This is the first time all Lee Child's shorter fiction featuring Jack Reacher has been collected into one volume.A brand-new novella, Too Much Time, is included, as are those previously only published in ebook form: Second Son, James Penney's New Identity, Guy Walks Into a Bar, Deep Down, High Heat, Not a Drill and Small Wars. Added to these is every other Reacher short story that Child has written: Everyone Talks, Maybe They Have a Tradition, No Room at the Motel and The Picture of the Lonely Diner. Read together, these twelve stories shed new light on Reacher’s past, illuminating how he grew up and developed into the wandering avenger who has captured the imagination of millions around the world.

    As she’s drawn deeper into the mystery and becomes convinced she’s on the trail of a killer, she also must face her own demons and her own mortality. Would anyone notice if she just disappeared?

    In the titular novella, a former serial killer suffering from memory loss sets his sights on one final target: his daughter’s boyfriend, who he suspects is also a serial killer. In other stories we witness an affair between two childhood friends that questions the limits of loyalty and love; a family’s disintegration after a baby son is kidnapped and recovered years later; and a wild, erotic ride about pursuing creativity at the expense of everything else.

    A grieving missionary becomes obsessed with a creature rumoured to live in the forests of the Congo. And, in the title story, a young woman travelling with her scientist mother in Madagascar confronts her burgeoning sexuality and her dream of becoming a long-distance swimmer.

    Destroyed oil rigs, mysteriously reborn, clamber from the sea and onto the land, driven by an obscure but violent purpose. An anatomy student cuts open a cadaver to discover impossibly intricate designs carved into a corpse's bones—designs clearly present from birth, bearing mute testimony to . . . what?Of such concepts and unforgettable images are made the twenty-eight stories in this collection—many published here for the first time. By turns speculative, satirical, and heart-wrenching, fresh in form and language, and featuring a cast of damaged yet hopeful seekers who come face-to-face with the deep weirdness of the world—and at times the deeper weirdness of themselves—Three Moments of an Explosion is a fitting showcase for one of our most original voices.

    A young woman makes a terrible confession to a priest. An honorable man takes his own revenge for an unspeakable tragedy. An aging inspector tries to get himself sober while taking on the most difficult case of his career. From this beginning, Deon Meyer weaves a story of astonishing complexity and suspense, as Inspector Benny Griessel faces off against a dangerous vigilante who has everything on his side, including public sympathy. A gruesome abuse case has hit the newsstands, and one man has taken it upon himself to stand up for the children of Cape Town. When the accused is found stabbed through the heart by spear, it's only the beginning of a string of bloody murders - and of a dangerous dilemma for detective Griessel. The detective is always just one step behind as someone slays the city's killers. But the paths of Griessel and the avenger collide when a young prostitute lures them both into a dangerous plan - and the two find themselves with a heart-stopping problem that no system of justice could ever make right.

    Now Megan Mayhew Bergman, author of Birds of a Lesser Paradise, resurrects these women, lets them live in the reader's imagination, so we can explore their difficult choices. Nearly every story in this dazzling collection is based on a woman who attained some celebrity—she raced speed boats or was a conjoined twin in show business; a reclusive painter of renown; a member of the first all-female, integrated swing band. We see Lord Byron's illegitimate daughter, Allegra; Oscar Wilde's troubled niece, Dolly; West With the Night author Beryl Markham; Edna St. Vincent Millay's sister, Norma. These extraordinary stories travel the world, explore the past (and delve into the future), and portray fiercely independent women defined by their acts of bravery, creative impulses, and sometimes reckless decisions.The world hasn't always been kind to unusual women, but through Megan Mayhew Bergman's alluring depictions they finally receive the attention they deserve. Almost Famous Women is a gorgeous collection from an "accomplished writer of short fiction" (Booklist).

    His plans are to fix up the dilapidated cottage he's bought, to walk the mountains, to put his old police instincts to bed forever.Then a local boy appeals to him for help. His brother is missing, and no one in the village, least of all the police, seems to care. And once again, Cal feels that restless itch.Something is wrong in this community, and he must find out what, even if it brings trouble to his door.

    When a man is swept away by the river in the early hours of Shrove Saturday, an explanation has to be found: accident, suicide or murder? The village priest, John Reve, is privy to many secrets in his role as confessor. But will he be able to unravel what happened to the victim, Thomas Newman, the wealthiest, most capable and industrious man in the village? And what will happen if he can’t?Moving back in time towards the moment of Thomas Newman’s death, the story is related by Reve – an extraordinary creation, a patient shepherd to his wayward flock, and a man with secrets of his own to keep. Through his eyes, and his indelible voice, Harvey creates a medieval world entirely tangible in its immediacy.

    The new quantum computer system is foolproof. But someone on the inside is no fool. For once the odds may not favor the house—unless human ingenuity isn’t entirely a thing of the past.Andy Weir’s Randomize is part of Forward, a collection of six stories of the near and far future from out-of-this-world authors. Each piece can be read or listened to in a single thought-provoking sitting.

    Promise Falls isn't the kind of community where a family is shot to death in their own home. But that is exactly what happened to the Langleys one sweltering summer night, and no one in this small upstate New York town is more shocked than their next-door neighbors, Jim and Ellen Cutter. They visited for the occasional barbecue, and their son, Derek, was friends with the Langleys? boy, Adam; but how well did they really know their neighbors? That's the question Jim Cutter is asking, and the answers he's getting aren't reassuring. Albert Langley was a successful, well-respected criminal lawyer, but was he so good at getting criminals off that he was the victim of revenge ? a debt his innocent family also paid in blood? From the town's criminally corrupt mayor to the tragic suicide of a talented student a decade before, Promise Falls has more than its share of secrets. And Jim Cutter, failed artist turned landscaper, need look no further than his own home and his wife Ellen's past to know that things aren't always what they seem. Suddenly the Cutters must face the unthinkable: that a murderer isn't just stalking too close to home but is inside it already. For the Langleys weren't the first to die and they won't be the last.

    It's what I do. It's all I do. It's all I've ever done." He lives in your community, in a nice house with a well-tended garden. He shops in your grocery store, bumping shoulders with you and apologizing with a smile. He drives beside you on the highway, politely waving you into the lane ahead of him. What you don't know is that he has an elaborate cage built into a secret basement under his garage. And the food that he's carefully shopping for is to feed a young woman he's holding there against her will—one in a string of many, unaware of the fate that awaits her. This is how it's been for a long time. It's normal... and it works. Perfectly. Then he meets the checkout girl from the 24-hour grocery. And now the plan, the hunts, the room... the others. He doesn't need any of them anymore. He needs only her. But just as he decides to go straight, the police start to close in. He might be able to cover his tracks, except for one small problem—he still has someone trapped in his garage. Discovering his humanity couldn't have come at a worse time.

    . . DEAD After a tough breakup with her boyfriend, Lucy Kincaid needs a different kind of break. So she heads west to join her brother, an ex-cop, for a long weekend of skiing in the mountains. At a picturesque lodge tucked high in the Sierra Nevada, Lucy finds just what she’s looking for: a peaceful retreat undisturbed by Internet, television, and cell phone distractions. She also finds an unexpected group of newlyweds seeking their own idyllic getaway.But finding one of her fellow guests dead wasn’t in the brochure. And neither was the overnight snowstorm that leaves the lodge cut off from the outside world. When Lucy’s brother suspects the honeymooner’s death was foul play, he’s mysteriously stricken ill. Now, to keep him and herself alive, it’s up to aspiring FBI agent Lucy Kincaid to figure out which of the lovebirds trapped in the lodge is really a bird of prey.BONUS: This edition includes an excerpt from Allison Brennan’s upcoming novel Kiss Me, Kill Me as well as an exclusive excerpt from an FBI interview with Lucy Kincaid!

    Though Milly loves her mother, the only way to make her stop is to turn her in to the police. Milly is given a fresh start: a new identity, a home with an affluent foster family, and a spot at an exclusive private school. But Milly has secrets, and life at her new home becomes complicated. As her mother's trial looms, with Milly as the star witness, Milly starts to wonder how much of her is nature, how much of her is nurture, and whether she is doomed to turn out like her mother after all. When tensions rise and Milly feels trapped by her shiny new life, she has to decide: Will she be good? Or is she bad? She is, after all, her mother's daughter.

    Angela Carter takes real people and literary legends - most often women - who have been mythologized or marginalized and recasts them in a new light. In a style that is sensual, cerebral, almost hypnotic, "The Fall River Axe-Murders" portrays the last hours before Lizzie Borden's infamous act: the sweltering heat, the weight of flannel and corsets, the clanging of the factory bells, the food reheated and reserved despite the lack of adequate refrigeration, the house "full of locked doors that open only into other rooms with other locked doors." In "Our Lady of the Massacre" the no-nonsense voice of an eighteenth-century prostitute/runaway slave questions who is civilized - the Indians or the white men? "Black Venus" gives voice to Charles Baudelaire's Creole mistress, Jeanne Duval: "you could say, not so much that Jeanne did not understand the lapidary, troubled serenity of her lover's poetry but, that it was a perpetual affront to her. He recited it to her by the hour and she ached, raged and chafed under it because his eloquence denied her language." "The Kiss" takes the traditional story of Tamburlaine's wife and gives it a new and refreshing ending. Sometimes disquieting, sometimes funny, always thought-provoking, Angela Carter's stories offer a feminist revision of images that lie deep in the public psyche.