Moses by Joyce Carol OatesWorse than Bones by Ramsey CampbellKing of Outer Space by Peter AtkinsPiano Bar Blues by Melanie TemThose Vanished I Recognize by Tom PiccirilliInland, Shoreline by Darren O. GodfreyThe Window by by Joel LaneAuthor, Author by Gordon LinznerHammerhead by Richard LaymonImbroglio by Conrad WilliamsTransorbital Love Probe by Th. MetzgerThe Impressionists in Winter by Susan FryWhose Ghosts These Are by Charles L. GrantPerdido: A Fragment from a Work in Progress by Peter StraubIn Real Life by William F. NolanPound Rots in Fragrant Harbour by Lisa MortonApologia by Robert DevereauxThe Bird Catcher by S.P. Somtow

    Monsters, real and imagined, external and internal, are the subject. They are us and we are them and Ballingrud's intense focus makes these stories incredibly intense and irresistible.These are love stories. And also monster stories. Sometimes these are monsters in their traditional guises, sometimes they wear the faces of parents, lovers, or ourselves. The often working-class people in these stories are driven to extremes by love. Sometimes, they are ruined; sometimes redeemed. All are faced with the loneliest corners of themselves and strive to find an escape.Nathan Ballingrud was born in Massachusetts but has spent most of his life in the South. He worked as a bartender in New Orleans and New York City and a cook on offshore oil rigs. His story "The Monsters of Heaven" won the inaugural Shirley Jackson Award. He lives in Asheville, North Carolina, with his daughter.

    This is where four young friends come of age—in an atmosphere thick with fear and suspicion. Their innocent games soon bring them face-to-face with the village's darkest secrets in this eerily dispassionate, astonishingly assured novel, evocative of Stephen King's classic short story "Children of the Corn" and infused with the spirit of the Brothers Grimm.

    - The Great Automatic Grammatizator- Mrs. Bixby and the Colonel’s Coat- The Butler- Man from the South- The Landlady- Parson’s Pleasure- The Umbrella Man- Katina- The Way Up to Heaven- Royal Jelly- Vengeance Is Mine Inc.- Taste- Neck

    No fairy tale will ever seem quite the same again!Featuring writing from . . .Authors: Renée Ahdieh, Ameriie, Soman Chainani, Susan Dennard, Sarah Enni, Marissa Meyer, Cindy Pon, Victoria Schwab, Samantha Shannon, Adam Silvera, Andrew Smith, April Genevieve Tucholke, and Nicola YoonBookTubers: Benjamin Alderson (Benjaminoftomes), Sasha Alsberg (abookutopia), Whitney Atkinson (WhittyNovels), Tina Burke (ChristinaReadsYA blog and TheLushables), Catriona Feeney (LittleBookOwl), Jesse George (JessetheReader), Zoë Herdt (readbyzoe), Samantha Lane (Thoughts on Tomes), Sophia Lee (thebookbasement), Raeleen Lemay (padfootandprongs07), Regan Perusse (PeruseProject), Christine Riccio (polandbananasBOOKS), and Steph Sinclair & Kat Kennedy (Cuddlebuggery blog and channel).

    But the gallery you are about to visit specializes in the most irresistibly riveting art of all--the art of horror, as practiced to perfection by the greatest modern masters of that ghoulish trade. With twenty gripping, hair-raising selections, Gallery of Horror is one of the very best anthologies ever assembled. But beware--these are writers for whom no leap into the unknown evil is too bold or frightening. Are you ready for it?Contents Aim for the Heart • (1983) • shortstory by Craig Shaw GardnerCanavan's Back Yard • [Canavan] • (1958) • shortstory by Joseph Payne BrennanDeath to the Easter Bunny! • (1983) • shortstory by Alan RyanDerelicts • (1983) • shortstory by Steve Rasnic TemDown Among the Dead Men • (1982) • novelette by Gardner Dozois and Jack DannGravid Babies: A Novel of Horrific Menace in Considerable Synopsis • (1983) • shortstory by Michael BishopIn Darkness, Angels • (1983) • novelette by Eric Van LustbaderIntroduction (Gallery of Horror) • (1983) • essay by Charles L. Grant (aka Introduction (The Dodd, Mead Gallery of Horror))Nona • (1978) • novelette by Stephen KingNunc Dimittis • (1983) • novelette by Tanith LeeOut of Sorts • (1983) • shortstory by Bernard TaylorPetey • (1979) • novella by T. E. D. KleinSomething Nasty • (1983) • shortstory by William F. NolanTalent • (1953) • shortstory by Theodore SturgeonThe Arrows • (1983) • shortstory by Chelsea Quinn YarbroThe Chair • (1983) • novelette by Dennis EtchisonThe Conqueror Worm • (1983) • shortstory by Stephen R. DonaldsonThe Crazy Chinaman • (1983) • shortstory by John CoyneThe Rubber Room • (1980) • shortstory by Robert BlochThe Sunshine Club • (1983) • shortstory by Ramsey CampbellThe Typewriter • (1983) • novelette by David Morrell

    But as the stories unfold, a newer and more surprising narrative emerges, one that is perhaps the most frightening of all.

    'We'll keep it there until it dies, ' he said. 'May I burn in hell, if I ever open the door of that safe again.' The brilliant and scary The Beast with Five Fingers, is the first entry in this mammoth collection of strange and chilling short stories by W. F. Harvey, an unjustly neglected author of supernatural tales. This unique volume demonstrates clearly that Harvey is one of the masters of the genre. Along with such classics as August Heat, which concerns two strangers whose individual fates become inextricably entwined in a nightmare scenario and the gruesome school yarn, The Dabblers, you will find such minor masterpieces of the uncanny as The Man Who Hated Aspidistras, Sarah Bennet's Possession, The Habeas Corpus Club and many more stories which refreshingly avoid the cliche while at the same time creating that wonderfully eerie sense of fear.

    The last place Tansy Piper wants to be is stuck in Cedar Canyon, Texas, in the middle of nowhere, with a bunch of small-town kids. But when her mother decides to move to the desolate West Texas town, Tansy has no choice but to go along. Once there, Tansy is immediately drawn to the turret of their rickety old house, a place she soon learns has a disturbing history. But it's the strange artifacts she finds in the cellar—a pocket watch, a journal of poetry, and a tiny crystal—that have the most chilling impact on her. Tansy soon finds that through the lens of her camera, she can become part of a surreal black-and-white world where her life is intertwined with that of mysterious, troubled Henry, who lived in the same house and died decades earlier. It seems their lives are linked by fate and the artifacts she found, but as Tansy begins spending more and more time in the past, her present world starts to fade away. Tansy must untangle herself from Henry's dangerous reality—before she loses touch with her own life forever.

    . . ." The best stories pull readers in and keep them turning the pages, eager to discover more—to find the answer to the question: "And then what happened?" The true hallmark of great literature is great imagination, and as Neil Gaiman and Al Sarrantonio prove with this outstanding collection, when it comes to great fiction, all genres are equal. Stories is a groundbreaking anthology that reinvigorates, expands, and redefines the limits of imaginative fiction and affords some of the best writers in the world—from Peter Straub and Chuck Palahniuk to Roddy Doyle and Diana Wynne Jones, Stewart O'Nan and Joyce Carol Oates to Walter Mosley and Jodi Picoult—the opportunity to work together, defend their craft, and realign misconceptions. Gaiman, a literary magician whose acclaimed work defies easy categorization and transcends all boundaries, and "master anthologist" (Booklist) Sarrantonio personally invited, read, and selected all the stories in this collection, and their standard for this "new literature of the imagination" is high. "We wanted to read stories that used a lightning-flash of magic as a way of showing us something we have already seen a thousand times as if we have never seen it at all." Joe Hill boldly aligns theme and form in his disturbing tale of a man's descent into evil in "Devil on the Staircase." In "Catch and Release," Lawrence Block tells of a seasoned fisherman with a talent for catching a bite of another sort. Carolyn Parkhurst adds a dark twist to sibling rivalry in "Unwell." Joanne Harris weaves a tale of ancient gods in modern New York in "Wildfire in Manhattan." Vengeance is the heart of Richard Adams's "The Knife." Jeffery Deaver introduces a dedicated psychologist whose mission in life is to save people in "The Therapist." A chilling punishment befitting an unspeakable crime is at the dark heart of Neil Gaiman's novelette "The Truth Is a Cave in the Black Mountains." As it transforms your view of the world, this brilliant and visionary volume—sure to become a classic—will ignite a new appreciation for the limitless realm of exceptional fiction.

    Girl gets boy back... ..sort of. Ava can't see him or touch him, unless she's dreaming. She can't hear his voice, except for the faint whispers in her mind. Most would think she's crazy, but she knows he's here.Jackson. The boy Ava thought she'd spend the rest of her life with. He's back from the dead, as proof that love truly knows no bounds.

    M. Homes. “It is a place where things are not what they seem; even on a morning that is sunny and clear there is always the threat of darkness looming, of things taking a turn for the worse.” Jackson’s characters–mostly unloved daughters in search of a home, a career, a family of their own–chase what appears to be a harmless dream until, without warning, it turns on its heel to seize them by the throat. We are moved by these characters’ dreams, for they are the dreams of love and acceptance shared by us all. We are shocked when their dreams become nightmares, and terrified by Jackson’s suggestion that there are unseen powers–“demons” both subconscious and supernatural–malevolently conspiring against human happiness.In this volume Joyce Carol Oates, our leading practitioner of the contemporary Gothic, presents the essential works of Shirley Jackson, the novels and stories that, from the early 1940s through the mid-1960s, wittily remade the genre of psychological horror for an alienated, postwar America. She opens with The Lottery (1949), Jackson’s only collection of short fiction, whose disquieting title story–one of the most widely anthologized tales of the twentieth century–has entered American folklore. Also among these early works are “The Daemon Lover,” a story Oates praises as “deeper, more mysterious, and more disturbing than ‘The Lottery,’” and “Charles,” the hilarious sketch that launched Jackson’s secondary career as a domestic humorist.Here too are Jackson’s masterly short novels The Haunting of Hill House (1959), the tale of an achingly empathetic young woman chosen by a haunted house to be its new tenant, and We Have Always Lived in the Castle (1962), the unrepentant confessions of Miss Merricat Blackwood, a cunning adolescent who has gone to quite unusual lengths to preserve her ideal of family happiness. Rounding out the volume are 21 other stories and sketches that showcase Jackson in all her many modes, and the essay “Biography of a Story,” Jackson’s acidly funny account of the public reception of “The Lottery,” which provoked more mail from readers of The New Yorker than any contribution before or since.

    She has three weeks to find their murderer and pass the mark to them – letting justice take place and sending them into the Darkness. And if she doesn’t make it in time? The Darkness will come for her…She spends her life trying to avoid ghosts, make it through school where she’s bullied by popular Justin and his cronies, keep her one remaining friend, and persuade her father that this is real and that she’s not going crazy.But then Justin is murdered and everything gets a whole lot worse. Justin doesn’t know who killed him, so there’s no obvious person for Taylor to go after. The clues she has lead her to the V Club, a vicious secret society at her school where no one is allowed to leave… and where Justin was dared to do the stunt which led to his death.Can she find out who was responsible for his murder before the Darkness comes for her? Can she put aside her hatred for her former bully to truly help him? And what happens if she starts to fall for him?

    The dark twists on classic tales range from exploring whether Jack truly fell or if Jill pushed him instead to why Humpty Dumpty, fragile and alone, sat atop so high of a wall. The authors include Nina Berry, Sarwat Chadda, Leigh Fallon, Gretchen McNeil, and Suzanne Young.

    At the time it seems like the perfect place to do it, so quiet, so secluded. But they have no way of knowing that they've moved into what was once a sacred site of an old religion. And that the old god is not dead--only waiting. Already the god's dark power has begun to spread, changing and polluting all that it touches. A hideous evil pervades the small town. Soon the dead no longer stay dead. When the power awakens the rotting crew of a ship that sank decades earlier, a nightmare of bloodshed and violence begins for the Stainforths, a nightmare that can end only with the ultimate sacrifice--death.