Their normally nasty gig suddenly transitions into something even more disturbing than usual when they pick up a recently murdered stiff that's been stewing in the blazing Arizona heat just a bit too long. They soon find out this isn't just any ordinary cadaver, this corpse has a dark, horrific secret... A shocking, repulsive, detail oriented odyssey that practically puts you on the coroner's cold definitive slab. You always hear that it's what's on the inside that counts and now it's time to find out. It's time to pick up the bodies... (5 original, hand-drawn vile works of art included within)

    . .Paul Kelly had a very big temper for such a small boy. When he tired of his toys he smashed them. When a dog or cat got in his way, he kicked them. And when other children told on him, he made sure they were very, very sorry . . .CHILD’S PLAY . . .But that was nothing compared to what Paul discovered next. Which was that if he didn’t like certain people, he could make it so he’d never have to see them again. Ever. And no one would suspect such a little boy of such a horrible deed. Of such monstrous powers. No one would ever guess that killing could be much more fun than playing with dump trucks and sandboxes. Especially the way Paul did it . . .

    Alistair Gellis—rich, handsome, scarred by World War I, and obsessed with ghosts—has been summoned to investigate the spirit of nineteen-year-old maid Maddy Clare, who is haunting the barn where she committed suicide. Since Maddy hated men in life, it is Sarah's task to confront her in death. Soon Sarah is caught up in a deperate struggle. For Maddy's ghost is real, she's angry, and she has powers that defy all reason. Can Sarah and Alistair's assistant, the rough, unsettling Matthew Ryder, discover who Maddy was, where she came from, and what is driving her desire for vengeance—before she destroys them all?

    She's still reeling from the news when she's offered an unexpected solution: Mr Argenton, a wealthy stranger, asks for her hand in marriage.Marrying Mr Argenton will restore her family's fortunes and save them from scandal, but condemns Sophie to a life in Northwood, a vast and unnaturally dark mansion situated hours from civilisation.Sophie struggles to adjust to her new position as mistress over the desolate house. Mr Argenton's relatives are cold, and Mr Argenton himself is keeping secrets. Even worse, the house is more than it seems.Mr Argenton's young cousin, Elise, draws terrifying images. Doors slam. Inhuman figures slink through the forest surrounding the house. A piano plays in the middle of the night. Blood drips from the ceilings.Sophie is inevitably pulled towards the terrifying truth: Northwood's ancient halls are haunted by the family's long-dead ancestors. The malevolent spirits--produced by grisly deaths--resent her intrusion into their home.Trapped in Northwood and desperate for an escape, Sophie's fate is further complicated as she finds herself irrevocably drawn to the tall, dark-eyed man she married. She suspects her feelings are returned, but Mr Argenton is hiding the truth about the house--and his secrets are so dangerous that they might just be unforgivable.

    A massive dust-storm cutting off communications and obscuring visibility. A father, his estranged son, and a small band of survivors marooned, waiting for help, unaware of the things that are out in the dust, waiting, watching, drawn by the scent of blood.

    He waited in the shadows, a dark and deadly presence. He was no novice at this terrible trade--he had struck before and he would strike again. And with each new killing he became less human...and more vicious. He stood patiently, a wire garrote in his strong hands, ready to claim yet another victim. Soon he would have one more to add to his growing list unless they could stop him. But how could they when they didn't know who he was? What he was? To a terrified city he was known only as the Wireman. Set in the 1970s, two brothers return from the Vietnam war with blood on their hands. Learning to kill the enemy wasn't something that would go away when they returned home to Houston, Texas. Could one of them be the serial killer, Wireman? Could the other stop him? Loosely based on true crimes which occurred in Houston, Texas in 1978-80. A suspense thriller by Edgar-Nominated author, Billie Sue Mosiman.

    This chapel, a stained glass folly set on the moors of Shropshire, was built by de Bonne sixteen years earlier to house the remains of his beloved wife and muse, Ada. Since then, the chapel has been locked and abandoned, a pilgrimage site for the rabid fans of de Bonne’s last book, The Lost History of Dreams.However, Ada’s grief-stricken niece refuses to open the glass chapel for Robert unless he agrees to her bargain: before he can lay Hugh to rest, Robert must record Isabelle’s story of Ada and Hugh’s ill-fated marriage over the course of five nights.As the mystery of Ada and Hugh’s relationship unfolds, so does the secret behind Robert’s own marriage—including that of his fragile wife, Sida, who has not been the same since the tragic accident three years ago, and the origins of his own morbid profession that has him seeing things he shouldn’t—things from beyond the grave.Kris Waldherr effortlessly spins a sweeping and atmospheric gothic mystery about love and loss that blurs the line between the past and the present, truth and fiction, and ultimately, life and death.

    The Eastwind sails for the American colonies in two weeks. If Silvia chooses to accept the offer of a mysterious benefactor, she must be ready to risk her life for a chance at freedom.Silvia's dark fate starts here, in a novella-length prequel to the sexy Gothic romance novel Dark Splendor.Dark Prelude is approximately 14,500 words long.

    All across the Appalachian Mountains, locals praised her name. She has captured more killers than any other detective in her lifetime, her methods are secret, and young ambitious journalists are dying to know her story. When a teenager's body turns up on display in Rachel's North Carolinian town, the gifted detective risks her legacy to track an imaginative killer with a twisted sense of art.

    He's not real.A story so terrifying, the locals won't mention his name.It's said that Creeper is an urban legend, a chilling, made-up character fabricated to scare children into behaving themselves.He's known as Painswicks own Bogeyman.Parents tell their children that Creeper will come if they're naughty.Adults continually look over their shoulders.It's said that he hides out front late at night or crawls around in the basement. Others believe Creeper watches them as they sleep.Eight women have gone missing over the last twenty years. They're known as the Painswick eight.Now, a ninth woman has vanished.Billy Huxton, an ex-private investigator, resides at a retirement home and tries to persuade the local, flamboyant entertainer, Declan Ryan, to help him solve the case.Sean and Jenny make documentaries, creepypastas, the paranormal, and unsolved mysteries. Together with their children, they move into a rundown farmhouse on Gallows Lane.As they begin to learn of Creeper and the terror many believe he brought to Painswick years ago, they begin to make a film, delving into the chilling story.But they soon learn it may not be just a story.Whatever happens, pray you don't see Creeper...

    Crammed with catastrophe, terror, and ghostly interventions, the novel was an immediate success, and influenced numberous followers. These include William Beckford's Vathek (1786), which alternates grotesque comedy with scenes of exotic magnificence in the story of the ruthless Caliph Vathek's journey to damnation. The Monk (1796), by Matthew Lewis, is a violent tale of ambition, murder, and incest, set in the sinister monastery of the Capuchins in Madrid. Frankenstein (1818, 1831) is Mary Shelley's disturbing and perennially popular tale of a young student who learns the secret of giving life to a creature made from human relics, with horrific consequences.This collection illustrates the range and attraction of the gothic novel. Extreme and sensational, each of the four printed here is alos a powerful psychological story of isolation and monomania.

    Gothic-romance novel written to meet a publisher's guidelines and "stave off starvation and buy a little time to write what I really cared about."

    Micah Clarke, his nine-year-old daughter Faye and his assistant Catalina Abril are abducted at gunpoint; forced to join a megalomaniac’s paramilitary expedition down an Amazon tributary ruled by murderous pirates and cannibal tribes. The goal—recover a meteorite capable of providing clean energy for the world. But prehistoric terrors lurk around every bend in the river. Swarms of six-inch titan ants and a seventy-foot Titanoboa tear a bloody swath through the flotilla. Micah is convinced that some unknown intelligence is manifesting these primeval horrors to protect the meteorite’s secrets. To defend his daughter, Micah must battle monsters, pirates and cannibals, all leading to his ultimate confrontation with an ancient force possessing the power of creation, or total destruction… and the doomsday clock is chiming midnight.

    They've become routine to him. But this time, the expedition is going to be anything but normal. Hank, along with a hardened river boat captain, his much younger girlfriend, and his main professional rival, are in the Amazon purely to study frogs. All their plans vanish quickly, however, when they are attacked by a Titanoboa, an enormous prehistoric snake that should be millions of years in its grave. As their crew dwindles from a series of terrifying attacks, they discover a secret: a long lost colleague of the professor has taken up residence on an island in the deepest parts of the jungle. And if Hank and the others can't find and stop her, then the Titanoboa will not be the only extinct monster unleashed back into the world.