. . . Each poem adds its incisive particulars to the general stoic wreck; but what startles, then reassures in all this canon of the inconsolable, the unsanctified, the dispossessed, is Hugo’s poetics, the analogy of language to experience. . . . Richard Hugo is such an important poet because the difficulties inherent in his art provide him a means of saying what he has to say. It is no accident that he must develop a negative in order to produce a true image.”

    Felt—a fabric made of tangled fibers—becomes a metaphor for the interweavings of humans, animals, and planet. But Felt is also the past tense of "feel." This is a book of emotions both ordinary and untoward: the shadings of humiliation, obsession, love, and loneliness—as well as states so subtle they have yet to be named. Reticent and passionate, elliptical yet available, Fulton's poems consider flaws and failure, touching and not touching. They are fascinated with proximity: the painter's closeness to the canvas, the human kinship with animals, the fan's nearness to the star. Privacy, the opening and closing of doors, is at the heart of these poems that sing the forms of solitude-the meanings and feelings of virginity, the single-mindedness of fetishism, the tragedy of suicide. Rather than accept the world as given, Fulton encounters invisible assumptions with magnitude and grace. Hers is a poetry of inconvenient knowledge, in which the surprises of enlightenment can be cruel as well as kind. Felt, a deeply imagined work, at once visceral and cerebral, illuminates the possibilities of twenty-first century poetry.

    She must pull together four choirs that hate each other for her husband, Pastor Myron Jones’ Pastor’s Anniversary Celebration. The Holy Missionary Mass Choir is filled with characters like Shonda, a single mother of six trying to keep her oldest son alive. Then there’s Donnell, the church playboy who is torn between three women. And no one can forget Mother Willie Mae Odell; whose sole mission in life is to take down Lady Deidra and the choir. First Lady Deidra Jones has a Hot Mess on her hands but will God be able to bring them all together or will they crash and burn like fire and brimstone?

    Three years ago, Merci realized she’d been a part of something much bigger than she ever could have imagined. Sure, every family has their secrets, hidden truths and ties but Merci had no idea she’d been born into the family that lies ... without caring who it hurts! Now, years later, Merci finds herself in the midst of grief, a new baby and marriage while still learning how to pick up the broken pieces of her life. All while Melvin is still raising hell! In this special edition of The Family that Lies, there will be questions answered and new drama but I have to warn you ... there will also be tragedy, hurt and of course LIES!

    Yet when they returned to school in the fall, Braxton made a decision that drove Tiffany to transfer schools and never look back.Now, nearly a decade later, they meet again as business experts vying for the same contract at a prestigious school. In addition to their professional competition, tensions mount as Braxton and Tiffany discover that they have two different versions of what happened to their romance so long ago. Can they overcome hard feelings and pick up where they left off? Tiffany’s father passed away a few months ago, just as she was founding her new project management firm. She wonders if her leap of faith was a good move, and her doubts only increase when she learns that someone from the firm she left is trying to undermine her independent efforts…not to mention her possibilities with Braxton.Braxton thought he might follow his father’s footsteps into ministry. His wild fraternity days caught up with him, however, causing Braxton to give up the idea of teaching anyone to follow the faith he so obviously neglected. Can he win back his own self-respect and the heart of the woman he never forgot?Stuck On You is the first book in The Stoneworth Series by bestselling Christian Fiction author Michelle Stimpson. The family history is briefly established, and then readers are off to experience the Stoneworth family's rich legacy of faith and integrity within the context of contemporary romance. Come fall in love with the family!

    For the first time, the complete collection of Maya Angelou's published poems-including "On the Pulse of Morning"-in a permanent collectible, handsome hardcover edition.

    Whether you've been married twenty-five years or are just tryin' to break out of the friend zone, this workbook will give you practical tools and provide strategic space for you to reflect in writing on your journey. Take the groundbreaking concepts you received from Relationship Goals and encounter additional coaching to apply them intentionally and impactfully to your life.

    

    When Linda Pastan's first book was published in 1971, the Jerusalem Post wrote, she "in large measure fulfilled Emerson's dream -- the revelation of 'the miraculous in the common.'" Since then, Pastan has continued to explore the complexities, passion, and dangers under the surfaces of ordinary life. She speaks in the voices of Penelope and Eve; of daughter, mother, and wife. The new book follows work that over thirty years both darkens and deepens with time.

    Now, she presents a stunning collection of love poems that includes more than twenty new works.From the revolutionary "Seduction" to the tender new poem, "Just a Simple Declaration of Love," from the whimsical "I Wrote a Good Omelet" to the elegiac "All Eyez on U," written for Tupac Shakur, these poems embody the fearless passion and spirited wit for which Nikki Giovanni is beloved and revered.Romantic, bold, and erotic, Love Poems expresses notions of love in ways that are delightfully unexpected. Articulating in sensuous verse what we know only instinctively, Nikki Giovanni once again confirms her place as one of our nations's most distinguished poets and powerful truth-tellers.In a career that has spanned more than a quarter century, starting with her explosive early years in the Black Rights Movement, Nikki Giovanni has earned a reputation as one of America's most celebrated and controversial writers. Her mind-speaking work has made her a universal favorite and a number-one best-seller.The love poems-the revolutionary "Seduction," the whimsical "I Wrote a Good Omelet," and the tender "My House" to name just a few-are among the most beloved of all Nikki Giovanni's works. Now, Love Poems brings together these and other favorites with over twenty new poems. Romantic, bold, and erotic, Love Poems will once again confirm Nikki Giovanni's place among the country's most renowned poets and truth tellers.

    In this dazzling collection, the beloved writer offers over sixty new poems to incite and nurture contemporary activists. Hailed as a “lavishly gifted writer” (The New York Times), Walker imbues her poetry with evocative images, fresh language, anger, forgiveness, and profound wisdom. Casting her poetic eye toward history, politics, and nature, as well as to world figures such as Jimmy Carter, Gloria Steinem, and the Dalai Lama, she is indeed a "muse for our times" (Amy Goodman).By attentively chronicling the conditions of human life today, Walker shows, as ever, her deep compassion, profound spirituality, and necessary political commitments. The poems in The World Will Follow Joy remind us of our human capacity to come together and take action, even in our troubled political times. Above all, the gems in this collection illuminate what it means to live in our world today.

    A young girl suffers her first betrayal. A widow flirts with an elderly blind man against the wishes of her grown-up children. A neighborhood loan shark teaches o white social worker a lesson in responsibility. And there is more. Sharing the world of Toni Cade Bambara's "straight-up fiction" is a stunning experience.

    On the island of Willow Springs, off the Georgia coast, the powers of healer Mama Day are tested by her great niece, Cocoa, a stubbornly emancipated woman endangered by the island's darker forces.

    Through pithy and poetic chapter-moments - "spring landscape: detail," "death of grandmother," "first beau," "low yellow," "everybody will be surprised" - Maud Martha grows up, gets married, and gives birth to a daughter. Maud Martha, a gentle woman with "scraps of baffled hate in her, hate with no eyes, no smile..." who knows "while people did live they would be grand, would be glorious and brave, would have nimble hearts that would beat and beat," is portrayed with exquisitely imaginative and tender detail by Gwendolyn Brooks, the first African-American to win a Pulitzer Prize

    At the center: a woman who calls herself Bride, whose stunning blue-black skin is only one element of her beauty, her boldness and confidence, her success in life; but which caused her light-skinned mother to deny her even the simplest forms of love until she told a lie that ruined the life of an innocent woman, a lie whose reverberations refuse to diminish ... Booker, the man Bride loves and loses, whose core of anger was born in the wake of the childhood murder of his beloved brother ... Rain, the mysterious white child, who finds in Bride the only person she can talk to about the abuse she's suffered at the hands of her prostitute mother ... and Sweetness, Bride's mother, who takes a lifetime to understand that "what you do to children matters. And they might never forget."