Get caught up on all things Laura Kinney with these Marvel Primer Pages and then check out the start of All-New Wolverine in Marvel Legacy in All-New Wolverine #25.

    He’s also a vampire. He lives alone and avoids the other vampires in L.A., but Pete’s simple life goes haywire when he falls for Angie, the cute bartender at a Sunset Strip dive -- and when sinister vampire lord Carson Fitzgerald returns to claim his children, Pete learns that nothing's ever easy for a creature of the night.

    Sure, age isn't a problem. Neither are her looks. Heaven knows that plenty of perfectly respectable men would consider themselves lucky to end up with someone like her. Then again, the last perfectly respectable man to end up with her - her ex-husband - ended their marriage, not to mention Jane's belief in happy endings...But she just can't muster the cynicism to resist William Andrews - a dashing, debonair widower with two children of his own. Soon, Jane's doing what she swore she'd never do: Marching down the aisle, promising to have, hold, serve, and protect, 'til death do them part. But why does Andrew seem so obsessed with his dead wife? And why do the children seem to hate Jane so passionately?As Jane struggles to understand the nature of the powerful hold Andrews's first wife still exerts over the husband and children she left behind, her day-to-day life grows increasingly more dangerous. During a family outing, she is suddenly thrown violently from her horse. Had someone deliberately spooked the horse? As she takes a midnight swim, the mechanical dome over the pool closes on her. Did it short circuit, or was it sabotage? Are these just coincidences, or are the stakes and risks getting higher the closer Jane gets to the truth? Someone would clearly like to see her follow the first Mrs. Andrews to the grave. Why?In a thriller that moves from New York to Paris to the Caribbean, a plot filled with relentless suspense, and a witty and intelligent heroine worth cheering for, this latest from Diana Diamond is her best yet, an unputdownable romance of deadly proportions.

    Naked Pueblo, his absolutely maximalist, throw-everything-in-and-shake-it-up short story collection, buzzes like some kind of whacked-out fever dream." (Esquire)

    One night, a carload of strangers appears on the Hollands' property, carrying the air of incipient danger underneath a veneer of pleasantries. Weldon finds himself inexplicably drawn to the group of trespassing vagabonds—who, despite being camped out on a hidden riverbank in the middle of nowhere, drive the most expensive automobile that Weldon has ever seen. In the unbearable, rainless heat of a Dust Bowl summer, Weldon will find himself mixed up in an encounter with the infamous bank robbers Bonnie and Clyde—an encounter that changes the course of Weldon's life…and history itself. Rich with criminal and social history of the American West and a young boy’s struggle to become a man, “A Dust Bowl Tale of Bonnie and Clyde” is just the beginning of Weldon Holland’s story.

    Told entirely through interviews, e-mails, fan magazine puff pieces, film reviews, shooting scripts, greeting cards, extortion notes, and court depositions, this is a hilarious account of the on-again, off-again career of Viola Chute, the B-grade sex symbol who slept her way to the middle-and slid downward from there. After making a big comeback on a nighttime soap, Viola decides it's time to pen her memoirs. But when E. Manfred Harry, her ghostwriter, turns up some serious dirt, the bitch goddess fires him. The ever-resourceful Harry turns the book into an unauthorized tell-all biography, and Viola's star once again begins its descent... Will she be asked back for a second season? Will she make Celebrity Magazine's "Best-Dressed" list again this year? Will her agent ever return her calls? Praise for Robert Rodi: "Rodi whips action around faster than Julia Child working up a souffle." (The Fort Lauderdale Sun-Sentinel) "Irrestibly funny!" (Quentin Crisp)

    PHALLOS is the tale of a tale, recounting the pursuit of mystic knowledge throughout the Mediterranean world in the reign of the emperor Hadrian. Filled with wit and erudition - and deeply homoerotic - this is a Lacanian riddle to delight and intrigue the growing number of admirers of Delany's more recent fiction, Hogg (1995), and The Mad Man (1996). Delany is a novelist, critic, and professor of English at Temple University and has also written an award-winning autobiography, The Motion of Light in Water (1988).

    In Eyes for Consuela, based on Octavio Paz’s classic story “The Blue Bouquet,” a vacationing American encounters a knife-toting Mexican bandit on a gruesome quest. And in When the World Was Green, cowritten with Joseph Chaikin, a journalist in search of her father interviews an old man who resolved a generations-old vendetta by murdering the wrong man. Together, these plays form a powerful trio from an enduring force in American theater.

    His mother tells him he'll be a star one day. 'Twinkle, twinkle,' she says, giving his hair a ruffle.Not everyone shares Julian's dreams of stardom. Television is too much like hairdressing for his father's tastes. A Tasmanian man wants a son for sporting purposes. 'Boys don't like dolls,' he tells Julian, 'They like Dinky Toys.' Not this boy, thinks Julian, who knows better than to tell the truth.Besides, the family already has a sporting hero, Julian's sister Carmel aka 'The Locomotive'. Julian likes his sister, but knows better than to tangle with her bowling arm. It's the same one she uses for punching.Julian Corkle is a Filthy Liar is the ultimate feel-good novel, a book that will have the reader laughing out loud on the back of a bus as it follows Julian's bumpy journey through adolescence, fibbing his way through school and a series of dead-end jobs, to find his ultimate calling as creator of ‘The Hog.’ It's as if Crocodile Dundee has crashed Muriel's wedding and run off into the desert with Priscilla.

    Published posthumously, this volume rounds out the life of the legendary guitarist and composer, providing more backstory behind his creative ferocity. The stories provide a personal view into decades of his poignant insights into life and music.

    That was the way it was since the beginning, and the way it was to be until the end. In the barn they tended to the animals, but also to each other, transforming the hollowed-out shed into a place of human refuge, a source of intimacy and hope in a world ruled by vicious masters. But when an older man—a fellow slave—seeks to gain favor by preaching the master’s gospel on the plantation, the enslaved begin to turn on their own. Isaiah and Samuel’s love, which was once so simple, is seen as sinful and a clear danger to the plantation’s harmony.With a lyricism reminiscent of Toni Morrison, Robert Jones, Jr. fiercely summons the voices of slaver and the enslaved alike to tell the story of these two men; from Amos the preacher to the calculating slave-master himself to the long line of women that surround them, women who have carried the soul of the plantation on their shoulders. As tensions build and the weight of centuries—of ancestors and future generations to come—culminate in a climactic reckoning, The Prophets masterfully reveals the pain and suffering of inheritance, but is also shot through with hope, beauty, and truth, portraying the enormous, heroic power of love.

    An introverted young man from Alabama, black and queer, he has left behind his family without escaping the long shadows of his childhood. For reasons of self-preservation, Wallace has enforced a wary distance even within his own circle of friends—some dating each other, some dating women, some feigning straightness. But over the course of a late-summer weekend, a series of confrontations with colleagues, and an unexpected encounter with an ostensibly straight, white classmate, conspire to fracture his defenses while exposing long-hidden currents of hostility and desire within their community.

    A graphic and uncompromising autobiographical bender, the story of Tea's years as a prostitute, with provocative illustrations by Laurenn McCubbin.

    He’s ashamed of hiding it all this time and he doesn’t want to hurt her, so every time he gets the chance to tell her, he freezes up. The guilt has been almost unbearable, but when his wife dies suddenly, Jay’s conscience threatens to eat him alive. Funeral director Scott Lawson deals with the bereaved every day of his life, and he’s also all too familiar with the inside of the closet. He offers Jay some much-needed compassion and understanding, and from that connection comes a friendship that quickly—perhaps too quickly—turns into something more. But are grief, guilt, and loneliness the only things tying them together? Or will Scott get tired of being used as an emotional crutch before Jay realizes what he has?

    They were two scared kids in love – and reaching for the stars…That’s how it was for Ben and Ginnie in 1951.Ben, the writer who couldn’t seem to make it.Ginnie, the dancer who couldn’t seem to miss.Together the world was theirs for the asking.In the exhilarating world of show biz,from the neon glamour of New York to the starry glitter of Hollywood,it was love and glory – pure, intense, and perfect – all the way.Together they soared on wings of joy and laughter – until it all came flying apart.Could an enchanted love like theirs end, become mere memory, when it deserved minstrels and bold knights on white chargers and pennants flapping gaily from tall towers?