This beautiful book distills traditional Japanese philosophies intrinsic to wellbeing, providing easy-to-follow exercises to inspire those who want to live a happier, more balanced life. With sections on kokoro (heart and mind) and karada (body), plus a guide on how to form and nurture good habits, the book includes entries on ikigai (living with purpose), wabi-sabi (the beauty of imperfection and impermanence), shinrinyoku (forest bathing), ikebana (the art of flower arranging), and much more. Richly illustrated, A Little Book of Japanese Contentments is a warm invitation to cultivate contentment in everyday life.

    This a rare treat for lovers of French literature, art, and culture.

    O'Hara’s untimely death in 1966 at the age of forty was, in the words of fellow poet John Ashbery, "the biggest secret loss to American poetry since John Wheelwright was killed.” This collection is a reissue of a volume first published by Grove Press in 1957, and it demonstrates beautifully the flawless rhythm underlying O'Hara’s conviction that to write poetry, indeed to live, "you just go on your nerve.”

    The Assírio e Alvim edition is a bilingual edition, starting with the translation to Portuguese and then with the original version. It contains photos and drawings.

    In her collection of brief poems, Tawara explores the fleeting emotions and momentary experiences that comprise modern life and love.

     Even in hell, bitcoin talks. This modern take on an old Japanese saying still holds true. The cryptocurrency was supposed to do for money what the Internet did for information, but it didn’t work out that way. Its virtual existence unleashed real-world chaos—especially in the homeland of its mysterious creator, Satoshi Nakamoto. Tokyo was the center of the world’s largest bitcoin exchange, Mt. Gox, until that company collapsed with nearly half a billion dollars’ worth of bitcoin gone missing. It might be the greatest heist in history. If it was a heist. So what really happened? Here’s the true story of the humble-to-hot commodity, from the former geek website that launched the boom to an inside world of absent-minded CEOs, hucksters, hackers, cybercrooks, drug dealers, corrupt federal agents, evangelical libertarians, and clueless techies. You’ll discover bitcoin’s connection to the infamous Silk Road, learn why hell has nothing on Japan’s criminal justice system, and get the lowdown on the high cost of betting with the devil’s dollars. All of this for less than the price of a single bitcoin. ABOUT THE AUTHORS Jake Adelstein has been an investigative journalist in Japan since 1993. Considered one of the foremost experts on organized crime in that country, he works as a writer and consultant in Japan and the United States, writing for the Daily Beast, the Japanese economic monthly ZAITEN, and other publications. He has served as a special correspondent for the Los Angeles Times and is the author of Tokyo Vice: An American Reporter on the Police Beat in Japan (Vintage), which has been translated into twelve languages, and Operation Tropical Storm (Kindle Single). Nathalie Stucky is a freelance journalist in Tokyo and Europe. She was an assistant correspondent for the Japanese news agency Jiji Press in Geneva and contributed to the book Reconstructing 3/11. She has written for the Daily Beast, the Los Angeles Times, and several French publications.

    In these pages I’m picking up where I left off. After each day of sharing the instructions you should feel free to question, discuss and/or report what your mind tells you. I’m just planting the seeds. Have fun. —Yoko Ono, from the introduction to AcornIn Acorn, renowned artist and political activist Yoko Ono offers intriguing, enchanting exercises to open our eyes on better ways of relating to ourselves, each other, and the planet we co-habit. Throughout the book are drawings by Yoko, many never before seen.

    It appeared in two phases. A few first copies were printed and illuminated by William Blake himself in 1789; five years later he bound these poems with a set of new poems in a volume titled Songs of Innocence and of Experience Shewing the Two Contrary States of the Human Soul.

    This pocket-sized book presents the most essential poems in his dispensary: those which, again and again, have really shown themselves to work. Whether you are suffering from loneliness, lack of courage, heartbreak, hopelessness, or even from an excess of ego, there is something here to ease your pain.

    I think I have under control the reluctance I feel in having to share Pessoa with the public he should have had all along in America: until now, only the poets, so far as I can tell, have even heard of him, and delighted and exulted in him. He is, in some ways, the poet of modernism, the only one willing to fracture himself into the parcels of action, anguish, and nostalgia which are the grounds of our actual situation." —C. K. Williams"Pessoa is one of the great originals (a fact rendered more striking by his writing as several distinct personalities) of the European poetry of the first part of this century, and has been one of the last poets of comparable stature, in the European languages, to become known in English. Edwin Honig's translations of Spanish and Portuguese poetry have been known to anyone who cares about either, since his work on Lorca in the forties, and his Selected Poems of Pessoa (1971) was a welcome step toward a long-awaited larger colection." — W. S. Merwin"Fernando Pessoa is the least known of the masters of the twentieth-century poetry. From his heteronymic passion he produced, if that is the word, two of our greatest poets, Alberto Caeiro and Álvaro de Campos, and a third, Ricardo Reis, who isn't bad. Pessoa is the exemplary poet of the self as other, of the poem as testament to unreality, proclamation of nothingness, occasion for expectancy. In Edwin Honig's and Susan Brown's superb translations, Pessoa and his "others" live with miraculous style and vitality." —Mark StrandFernando Pessoa is Portugal’s most important contemporary poet. He wrote under several identities, which he called heteronyms: Albet Caeiro, Alvaro de Campos, Ricardo Reis, and Bernardo Soares. He wrote sublime poetry under his own name as well, and each of his “voices” is completely different in subject, temperament, and style. This volume brings back into print the comprehensive collection of his work published by Ecco Press in 1986.

    'Asphodel' celebrates unforgettably Williams' love for his wife Floss, (going) so far as to say, 'Death is not the end of it'...'Asphodel' strands impressively as the poet's personal credo, a late, long poem central to his entire work.' -- World Literature Today

    Born in 1935, Inger Christensen is Denmark's best known poet. Her award-winning alphabet is based structurally on Fibonacci's sequence (a mathematical sequence in which each number is the sum of the two previous numbers), in combination with the alphabet. The gorgeous poetry herein reflects a complex philosophical background, yet has a visionary quality, discovering the metaphysical in the simple stuff of everyday life. In alphabet, Christensen creates a framework of psalm-like forms that unfold like expanding universes, while crystallizing both the beauty and the potential for destruction that permeate our times.

    ‘Hiraeth - A home that never was’ by Mansi Narula Kashyap is a collection of poetry and prose about a home that the author believes does not exist in the real world but still cast a shadow or instil a sense of belongingness towards the same. Each poem will enhance the reader’s imagination, coaxing them to understand the depth of a home that never was.“For just a moment, my heart believes.The home that never was,Still makes me homesick.I do not even remember when we started building it brick by brick?The thieves have come and robbed us of all that we had,Trust, loyalty and love are now just in twisted weaves.”

    To Rilke himself the Sonnets to Orpheus were "perhaps the most mysterious in the way they came up and entrusted themselves to me, the most enigmatic dictation I have ever held through and achieved; the whole first part was written down in a single breathless act of obedience, between the 2nd and 5th of February, without one word being doubtful or having to be changed." With facing-page German.

    is a reflection on the what ifs, the almosts, and every blown dandelion wish. This work confesses the words never said; the naivet� of a first love, the echoing absence of what could have been, and the awareness of self-significance. Written from a LGBTQ perspective, this collection is pertinent for any member to confide in. It also explores the self-discovery in sexuality and the bravery of coming out, even in fear. Divided into three separate parts, each chapter displaying how the heart acts during different emotional moments in life. This book is best read in a bookstore, cafe, or in the comfort of your home.