First published in 1940, it focuses on the lynching of three innocent men and the tragedy that ensues when law and order are abandoned. The result is an emotionally powerful, vivid, and unforgettable re-creation of the Western novel, which Clark transmuted into a universal story about good and evil, individual and community, justice and human nature. As Wallace Stegner writes, [Clark's] theme was civilization, and he recorded, indelibly, its first steps in a new country.

    His historical importance is indisputable.” Here, in a Library of America volume edited by Nobel laureate Toni Morrison, is the fiction that established James Baldwin’s reputation as a writer who fused unblinking realism and rare verbal eloquence.His first novel, Go Tell It on the Mountain (1953), tells the story, rooted in Baldwin’s own experience, of a preacher’s son coming of age in 1930’s Harlem. Ten years in the writing, its exploration of religious, sexual, and generational conflicts was described by Baldwin as “an attempt to exorcise something, to find out what happened to my father, what happened to all of us.”Giovanni’s Room (1956) is a searching, and in its day controversial, treatment of the tragic self-delusions of a young American expatriate at war with his own homosexuality. Another Country (1962), a wide-ranging exploration of America’s racial and sexual boundaries, depicts the suicide of a gifted jazz musician and its ripple effect on those who knew him. Complex in structure and turbulent in mood, it is in many ways Baldwin’s most ambitious novel.Going to Meet the Man (1965) collects Baldwin’s short fiction, including the masterful “Sonny’s Blues,” the unforgettable portrait of a jazz musician struggling with drug addiction in which Baldwin came closest to defining his goal as a writer: “For, while the tale of how we suffer, and how we are delighted, and how we may triumph is never new, it must be heard. There isn’t any other tale to tell, it’s the only light we’ve got in all this darkness.”

    Trapped in 1877, a historian writes an account of an alternative history of America in which the South won the Civil War. Living in this alternative timeline, he was determined to change events at Gettysburg.When he's offered the chance to return to that fateful turning point his actions change history as he knows it, leaving him in an all too familiar past.

    Published in 1838, this rousing sea adventure follows New England boy, Pym, who stows away on a whaling ship with its captain's son, Augustus. The two boys repeatedly find themselves on the brink of death or discovery and witness many terrifying events, including mutiny, cannibalism, and frantic pursuits. Poe imbued this deliberately popular tale with such allegorical richness, biblical imagery, and psychological insights that the tale has come to influence writers as various as Melville, James, Verne and Nabokov.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    Dutton’s sentences are as taut and controlled as her narrator’s mind, and a hint at what compels both (‘I locate my body by grounding it against the bodies of others’) betrays a fierce and feral searching. SPRAWL makes suburban landscapes thrilling again.” —The Believer Book Award, Editors’ Shortlist“SPRAWL, first published in 2010, is a stream-of-consciousness collage of domesticity and intimacy, the unwavering assertion of a suburban woman’s individuality and selfhood that never loses its sense of humor.” —Lauren Kane, The Paris Review Staff’s Favorite Books of 2018“A kind of Mrs. Dalloway in objects, a kind of performance piece melding stream-of-consciousness with commentary on photographer Laura Letinsky’s domestic still lifes, and at times one of the most philosophical accounts of contemporary suburban American existence and the ever-trenchant fetters of gender roles, Dutton’s SPRAWL is a book a reader might read in one sitting, but it will resonate for days to come—if not longer. . . . SPRAWL is that rare kind of book that will change one’s perception of what fiction can do.” —K. Thomas Khan, 3:AM Magazine

    Ranging from the 19th to the 20th centuries, writers include James Augustine Aloysius Joyce, Francis Scott Key Fitzgerald, Richard Edward Connell, Henri Nathaniel Hawthorne, Lev Nikolayevich Tolstoy, Jack London, Henri Ringgold Wilmer Lardner, Oscar Fingal O'Flahertie Wills Wilde, Anton Pavlovich Chekhov, Henri René Albert Guy de Maupassant and Edgar Allan Poe.

    features an Asian-American television news executive, Emi, and a Latino newspaper reporter, Gabriel, who are so focused on chasing stories they almost don't notice that the world is falling apart all around them. Karen Tei Yamashita's staccato prose works well to evoke the frenetic breeziness and monumental self-absorption that are central to their lives.-Janet Kaye, The New York Times Book Review

    But despite its masterly control, this startlingly modern tale is also a simmering, rebel cri de coeur unleashed by a writer who was herself unappreciated in her own time. The combination of these attributes make this edgy novella a moving and suspenseful homage to the power of literature itself.The Art of The Novella SeriesToo short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.

    Known as the “Narito Disappearances,” the crime has authorities baffled—until a confession appears on the police’s doorstep, signed by Oda Sotatsu, a thread salesman. Sotatsu is arrested, jailed, and interrogated—but he refuses to speak. Even as his parents, brother, and sister come to visit him, even as his execution looms, and even as a young woman named Jito Joo enters his cell, he maintains his vow of silence. Our narrator, a journalist named Jesse Ball, is grappling with mysteries of his own when he becomes fascinated by the case. Why did Sotatsu confess? Why won’t he speak? Who is Jito Joo? As Ball interviews Sotatsu’s family, friends, and jailers, he uncovers a complex story of heartbreak, deceit, honor, and chance. Wildly inventive and emotionally powerful, Silence Once Begun is a devastating portrayal of a justice system compromised, and evidence that Jesse Ball is a voraciously gifted novelist working at the height of his powers.

    She portrays the MacLains, the Starks, the Moodys, and other families of the fictitious town of Morgana. “I doubt that a better book about ‘the South’-one that more completely gets the feel of the particular texture of Southern life and its special tone and pattern-has ever been written” (New Yorker).

    In it, Reed, one of our preeminent African-American authors, mixes portraits of historical figures and fictional characters with sound bites on subjects ranging from ragtime to Greek philosophy. Cited by literary critic Harold Bloom as one of the five hundred most significant books in the Western canon, Mumbo Jumbo is a trenchant and often biting look at black-white relations throughout history, from a keen observer of our culture.

    I love the soft blue veins on your wrist. I love your lopsided smile. I love watching TV and shelling sunflower seeds with you. The six recipients - a data analyst, a photojour­nalist, a schoolchild, a missionary, a writer, and a street vendor - inhabit an acutely observed, beauti­fully familiar yet particularly strange universe, as only Kevin Brockmeier could imagine it: a world in which human pain is expressed as illumination, so that one's wounds glitter, fluoresce, and blaze with light. As we follow the journey of the book from stranger to stranger, we come to understand how intricately and brilliantly they are connected, in all their human in­jury and experience.

    In this fictional memoir, Valerie Martin brilliantly re-creates the seamy theater world of 1970s New York, when rents were cheap, love was free, and nudity on stage was the latest craze. Edward Day, a talented and ambitious young actor finds his life forever altered during a weekend party on the Jersey Shore, where he seduces the delicious Madeleine Delavergne and is saved from drowning by the mysterious Guy Margate, a man who bears an eerie physical resemblance to Edward. Forever after, Edward is torn between his desire for Madeleine and his indebtedness to Guy, his rival in love and in art, on stage and off.

    As a freak winter storm bears down on an exclusive, affluent suburb in Connecticut, cars skid out of control, men and women swap partners, and their children experiment with sex, drugs, and even suicide. Here two families, the Hoods and the Williamses, come face-to-face with the seething emotions behind the well-clipped lawns of their lives - in a novel widely hailed as a funny, acerbic, and moving hymn to a dazed and confused era of American life.

    The title character of THE REVISIONIST conducts covert surveillance on a city whose inhabitants are subject to uncanny transformations as a result of catastrophic weather, political corruption, invasive technologies and environmental degradation. Hired to spin, or "revise," the facts, the revisionist's perceptions in turn become detached and distorted--inevitably unreliable yet all the same, revealing. This civil scientist of a narrator sardonically observes a distressed landscape inhabited by mutant children, a seeing-eye dog, a centenarian with iguanas and constellations beneath her dress, brooding frigate birds, insurance love clones, a terrorist curator, a private investigator, and a little girl who's discovered the world's largest conch. "THE REVISIONIST is at once a beautifully simple fable and a wonderfully lyrical apocalyptic tale"--Brian Evenson.