Limón has often been a poet who wears her heart on her sleeve, but in these extraordinary poems that heart becomes a “huge beating genius machine” striving to embrace and understand the fullness of the present moment. “I am beautiful. I am full of love. I am dying,” the poet writes. Building on the legacies of forebears such as Frank O’Hara, Sharon Olds, and Mark Doty, Limón’s work is consistently generous and accessible—though every observed moment feels complexly thought, felt, and lived.

    Wayward nights out that don’t go as planned; the righteous anger at those men with no talent or skill or smarts who occupy the most powerful positions in the world; the strange banality of madness and, of course, the hurt and indecision of unrequited love.For every woman surviving and thriving in today’s world, for every girl who feels too much; this is a call for communion, and you are not alone.

    In beautiful prose, Sapphistries tells their stories, capturing the multitude of ways that diverse societies have shaped female same-sex sexuality across time and place.Leila J. Rupp reveals how, from the time of the very earliest societies, the possibility of love between women has been known, even when it is feared, ignored, or denied. We hear women in the sex-segregated spaces of convents and harems whispering words of love. We see women beginning to find each other on the streets of London and Amsterdam, in the aristocratic circles of Paris, in the factories of Shanghai. We find women's desire and love for women meeting the light of day as Japanese schoolgirls fall in love, and lesbian bars and clubs spread from 1920s Berlin to 1950s Buffalo. And we encounter a world of difference in the twenty-first century, as transnational concepts and lesbian identities meet local understandings of how two women might love each other.Giving voice to words from the mouths and pens of women, and from men's prohibitions, reports, literature, art, imaginings, pornography, and court cases, Rupp also creatively employs fiction to imagine possibilities when there is no historical evidence. Sapphistries combines lyrical narrative with meticulous historical research, providing an eminently readable and uniquely sweeping story of desire, love, and sex between women around the globe from the beginning of time to the present.

    Through photographs, poetry, prose, and a short story, Orion Carloto invites readers to remember the forgotten and reach into the past, find comfort in the present, and make sense of the intangible future. Film photography isn’t just eye candy; it’s timeless and romantic—the ideal complement to Carloto’s writing. In Film for Her, much like a visual diary, word and image are intertwined in a book perfect for both gift and self-purchase.

    When Lilly "Aimee" Wust, a gentile mother of four and wife of a Nazi officer, met Felice "Jaguar" Schragenheim, a Jew living underground in Berlin, neither could have guessed that their brief initial encounter would develop into a blazing, devoted love. As the Nazi stranglehold closed in on them, Lilly and Felice found themselves fighting insurmountable odds to stay together. Extraordinarily passionate and heartrending, this is a rare and personal look at the love and strength of two women whose commitment to each other defied the brutality of their time.

    She kept extensive diaries of her life and loves, written partly in code. Made up of Greek letters mingled with other symbols of her own devising, Anne referred to the code as her "crypthand," and the use of it allowed her the freedom to describe her intimate life in great detail. Her diaries have been edited by Helena Whitbread, who spent years decoding and transcribing them.

    In this empowering retelling, she uses the mythology of the goddess to weave a common thread through the past and present. By the end of this book, Aphrodite make you believe in the possibility of your own healing.

    I composed a beautiful letter to you in the sleepless nightmare hours of the night, and it has all gone. I just miss you...' At a dinner party in 1922, Virginia Woolf met the renowned author, aristocrat - and sapphist - Vita Sackville-West. Virginia wrote in her diary that she didn't think much of Vita's conversation, but she did think very highly of her legs. It was to be the start of almost twenty years of flirtation, friendship, and literary collaboration. Their correspondence ended only with Virginia's tragic death in 1941.Intimate and playful, these selected letters and diary entries allow us to hear these women's constantly changing feelings for each other in their own words. Eavesdrop on the affair that inspired Virginia to write her most fantastical novel, Orlando, and glimpse into their extraordinary lives: from Vita's travels across the globe, to Virginia's parties with the Bloomsbury set; from their shared love of dogs and nature, to their grief at the beginning of the Second World War. Discover a relationship that - even a hundred years later - feels radical and relatable.WITH AN ORIGINAL INTRODUCTION FROM ALISON BECHDEL, AUTHOR OF FUN HOME AND CREATOR OF THE BECHDEL TEST.

    Not so with Daphne Gottlieb. In Why Things Burn, Gottlieb tackles sexuality, lesbian issues, rape, urban life, and a host of other topics with the same power of her live performances.

    Stevie is a bookworm, yet she longs to fit in with the cool crowd. Fighting her mother every step of the way, she begins to experiment with talkin' trash, "kicking butt," and boys.With the assassination of Dr. King she gains a new political awareness, which makes her decide to wear her hair in a 'fro instead of straightened, to refuse to use skin bleach, and to confront the prejudice she observes in blacks as well as whites. April Sinclair writes frankly about a young black woman's sexuality, and about the confusion Stevie faces when she realizes she's more attracted to the school nurse—who is white—than her teenage boyfriend. As readers follow Stevie's at times harrowing, at times hilarious story, they will learn what it was like to be black before black was beautiful.

    One will become our world. And Connie herself may strike the decisive blow...

    None of these he allows to overwhelm his spirit or his poems, which demonstrate, through breath and cadence and unrepentant enthrallment, that a gentle palm on a chest can calm the fiercest hungers.

    As Rumi said, "Love will find its way through all languages on its own". In 'teaching my mother how to give birth', Warsan's debut pamphlet, we witness the unearthing of a poet who finds her way through all preconceptions to strike the heart directly. Warsan Shire is a Kenyan-born Somali poet and writer who is based in London. Born in 1988, she is an artist and activist who uses her work to document narratives of journey and trauma. Warsan has read her work internationally, including recent readings in South Africa, Italy and Germany, and her poetry has been translated into Italian, Spanish and Portuguese.

    Unfolding through a series of letters written by an unnamed narrator, Last Words tells the story of a passionate relationship between two young women—their sexual awakening, their gradual breakup, and the devastating aftermath of their broken love. In a style that veers between extremes, from self-deprecation to pathos, compulsive repetition to rhapsodic musings, reticence to vulnerability, Qiu’s genre-bending novel is at once a psychological thriller, a sublime romance, and the author’s own suicide note.The letters (which, Qiu tells us, can be read in any order) leap between Paris, Taipei, and Tokyo. They display wrenching insights into what it means to live between cultures, languages, and genders—until the genderless character Zoë appears, and the narrator’s spiritual and physical identity is transformed. As powerfully raw and transcendent as Mishima’s Confessions of a Mask, Goethe’s The Sorrows of Young Werther, and Theresa Cha’s Dictée, to name but a few, Last Words from Montmartre proves Qiu Miaojin to be one of the finest experimentalists and modernist Chinese-language writers of our generation.

    This critically acclaimed sonnet sequence is the passionately intense story of a love affair between two women, from the electricity of their first acquaintance to the experience of their parting.