Misty Bell Stiers set out on a spiritual path to find a faith that worked for her, and accidentally became a witch. She knew the Bible well, and got to know the Torah and Koran. She studied Eastern philosophies, even the stories of the Egyptians and Greeks. Finally, after overcoming an immediate prejudice (“Um, no,” she writes as her initial reaction), she found Wicca.Witch, Please reveals what makes this mysterious religion so desirable for more than a million Americans. In her witty, direct, and heartfelt text, Misty explores spirituality, perseverance, and finding oneself. She shares what she uses her spell book, cauldron, and broomstick for; the significance of Wiccan holidays, many about new beginnings; the surprising history of Wicca; and what kinds of witches there are. She explains how in her busy New York City life, as a mother and a creative director, her faith grounds and sustains her. Her uplifting, you-too-can-find-what-works-for-you voice speaks like a best friend: relatable, honest, and encouraging. This unusual and beautifully written memoir explores life and death and everything in between. It’s candid, but it’s also threaded with magic and has a warming, light-hearted playfulness to it. Bewitching original drawings by Misty are throughout, and Misty even shares ten original recipes for her Wiccan holiday treats (including the likes of her cinnamon rolls and roasted garlic rosemary bread, sprinkled with magic and seasoned with love, laughter, and healing).

    But wearing witchy jewelry and casting a few spells does not make one a witch, for Wicca is a lifestyle and those who walk its path have solemnly dedicated themselves to the service of the Goddess and God.Wiccan Beliefs and Practices was written for the solitary witch or non-traditional small coven. Written by a Wiccan High Priest and retired aerospace engineer, Wiccan Beliefs & Practices includes crucial information not found in other introductory Wiccan books, including:Ethics of a Witch, including the Code of Chivalry How to write and develop your own spells and rituals The physically-challenged Witch Out of the broom closet: is it right for you? Know your rights: the legal protection of Wicca as a legitimate religion Author Gary Cantrell speaks from personal experience with Wiccans of all ages and degrees of physical ability, bringing you an earnest examination of modern Wiccan beliefs and a practical guide to the Craft of the Wise.In the following excerpt, the author explains why he chose to come out of the broom closet.I elected to reveal my practice of witchcraft publicly simply because I personally feel that the time for intentionally hiding ourselves has come to an end. We are practitioners of a kind, gentle, and peace-loving religion. We are not the bloodthirsty or depraved, orgiastic fanatics all too often portrayed by the entertainment and news media. The general public has been misled about witchcraft for over a thousand years, and now with our numbers reaching an all-time high, possibly in excess of one million people worldwide, we need to stand up and set that record straight.We are out there by the hundreds upon hundreds of thousands. We are in the arts, the sciences, and the humanities. We are law enforcement officers, engineers, builders, doctors, and farmers. We are a legally recognized religion under the protection of the First Amendment to the Constitution of the United States, and our isolation from the rest of the religious community should and must come to an end. With the phenomenal growth of witchcraft since the 1970s and with the free and easy interchange of information afforded to us by things like the Internet, that time will come to pass and it will happen soon. It may be happening now.

    The feminine virtues described in Titus 2 have transformed her life and the lives of countless other women. This book will show you the appeal of being a woman who lives for God and helps others do the same.

    But what if books like that seem a little too “out there” for you? Enter Deanna Davis, whose down-to-earth approach stems from her own change of heart (it happened at the Olive Garden). In this fun, quirky, and decidedly straightforward guide, Deanna shares the science, strategy, and stories of how to create your ideal life using a universal key to success called the Law of Attraction, whether you seek health, wealth, happiness, success, or anything else, large or small. The book blends cutting-edge research, practical techniques, and a conversational, light, funny tone to make the information both meaningful and memorable. Like a talk by your favorite college professor, it provides brilliant concepts in a downto- earth manner—an uncommon blend of wisdom, creativity, inspiration, and practical strategies that work.

    Offers a general guide to herb gardening, lists herbs associated with the practice of Wicca, and discusses their significance.

    For women especially, relocating can be a traumatic event. With true stories, ingenious insights, and helpful hints, this great book makes transitioning smoother so women can get on with their lives. Those who are moving will find this valuable book as important as packing tape.

    The Journey to the Sacred Garden guides us along a well-traveled path into this extraordinary experience and includes an experiential CD of shamanic drumming and rattling, providing us with an effective, easily learned technique for expanding awareness and shifting consciousness safely. The first goal: to find our Sacred Garden, a place for personal empowerment; as well as physical, psychological, emotional, and spiritual restoration. Once there, we learn through direct experience that the garden can be used as a gateway into the other levels of the inner worlds. Anthropologist Hank Wesselman, Ph.D., reveals that our garden operates by four primary rules: oEverything in the garden is symbolic of some aspect of ourselves or our life experience. oEverything in the garden can be communicated with, enhancing understanding. oThe garden can be changed by doing work. oWhen you change your garden, some part of you or your life will change in response.

    Heather Lende thinks it helps make life mean more. Since her bestselling first book, If You Lived Here, I’d Know Your Name, a near-fatal bicycle accident has given Lende a few more reasons to consider matters both spiritual and temporal. Her idea of spirituality is rooted in community, and here she explores faith and forgiveness, loss and devotion—as well as raising totem poles, canning salmon, and other distinctly Alaskan adventures. Lende’s irrepressible spirit, her wry humor, and her commitment to living a life on the edge of the world resonate on every page. Like her own mother’s last wish—take good care of the garden and dogs—Lende’s writing, so honest and unadorned, deepens our understanding of what links all humanity.

    Ballet dancers and rock musicians, professors and thieves-"anyone who had fallen, or, often, leapt, onto hard times" and needed extended medical care-ended up here. So did Victoria Sweet, who came for two months and stayed for twenty years. Laguna Honda, lower tech but human paced, gave Sweet the opportunity to practice a kind of attentive medicine that has almost vanished. Gradually, the place transformed the way she understood her work. Alongside the modern view of the body as a machine to be fixed, her extraordinary patients evoked an older idea, of the body as a garden to be tended. God's Hotel tells their story and the story of the hospital itself, which, as efficiency experts, politicians, and architects descended, determined to turn it into a modern "health care facility," revealed its own surprising truths about the essence, cost, and value of caring for body and soul.

    . . I was born a feminist. And then at age five, when my strict Christian grandmother punished me, I realized, I’m not penetrating here. I’m just pissing people off. So I had to find another way to penetrate. I had to redefine what that word means. That word now is really about an opening, an entering into a separate space. And after the first phase of my life, I realized that it was okay to enter that space without having to be invaded . . . I like the idea of just being able to be inside. Not using penetration as a violent word. The idea of being able to find keys . . . music, using keys to get into a space that we couldn’t before . . .Now, backstage at an undisclosed arena where the sweat of athletes is still perfuming my makeshift dressing room, my many conversations with Ann Powers have begun . . . “You come from the journalist side. I come from the artist side. It can become offensive. I’m sure from your side as well as from mine.” “Well, it’s true everyone expects us to be enemies. And in some ways we are. My job is interpretation. Yours is art, which often benefits from mystery . . .”"Ann and I decided to strip our roles back to basics. We are both women born feminists in the 1960s. We are both married. We are both mothers. We are both in the music industry. Traditionally we are enemies. But for this project to be effective, I had to allow Ann to expose Tori Amos. And Tori Amos’s inner circle. And me.” –from the IntroductionAn intimate, eye-opening look inside the life of one of the most unique and adored performers of contemporary rock musicFrom her critically acclaimed 1992 debut, Little Earthquakes, to the recent hit, Scarlet’s Walk, Tori Amos has been a formidable force in contemporary music, with one of the most dedicated fan bases in the industry. In Tori Amos: Piece by Piece, the singer herself takes readers beyond the mere facts, explaining the specifics of her creative process—how her songs go from ideas and melodies to recordings and passionately performed concert pieces. Written with acclaimed music journalist Ann Powers, Tori Amos: Piece by Piece is a firsthand account of the most intricate and intimate details of Amos’s life as both a private individual and a very public performing musician. In passionate and informative prose, Amos explains how her songs come to her and how she records and then performs them for audiences everywhere, all the while connecting with listeners across the world and maintaining her own family life (which includes raising a young daughter). But it is also much more, a verbal collage made by two strong female voices—and the voices of those closest to Amos—that calls upon genealogy, myth, and folklore to express Amos’s unique and fascinating personal history. In short, we see the pieces that make up, as Amos herself puts it, “the woman we call Tori.”With photos taken especially for this book by the photographer Loren Haynes, Tori Amos: Piece by Piece is a rare treat for both Tori listeners and newcomers alike, a look into the heart and mind of an extraordinary musician.

    BROWN BOARDS WITH GOLD GILTING.

    In Harrison's preface to this remarkable book, she writes that J. G. Frazer's work had become part and parcel of her "mental furniture" and that of others studying primitive religion. Today, those who write on ancient myth or ritual are bound to say the same about Harrison. Her essential ideas, best developed and most clearly put in the Prolegomena, have never been eclipsed.

    The result is an inspiring personal journey as well as a poignant reflection on the power of the church and faith.

    The profoundly moving, day-by-day recounting of her mother’s death “shows the power of compassion when it is allied with acute intelligence” (The Sunday Telegraph). Powerful, touching, and sometimes shocking, this is an end-of-life account that no reader is ever likely to forget.

    She has written some of the most admired books of the past few decades, including her internationally bestselling first novel, Oranges Are Not the Only Fruit, the story of a young girl adopted by Pentecostal parents that is now often required reading in contemporary fiction. Why Be Happy When You Could Be Normal? is a memoir about a life's work to find happiness. It's a book full of stories: about a girl locked out of her home, sitting on the doorstep all night; about a religious zealot disguised as a mother who has two sets of false teeth and a revolver in the dresser, waiting for Armageddon; about growing up in an north England industrial town now changed beyond recognition; about the Universe as Cosmic Dustbin. It is the story of how a painful past that Jeanette thought she'd written over and repainted rose to haunt her, sending her on a journey into madness and out again, in search of her biological mother.