A professor of cardiovascular physiology lingers on the cusp of consciousness as he waits for his new heart to be delivered, still beating, from another body—and is carried on a tidal wave of memories to an attic room half a century ago. Visiting Sylvia Plath’s grave in Yorkshire, the author imagines a conversation with the poet, a fellow North American who settled in grey England. She reflects on the treasured photograph of Princess Diana she took as a teenager, one of a multitude taken during a life cut short. And at Charleston, Angelica Garnett, child of the Bloomsbury Group, is overpowered by echoes of the past—all the beloved ghosts that spring to life before her eyes. MacLeod’s characters hover on the border of life and death, where memory is most vivid and the present most elusive.

    Examining themes of identity, othering, and self-determination, The Trojan War Museum strives to bring light to the darkest corners of ourselves and our histories.

    Along the way a new aesthetic for the ‘Iraqi fantastical’ begins to emerge: thus we meet time-travelling angels, technophobic dictators, talking statues, macabre museum-worlds, even hovering tiger-droids, and all the time buoyed by a dark, inventive humour that, in itself, offers hope.

    There is the intern in pre-#MeToo Hollywood of “Only Those Who Struggle Succeed,” the New York City children on the lookout for a place to play on the heels of Etan Patz’s kidnapping in “Disappearance,” and the “dangerous” women of “Daughters of Manāt” who struggle to assert their independence.The title story, “Alligator,” is a masterpiece of historical reconstruction and intergenerational trauma, told in an epistolary format through social media posts, newspaper clippings, and testimonials, that starts with the true story of the lynching of a Syrian immigrant couple by law officers in small-town Florida. Placed in a wider context of U.S. racial violence, the extrajudicial deaths, and what happens to the couple’s children and their children’s children in the years after, challenges the demands of American assimilation and its limits.Alligator and Other Stories is haunting, spellbinding, and unforgettable, while marking Dima Alzayat’s arrival as a tremendously gifted new talent.

    Years later, the writer’s stepson reflects upon his stepmother and the strange stories she used to tell him. Meanwhile, a surgeon’s lover vows to kill him if he does not leave his wife. Before she can follow-through on her crime of passion, though, the surgeon will cross paths with another remarkable woman, a cabaret singer whose heart beats delicately outside of her body. But when the surgeon promises to repair her condition, he sparks the jealousy of another man who would like to preserve the heart in a custom tailored bag. Murderers and mourners, mothers and children, lovers and innocent bystanders—their fates converge in a darkly beautiful web that they are each powerless to escape.Macabre, fiendishly clever, and with a touch of the supernatural, Yoko Ogawa’s Revenge creates a haunting tapestry of death—and the afterlife of the living.

    Characters observe their fellow citizens from afar, hesitant to stray from their daily routines to engage with them. But Tokyo being the city it is, random encounters inevitably take place – a naïve book collector, mistaken for a French speaker, is drawn into a world he never knew existed; a woman seeking psychiatric help finds herself in a taxi with an older man wanting to share his own peculiar revelations; a depressed divorcee accepts an unexpected lunch invitation to try Thai food for the very first time… The result in each story is a small but crucial change in perspective, a sampling of the unexpected yet simple pleasure of other people’s company. As one character puts it, ‘The world is full of delicious things, you know.’

    The title novella, "Raise the Red Lantern," which became a critically acclaimed film, tells the story of Lotus, a young woman whose father's suicide forces her to become the concubine of a wealthy merchant. Crushed by loneliness, despair, and cruel treatment, Lotus finds her descent into insanity both a weapon and a refuge."Nineteen Thirty-Four Escapes" is an account of a family's struggles during one momentous year; plagued by disease, death, and the shady promise of life in a larger town, the family slowly disintegrates.Finally, "Opium Family" details the last years of a landowning clan whose demise is brought about by corruption, lust, and treachery -- fruits of the insidious crop they harvest.

    Combining the traditional and the contemporary, Stone Boy and Other Stories contains ten works of short fiction that illuminate Buddhist themes and Vietnamese culture.

    These are some of the things we think about when we think about Japan. This small island nation looms large in the popular imagination, in often contradictory ways: as the epitome of refinement and tradition, and as an embodiment of a shiny, soulless future. What is Japan to those who really know it? This issue includes translated work from the most exciting Japanese writers today, alongside work in English. There will be contributions from the Man Asia-shortlisted Hiromi Kawakami, the Booker-shortlisted Ruth Ozeki, David Mitchell, David Peace, Richard Lloyd Parry and more.

     Is what you see all there is? Look again. Playful, frightening, even shocking – the stories in this collection blur the lines between illusion and reality. This is a writer at the height of his power, making the reader think, making them laugh, and sometimes making them want to look away while holding their gaze. Stories here are set in London, in Byzantium, in the ghetto, in the Andes, in a printer's shop in Spain. The characters include a murderer, a writer, a detective, a man in a cave, a man in a mirror, two little boys, a prison door, and the author himself. There are twenty-three stories in all. Each one will make you wonder if what you see in the world is all there is...

    Her stories are revered by some of the best American writers of our day, but until now there has been no stand-alone collection of her short fiction.Wait Till You See Me Dance consists of several extraordinary longer stories as well as a selection of intoxicating very short stories. In the chilling “The First Full Thought of Her Life,” a shooter gets in position while a young girl climbs a sand dune. In “Voltaire Night,” students compete to tell a story about the worst thing that ever happened to them. In “Stay Where You Are,” two oblivious travelers in Central America are kidnapped by a gunman they assume to be an insurgent—but the gunman has his own problems.An Unferth story lures you in with a voice that seems amiable and lighthearted, but it swerves in sudden and surprising ways that reveal, in terrifying clarity, the rage, despair, and profound mournfulness that have taken up residence at the heart of the American dream. These stories often take place in an exaggerated or heightened reality, a quality that is reminiscent of the work of Donald Barthelme, Lorrie Moore, and George Saunders, but in Unferth’s unforgettable collection she carves out territory that is entirely her own.

    The eight masterful stories in this new collection are all told in the first person by a classic Murakami narrator: a lonely man. Some of them (like With the Beatles, Cream and On a Stone Pillow ) are nostalgic looks back at youth. Others are set in adulthood--Charlie Parker Plays Bossa Nova, Carnaval, Confessions of a Shinagawa Monkey and the stunning title story. Occasionally, a narrator who may or may not be Haruki himself is present, as in The Yakult Swallows Poetry Collection. Is it memoir or fiction? The reader decides. The stories all touch beautifully on love and loss, childhood and death . . . all with a signature Murakami twist.'

    As time passes, Janie hears more stories, while facts remain unspoken. Her father tells tales about numbers, and in his stories everything works out. In her mother's stories, deer explode in fields, frogs bury their loved ones in the ocean, and girls jump from cliffs and fall like flowers into the sea. Within all these stories are warnings. Years later, when Hannah inexplicably cuts all ties and disappears, Janie embarks on a mission to find her sister and finally uncover the truth beneath her family's silence. To do so, she must confront their history, the reason for her parents' sudden move to America twenty years earlier, and ultimately her conflicted feelings toward her sister and her own role in the betrayal behind their estrangement. Weaving Korean folklore within a modern narrative of immigration and identity, Forgotten Country is a fierce exploration of the inevitability of loss, the conflict between obligation and freedom, and a family struggling to find its way out of silence and back to one another.

    These creatures live alongside humans in near-inconspicuousness—save their greenish skin, serrated earlobes, and strange birthmarks. Aided by her elusive former professor and his enigmatic assistant, our narrator sets off to document each beast, and is slowly drawn deeper into a mystery that threatens her very sense of self. Part detective story, part metaphysical enquiry, Strange Beasts of China engages existential questions of identity, humanity, love and morality with whimsy and stylistic verve.

    For example, in "Rebel Airplanes," an L.A. engineer works by day on city sewers and by night on R-C planes that she yearns to launch into the cosmos. The character-driven stories in Meet Behind Mars offer beautiful insight into the emotional lives of caretakers, auto workers, dancers, and pawn shop employees. In "High Country," a frustrated would-be novelist considers ditching her family in the middle of the desert. In "Dive," an adoptee returns to her adoptive home, still haunted by histories she does not know. Simms writes from the voice of women and girls who struggle under structural oppression and draws from the storytelling tradition best represented by writers like Edward P. Jones, whose characters have experiences that are specific to black Americans living in the late twentieth and twenty-first centuries. One instance of this is in "The Art of Heroine Worship," in which black families integrate into a white suburb of Detroit in the 1970s.The stories in this collection span forty years and two continents and range in structure from epistolary to traditionally structured realism, with touches of absurdity, humor, and magic. Meet Behind Mars will appeal to readers interested in contemporary literary fiction.