speeches by Martin Luther King Jr, and his "Letter from Birmingham City Jail", an interview with Rosa Parks, selections from "Malcolm X Speaks"; Black Panther Bobby Seale's "Seize the Time", a piece by Herman Badillo on the infamous Attica prison uprising; addresses by Harold Washington, Jesse Jackson, Nelson Mandela and much more.

    As a black teenager from the vice-ridden city of Bessemer, Alabama, Washington was wrongfully convicted of killing an Alabama policeman in 1957. Sentenced to death, he came within minutes of the electric chair—nearly a dozen times. A Kafka-esque legal odyssey in which Washington’s original conviction was overturned three times before he was finally released in 1972, his story is the kind that pervades the history of American justice. Here, in the hands of historian S. Jonathan Bass, Washington’s ordeal and life are rescued from anonymity and become a moving parable of one man’s survival and perseverance in a hellish system.He Calls Me by Lightning is both a compelling legal drama and a fierce depiction of the Jim Crow South that forces us to take account of the lives cast away by systemic racism.

    By the end of his trip in the police van, Gray was in a coma he would never recover from. In the wake of a long history of police abuse in Baltimore, this killing felt like a final straw--it lead to a week of protests and then five days described alternately as a riot or an uprising that set the entire city on edge, and caught the nation's attention.Wes Moore is one of Baltimore's most famous sons--a Rhodes Scholar, bestselling author, decorated combat veteran, White House fellow, and current President of the Robin Hood Foundation. While attending Gray's funeral, he saw every strata of the city come together: grieving mothers; members of the city's wealthy elite; activists; and the long-suffering citizens of Baltimore--all looking to comfort each other, but also looking for answers. Knowing that when they left the church, these factions would spread out to their own corners, but that the answers they were all looking for could only be found in the city as a whole, Moore--along with Pulitzer-winning coauthor Erica Green--is telling the multi-narrative story of the Baltimore uprising. Through both his own observations, and through the eyes of other Baltimoreans: Partee, a conflicted black captain of the Baltimore Police Department; Jenny, a young white public defender who's drawn into the violent center of the uprising herself; Tawanda, a young black woman who'd spent a lonely year protesting the killing of her own brother by police; and John DeAngelo, scion of the city's most powerful family and owner of the Baltimore Orioles, who has to make choices of conscience he'd never before confronted.Each shifting point of view contributes to an engrossing, cacophonous account of one of the most consequential moments in our recent history--but also an essential cri de coeur about the deeper causes of the violence and the small seeds of hope planted in its aftermath.

    All the narratives are drawn from AARP's Voices of Civil Rights project, and they present a wide-ranging picture of the struggle.This new and helpful readers' group guide includes a clear and succinct introduction especially directed to those studying the book; thought-provoking questions for discussion; praise for the author; and a brief author biography.Juan Williams doesn't merely retell familiar tales about this tumultuous time: he showcases stories of personal transformation that bring a pivotal moment in American history profoundly alive. And it isn't just about the past: the vivid language and intimate experiences that unfold on every page reveal just how much the civil rights revolution remains a vital force today. Every speaker makes clear that the fight for equality must continue now, and into the future."David Halberstam provides an excellent overview...the combination of analysis and intimacy with powerful documentary photos makes for gripping narrative. Best of all are the connections with contemporary struggles for equality...Marion Wright Edelman's final impassioned essay speaks for the millions of all races who continue to be 'left behind in our land of plenty.'"--Booklist "Individual transformation is the organizing theme...The stories seem fresh because events played out differently for each contributor."--Washington Post