The newborn is swaddled in an Amish crib quilt, and the only other item found with the child is a hand-carved wood rattle, which Kate also recognizes as Amish. The little girl seems healthy and whole; but who would abandon her and why? Though the quilt and rattle could be purchased, Kate suspects the mother is Amish, possibly young and unmarried, both of which would be powerful motives for such a desperate act. With the rattle and the baby quilt as the only clues, Kate must call upon her own Amish roots, and with the help of state agent John Tomasetti, search the Amish and "English" communities of Painters Mill for clues to unravel the poignant, puzzling mystery.

    She becomes gradually more obsessed with the case, never imagining how close she herself is to danger. Includes an extract from Karin Slaughter’s gripping new novel, Pretty Girls.

    Then John Bristow walks through his door with an amazing story: His sister, the legendary supermodel Lula Landry, famously fell to her death a few months earlier. The police ruled it a suicide, but John refuses to believe that. The case plunges Strike into the world of multimillionaire beauties, rock-star boyfriends, and desperate designers, and it introduces him to every variety of pleasure, enticement, seduction, and delusion known to man.

    There is nothing noir about the world of Ulf Varg, Detective Inspector in the Sensitive Crimes Department of the Criminal Investigation Authority for the city of Malmö, Sweden. Ulf is concerned with odd, but not too threatening crimes, such as a stab wound to the back of the knee caused by an unknown hand, young women who allow their desperation for a boyfriend to get the better of them, and peculiar goings-on in a spa on Sweden's south coast.Of course, Ulf is a Swedish detective, and Swedish detectives, by convention, lead lives beset with problems of one sort or another. For a start, there is his name: Ulf means “wolf” in modern Swedish, and Varg derives from the Old Norse word for “wolf”. But his character is far from vulpine: Ulf is a sympathetic, well-educated, and likeable man, with a knowledge of and interest in Scandinavian- and modern art. He has a dog named Marten, the only dog in Sweden capable of lip-reading (but only in Swedish). Martin becomes depressed and needs treatment. Dogs in Sweden are apparently particularly prone to Seasonal Affective Disorder (SAD). But this is summer—so there must be something else going on.Ulf has a number of colleagues into whose lives we gain insight. There is Anna, married to an anaesthetist, but very fond of Ulf; Erik, whose sole interest is fishing; Carl, whose father is a famous Lutheran theologian who has written a book on Danish philosopher Kierkegaard; then there is Blomquist from the uniformed branch, who goes on and on about his health problems but seems to have extraordinary luck in investigations. There is also Ulf's psychotherapist, Dr. Svensson, whose observations on Ulf's life—and many other topics—enlightens...or possibly confuses.The Department of Sensitive Crimes is the first full-length novel in the Detective Varg series.

    This funny, irreverent story collection by Helene Tursten, author of the Irene Huss investigations, features two-never-before translated stories that will keep you laughing all the way to the retirement home.Ever since her darling father’s untimely death when she was only eighteen, Maud has lived in the family’s spacious apartment in downtown Gothenburg rent-free, thanks to a minor clause in a hastily negotiated contract. That was how Maud learned that good things can come from tragedy. Now in her late eighties, Maud contents herself with traveling the world and surfing the net from the comfort of her father’s ancient armchair. It’s a solitary existence, but she likes it that way.Over the course of her adventures—or misadventures—this little bold lady will handle a crisis with a local celebrity who has her eyes on Maud’s apartment, foil the engagement of her long-ago lover, and dispose of some pesky neighbors. But when the local authorities are called to investigate a murder in her apartment complex, will Maud be able to avoid suspicion, or will Detective Inspector Irene Huss see through her charade?

    While most of her classmates and instructors at the academy want her to succeed, Detective Johnny Nolasco is hell-bent on keeping the boys’ club intact. The training sessions offer plenty of opportunities for humiliation, but Tracy’s not the type to give in. Fueled by a confrontation with her in the middle of a class, Nolasco is determined to see Tracy fail. Tracy, harboring memories of the loss of her sister and the disintegration of her family, has too much at stake to let one pigheaded detective stand in her way. With so much to lose, will she make the cut in this competitive world?

    . . . At first, the murder scene appears sad, but not unusual: a young woman undone by drugs and prostitution, her six-year-old daughter dead alongside her. But then detectives find a strange piece of evidence in the squalid house: the platinum credit card of a very wealthy--and long dead--steel tycoon. What is a heroin-addicted hooker doing with the credit card of a well-known and powerful man who died months ago? This is the question that the most junior member of the investigative team, Detective Constable Fiona Griffiths, is assigned to answer.But D.C. Griffiths is no ordinary cop. She's earned a reputation at police headquarters in Cardiff, Wales, for being odd, for not picking up on social cues, for being a little overintense. And there's that gap in her past, the two-year hiatus that everyone assumes was a breakdown. But Fiona is a crack investigator, quick and intuitive. She is immediately drawn to the crime scene, and to the tragic face of the six-year-old girl, who she is certain has something to tell her . . . something that will break the case wide open.Ignoring orders and protocol, Fiona begins to explore far beyond the rich man's credit card and into the secrets of her seaside city. And when she uncovers another dead prostitute, Fiona knows that she's only begun to scratch the surface of a dark world of crime and murder. But the deeper she digs, the more danger she risks--not just from criminals and killers but from her own past . . . and the abyss that threatens to pull her back at any time.

    A young lieutenant colonel, in a stylish handmade uniform, roars through the damp woods of Georgia in her new silver Porsche - until she meets a very tall soldier with a broken-down car.What could connect a cold-blooded off-post shooting with Reacher, his elder brother Joe, and a secretive unit of pointy-heads from the Pentagon?

    Five years ago, her family home was the scene of a shocking and bloody crime that left her parents dead and her foster brother in prison. Marnie doesn’t talk much about her personal life, preferring to focus on work. Not even her partner, DS Noah Jake, knows much about Marnie’s past. Though as one of the few gay officers on the force and half Jamaican to boot, Noah’s not one to overshare about his private life either. Now Marnie and Noah are tackling a case of domestic violence, and a different brand of victim.Hope Proctor stabbed her husband in desperate self-defense. A crowd of witnesses in the domestic violence shelter where she’s staying saw it happen, but none of them are telling quite the same story, and the simple question remains: how did Leo Proctor get in to the secure shelter? Marnie and Noah shouldn’t even have been there when it happened but they were interviewing another resident, Ayana Mirza. They’re trying to get Ayana to testify against her brothers for pouring bleach on her face for bringing dishonor to the family, and blinding her in one eye. But Ayana knows that her brothers are looking for her, and she has no doubt that they’ll kill her this time.As the violence spirals, engulfing the residents of the women's shelter, Marnie finds herself drawn into familiar territory: A place where the past casts long shadows and she must tread carefully to survive.

    They had all taken turns to dig. An adult sized hole would have taken longer. An innocent life had been taken but the pact had been made. Their secrets would be buried, bound in blood …Years later, a headmistress is found brutally strangled, the first in a spate of gruesome murders which shock the Black Country.But when human remains are discovered at a former children’s home, disturbing secrets are also unearthed. D.I. Kim Stone fast realises she’s on the hunt for a twisted individual whose killing spree spans decades.As the body count rises, Kim needs to stop the murderer before they strike again. But to catch the killer, can Kim confront the demons of her own past before it’s too late? Fans of Rachel Abbott, Val McDermid and Mark Billingham will be gripped by this exceptional new voice in British crime fiction.

    New Year’s Day is a time for new beginnings, but Minneapolis homicide detectives Sam Kovac and Nikki Liska are focused on endings: specifically, the tragic end of their latest murder victim, an unidentified young woman discovered on the side of the freeway. Believed to be the victim of a serial killer, Kovac and Liska are determined to do the girl the small justice of returning her body to her family as they investigate her case, but it is no simple task matching the broken corpse to any of the scores of missing persons reports, especially when no one seems to be looking for her.Meanwhile, recent widow Jeannie Reiser is frantic when she is unable to get in touch with her daughter, Rose, who, as an eighteen-year-old, is a legal adult rather than a missing child in the eyes of the law. Jeannie’s desperate attempts to get the police to believe her child is in trouble lead her closer and closer to the New Year’s Doe and to an evil even Sam Kovac and Nikki Liska may be unable to stop. Tami Hoag once again proves her place as “one of the most intense suspense writers around”* with The 1st Victim. Includes an early look at The 9th Girl, coming July 2013.

    Now many years later, the killer seems to be back. And this time he's after Matt. When Matt Ballard was starting out his career, three boys were murdered in the same area, the remote and bleak Gibbet Fen. When the main suspect was killed in a hit-and-run, the killings stopped. But Matt was not satisfied that the real murderer had been caught. Over twenty-five years later, Matt gets a photo in an unmarked envelope. It's of the Gibbet Fen crime scene. And the picture was taken before the murder took place. More photos arrive, relating to the historic murders, as well as intimate pictures of Matt's very secret private life. Then another murder happens, with some of the hallmarks of the old case. Has the killer returned, or is this just a sick copycat determined to ruin Matt's life and reputation?

    should be taking it easy. Instead, she accepts a small consulting role on the set of a serial killer film shooting in Boston. D.D. figures she’ll be useful to someone for at least one night, serving as a police expert and making a little extra money in the bargain.It seems like a simple task—until the previous film consultant, a former Boston cop, is found beaten to death. Suddenly D.D.’s date with Hollywood gets serious. Extremely pregnant, on the trail of a killer, and surrounded by a hundred and four murder suspects in the middle of a graveyard, D.D. must quickly unravel a tangled web of lies. As another cast member is attacked, D.D. realizes that like it or not, her priorities have changed—and her last desperate hope is that she can catch a killer before she and her unborn baby face mortal danger.

    There must be a victim. A suspect. A detective. The rest is just shuffling the sequence. Expanding the permutations. Grant McAllister, a professor of mathematics, once sat down and worked them all out – calculating the different orders and possibilities of a mystery into seven perfect detective stories he quietly published. But that was thirty years ago. Now Grant lives in seclusion on a remote Mediterranean island, counting the rest of his days.Until Julia Hart, a sharp, ambitious editor knocks on his door. Julia wishes to republish his book, and together they must revisit those old stories: an author hiding from his past, and an editor, keen to understand it.But there are things in the stories that don’t add up. Inconsistencies left by Grant that a sharp-eyed editor begins to suspect are more than mistakes. They may be clues, and Julia finds herself with a mystery of her own to solve.

    Bright and brilliant, they are destined for great things, and the youngest of the group—Aurora Jackson—is delighted to be allowed to tag along. The evening starts like any other—they drink, they dance, they fight, they kiss. Some of them slip off into the woods in pairs, others are left jealous and heartbroken. But by morning, Aurora has disappeared. Her friends claim that she was safe the last time they saw her, right before she went to sleep. An exhaustive investigation is launched, but no trace of the teenager is ever found.Thirty years later, Aurora’s body is unearthed in a hideaway that only the six friends knew about, and Jonah Sheens is put in charge of solving the long-cold case. Back in 1983, as a young cop in their small town, he had known the teenagers—including Aurora—personally, even before taking part in the search. Now he’s determined to finally get to the truth of what happened that night. Sheens’s investigation brings the members of the camping party back to the forest, where they will be confronted once again with the events that left one of them dead, and all of them profoundly changed forever.