He has two manuscripts but lacks the funds to publish both. His difficult decision--whether to publish his lover's memoir or the novel written by his best friend--is further complicated by the arrival of a mysterious machine that produces pages predicting the future of the play's protagonists, affecting their lives and relationships in haunting and unexpected ways. "The Violet Hour" opened on Broadway on November 6, 2003, starring Robert Sean Leonard.

    He enlists the aid of his lifelong buddy, Aldo Scalicki, a confirmed bachelor who tries, without apparent success, to convince Huey that he would be better off sticking with his new lady friend, Teresa, a usually placid young waitress whose indignation flares when she learns what Huey is up to. In a moonlit balcony scene (hilariously reminiscent of Cyrano de Bergerac) Aldo pleads his lovesick friend's case and, to his astonishment, Janice capitulates although not for long. However we do learn that her earlier abuse of Huey was intended to make him "act like a man" which, at last, he does. And, more than that, he (and the audience) become aware that, in the final essence, "the greatest and only success is to be able to love" a truth which emerges delightfully from the heartwarming, wonderfully antic and always imaginatively conceived action of the play.

    Someone - or something - is leaving bite marks in the avocados, Clay and Kelly's little daughter has an itch, and Carol can't remember who played Gandhi. This work takes a look at phoney liberal values.

    In an unprecedented (for him) run of promiscuity, Ty has managed to impregnate three women in the span of one week: His ex-girlfriend, his 40-something married next-door neighbor, and his 18 year-old student. In this edgy comedy by playwright Rajiv Joseph, Ty's problems illuminate every triumph and failure of his life, and as the women

    The story of two white-collar managers, Chad and Howard, who maliciously plot to jointly romance the lonely, deaf, beautiful office temp Christine before simultaneously dumping her, is cool and compelling in its depiction of the worst sorts of emotional abuse. What begins as a cat-and-mouse game of one-upmanship quickly escalates into full-scale psychological warfare. Only too late does this 'frat boy' prank reveal itself as deadly serious, with a struggle between the two men at the heart of the battle. The woman is only a means to an end, a pawn easily captured and tossed aside in a dark, wicked duel for corporate ascension.

    

    This edition contains the definitive versions of these works, a foreword in which Rabe examines the interwoven relationship of the plays, and an afterword in which he discusses the process of their construction.

    At one time he was wealthy and successful but he went down the rabbit hole because of a scandalous backstory that follows him. Now he has virtually nothing, working odd jobs, mostly cleaning out barns and old homes. What he finds cleaning out one barn leads to a series of events he could never have predicted. Another clean-out job at an old Victorian home adds to the mystery and suspense. Full of surprises, plot twists, well-drawn characters and superb dialogue. A great two or three-night read, one to curl up to on a quiet evening. Taut and tight.

    It is about a young girl who loves music and has dreams of a different life, a better life, a life that is not talked down on because of who her family is, or because of where she is from. She feels that just because she lives in the middle of the dusty fields of a flower nursery it does not make her any less important than anyone else. She wants a new life; a life without having to listen to the ranting or grunting of a drunken stepfather or the complaining of sickly mother. She wants a life of her own choosing, not one that was forced upon her by birth. Young Tuesday runs from away home to escape a life that has become unbearable. This is her story.

    In Eyes for Consuela, based on Octavio Paz’s classic story “The Blue Bouquet,” a vacationing American encounters a knife-toting Mexican bandit on a gruesome quest. And in When the World Was Green, cowritten with Joseph Chaikin, a journalist in search of her father interviews an old man who resolved a generations-old vendetta by murdering the wrong man. Together, these plays form a powerful trio from an enduring force in American theater.

    So when the British Secret Service asks him to become their ‘man in Havana’ he can’t afford to say no. There’s just one problem…he doesn’t know anything! To avoid suspicion, he begins to recruit nonexistent sub-agents, concocting a series of intricate fictions. But Wormold soon discovers that his stories are closer to the truth than he could have ever imagined… In Clive Francis’ adaptation, Graham Greene’s classic satirical novel becomes a wonderfully funny and fast-moving romp.

    Concerned something has happened to her husband, Jill follows a string of clues to try and find out the secret Charles was keeping from her.

    In her troubled times, Anya finds her anchor in a handsome stranger. But is he really unknown to her? Dev Wadhwa's past finds him when he sees Anya lying unconscious in the middle of the road. Not willing to let go of her one more time, Dev takes her to the hospital and later to his farmhouse, where he helps her recuperate. Sparks fly and Dev and Anya fall for each other! But the feisty Anya refuses to commit herself to marriage as her loss of memory looms larger than life. Things aren’t easy with an ex-husband, not-so-understanding parents, and a jealous neighbour thrown into the mix. What if Anya’s memory never comes back? Will Dev and Anya get a second chance? Or will circumstances force them apart, yet again?

    If it hadn’t been for the stranger in buckskins, the Jakes family would have been in serious trouble. Little did they know, the storm was just the beginning of their struggles. They'd come to Colorado to raise a new breed of horse. Along the trail they would follow were new friends, old enemies, and the land. At times it was hard to tell which ones were the most dangerous. It would take all of their fortitude and the help of kind-hearted strangers to keep the dream alive.

    Albee there is a theme beneath the surface, in this case the corruption of money and the rottenness of this bigoted exurbia where conformity to its illiberal standards and its hypocritical show of respectability is all that counts. The scene is the suburban home of Jenny and Richard, beautifully played by Barbara Bel Geddes and Barry Nelson. The only thing that seems to stand in the way of their happiness is a lack of money. The action starts in an entertaining comedy of manners style. Then abruptly there enters a Mrs. Toothe in the menacing and fascinating person of Beatrice Straight who offers Jenny the opportunity to make more money than they have ever had, to buy a greenhouse and all the other luxuries that they require for their garden and their lives. Richard's realization that their newfound money is being earned by his wife's whoring comes almost simultaneously with the return of their fourteen-year-old son from school and a champagne cocktail party which they are giving to impress their country club friends. As a result, his horror, disgust and rage has to be kept under wraps in order to keep up essential appearances until tragedy strikes, and Richard realizes that the assembled wives are all involved and their husbands are aware and condoning." More than that, they are prepared not merely to justify but defend the ends through which their means are attained and the devastated Richard, left in agonized despair by the ironic events that charge the final moments of the play, must face the fact of his own share in their communal guilt.