This edition includes the complete screenplay - with stills and frame enlargements - with Pauline Kael's classic essay on how the picture came to be made.

    Little does he know that the sleepy little town will soon be a firestorm and he will be caught right in the middle. With Indians lurking around and thirsty for blood, he knows that he needs to stop them from attacking the village. Is his fearlessness enough to help him in this risky mission?Jake's life becomes more exciting when he meets Emily, daughter of one of the wealthiest ranchers in the area, and he is instantly attracted to her. Even though he longs to get to know her better, his priority now is to trace the Indians, find out their plan and protect Jenkins Bend. His mission becomes even harder when a greedy shadowy figure's betrayal will change the course of events. Are Brandt and the townsmen truly prepared for the approaching threat?With a traitor among them and with time running fast, the stakes become too high. Will they manage to defend Jenkins Bend and triumph over the enemy before it's too late? A gripping, action-packed story, featuring authentic and captivating characters, vivid descriptions, and suspense, that will leave readers breathless. A must-read for fans of Western adventures with a touch of romance.

     Livy Prescott is a young wife dependent upon,beholden to, and manipulated by Celene, a slave. In 1860, Edward Prescott gallops into Livy Taylor’s life racing his carriage down the main street of her tiny Pennsylvania town, winning a bet and her heart. After they wed, Livy is swept away to Merrywood, Edward’s home in the hills of North Carolina. There Livy faces the daunting task of adjusting to her new life as Mistress of Merrywood and slave-owner. And there Livy encounters Celene, the beautiful slave cook of Merrywood, skilled in the healing arts and privy to the deepest secrets of the Prescotts. Gradually Livy learns the extent of Celene’s influence and the hold she maintains over her master, causing Livy to question who is the real mistress of Merrywood.

    He saved lives, tamed giants. Animals loved him. People loved him. Women loved him (and he loved them back). And he knew more jokes than any man alive.Now, as he lies dying, Edward Bloom can't seem to stop telling jokes -or the tall tales that have made him, in his son's eyes, an extraordinary man. Big Fish is the story of this man's life, told as a series of legends and myths inspired by the few facts his son, William, knows. Through these tales -hilarious and wrenching, tender and outrageous- William begins to understand his elusive father's great feats, and his great failings.

    Here is the chilling story of a young boy sent to live with relatives after the death of his mother, and of his prankish cousin, who is responsible for increasingly dangerous "accidents".

    Illustrated throughout with behind-the-scenes photos.

    

    Glen David Gold, author of the best seller Carter Beats the Devil, now gives us a grand entertainment with the brilliantly realized figure of Charlie Chaplin at its center: a novel at once cinematic and intimate, heartrending and darkly comic, that captures the moment when American capitalism, a world at war, and the emerging mecca of Hollywood intersect to spawn an enduring culture of celebrity.Sunnyside opens on a winter day in 1916 during which Charlie Chaplin is spotted in more than eight hundred places simultaneously, an extraordinary delusion that forever binds the overlapping fortunes of three men: Leland Wheeler, son of the world’s last (and worst) Wild West star, as he finds unexpected love on the battlefields of France; Hugo Black, drafted to fight under the towering General Edmund Ironside in America’s doomed expedition against the Bolsheviks; and Chaplin himself, as he faces a tightening vise of complications—studio moguls, questions about his patriotism, his unchecked heart, and, most menacing of all, his mother.The narrative is as rich and expansive as the ground it covers, and it is cast with a dazzling roster of both real and fictional characters: Mary Pickford, Douglas Fairbanks, Adolph Zukor, Chaplin’s (first) child bride, a thieving Girl Scout, the secretary of the treasury, a lovesick film theorist, three Russian princesses (gracious, nervous, and nihilist), a crew of fly-by-the-seat-of-their-pants moviemakers, legions of starstruck fans, and Rin Tin Tin.By turns lighthearted and profound, Sunnyside is an altogether spellbinding novel about dreams, ambition, and the dawn of the modern age.

    In this wide-ranging and elegiac essay, Nick Pinkerton reflects upon Tsai Ming-liang’s 2003 film Goodbye, Dragon Inn, a modern classic haunted by the ghosts and portents of a culture in flux.

    Film geeks, cinema snobs, VHS collectors, and anyone else who likes their entertainment a little on the weird side will appreciate author Danny Peary’s in-depth approach to their favorite sci-fi films ranging from Barbarella to Liquid Sky.

    1962) did not go to film school and hates being defined as an auteur. He prefers to see himself as a craftsman, dutifully going about the art and business of making film. Trouble is, it's hard to be self-effacing when you are the director responsible for Se7en, Fight Club, and The Social Network. Along with Quentin Tarantino, Fincher is the most accomplished of the Generation X filmmakers to emerge in the early 1990s.This collection of interviews highlights Fincher's unwavering commitment to his craft as he evolved from an entrepreneurial music video director (Fincher helped Madonna become the undisputed queen of MTV) into an enterprising feature filmmaker. Fincher landed his first Hollywood blockbuster at twenty-seven with Alien3, but that film, handicapped by cost overruns and corporate mismanagement, taught Fincher that he needed absolute control over his work. Once he had it, with Se7en, he achieved instant box-office success and critical acclaim, as well as a close partnership with Brad Pitt that led to the cult favorite Fight Club.Fincher became circumspect in the 2000s after Panic Room, shooting ads and biding his time until Zodiac, when he returned to his mantra that -entertainment has to come hand in hand with a little bit of medicine. Some people go to the movies to be reminded that everything's okay. I don't make those kinds of movies. That, to me, is a lie. Everything's not okay.- Zodiac reinvigorated Fincher, inspiring a string of films--The Curious Case of Benjamin Button, The Social Network, and The Girl with the Dragon Tattoo--that enthralled audiences and garnered his films dozens of Oscar nominations.

    Lynch's films delve into the subjective consciousness of his characters to reveal both the depraved darkness and luminous spirituality of human nature. From his experimental shorts of the 1960s to feature films like Eraserhead, The Elephant Man, Blue Velvet, Mulholland Drive, and INLAND EMPIRE, Lynch has pushed the boundaries of cinematic storytelling. In David Lynch: Beautiful Dark, author Greg Olson explores the surreal intricacies of the director's unique visual and visceral style not only in his full-length films but also his early forays into painting and short films, as well as his television landmark, Twin Peaks. This in-depth exploration is the first full-length work to analyze the intimate symbiosis between Lynch's life experience and artistic expressions: from the small-town child to the teenage painter to the 60-year-old Internet and digital media experimenter. To fully delineate the director's life and art, Olson received unprecedented participation from Lynch, his parents, siblings, old school friends, romantic partners, children, and decades of professional colleagues, as well as on-set access to the director during the production of Twin Peaks: Fire Walk with Me. Throughout this study, Olson provides thorough analyses of the filmmaker's works as Lynch conceived, crafted, and completed them. Consequently, David Lynch: Beautiful Dark is the definitive study of one of the most influential and idiosyncratic directors of the last four decades.

    Len Deighton, author of the classic espionage novel 'The Ipcress File', knew both sides intimately. An acquaintance of Ian Fleming’s (who had praised Deighton’s debut novel in the 'Sunday Times') Deighton was also close to the man who was to become Fleming’s nemesis – Kevin McClory, a veteran of the British film industry. The history of Bond’s development under the arc lights becomes, in Deighton’s expert hands, a saga-like story of inflated egos and poisonous vendettas, exotic locations and claustrophobic courtooms, all involving household names. As an eye witness to the protracted disputes that complicated Bond’s depiction both on screen and on the page, Deighton is in a unique position to tell what he saw. Candid, comical, always steely-eyed, this hefty slice of cinematic memoir reads with all the high-powered pace of a Len Deighton thriller.

    Nora Johnson's The World of Henry Orient, published in 1958, is an amusing, affectionate satire of the last days of innocence in the lives of two New York girls, Marian "Gil" Gilbert and Valerie "Val" Boyd. The boredom and impatience of adolescence are richly caught, even as they inspire crazy escapades that will eventually open up the world for these two bright but naive girls.Val and Gil have become friends at an age when friendship is the most important thing. Boys have not entered the picture yet, but childhood has begun to recede and the world is beckoning them. The girls are growing up in comfortable upper-middle-class homes in Manhattan, which creates a special kind of tension and stress in their lives. They are just old enough to have some independence, to play at being grownups, with the city as their playground. At a Carnegie Hall concert, they see a pianist named Henry Orient, and they are immediately smitten with him -- not in the sexual sense, but moonstruck nonetheless. Henry Orient becomes the focus of their lives. They follow him around Manhattan, observing his routine, his "world," unaware at first that they are observing the pianist bound up in a snarl of romantic liaisons. What happens to Val and Gil is what we now called "bonding," the kind of friendship that smoothes the transition from innocence to worldliness, from the certainties of childhood to the infinite possibilities of adulthood.Engaging and exuberant, The World of Henry Orient treats its heroines with affection and good humor. These are silly girls, it seems, doing little more than playing games, but a great deal goes on beneath the surface of their lives. Nora Johnson is sensitive to the delicate stresses that threaten the security adolescents have always known.