This collection of writings from revered Native Americans offers timeless, meaningful lessons on living and learning.

    It is more musical than verbal, and it is the characteristic signature of a person, of a soul.” “[Raymond Chandler] did not write about crime or detection. He wrote about the corruption of the human spirit.”—George V. Higgins   Raymond Chandler never wrote a memoir or autobiography. The closest he came to writing either was in—and around—his novels, shorts stories, and letters. There have been books that describe and evaluate Chandler’s life, but to find out what he himself felt about his life and work, Barry Day, editor of The Letters of Noël Coward (“There is much to dazzle here in just the way we expect . . . the book is meticulous, artfully structured—splendid” —Daniel Mendelsohn; The New York Review of Books), has cannily, deftly chosen from Chandler’s writing, as well as the many interviews he gave over the years as he achieved cult status, to weave together an illuminating narrative that reveals the man, the work, the worlds he created. Using Chandler’s own words as well as Day’s text, here is the life of “the man with no home,” a man precariously balanced between his classical English education with its immutable values and that of a fast-evolving America during the years before the Great War, and the changing vernacular of the cultural psyche that resulted. Chandler makes clear what it is to be a writer, and in particular what it is to be a writer of “hardboiled” fiction in what was for him “another language.” Along the way, he discusses the work of his contemporaries: Dashiell Hammett, James M. Cain, Hemingway, Fitzgerald, Agatha Christie, W. Somerset Maugham, and others (“I wish,” said Chandler, “I had one of those facile plotting brains, like Erle Gardner”). Here is Chandler’s Los Angeles (“There is a touch of the desert about everything in California,” he said, “and about the minds of the people who live here”), a city he adopted and that adopted him in the post-World War I period . . . Here is his Hollywood (“Anyone who doesn’t like Hollywood,” he said, “is either crazy or sober”) . . . He recounts his own (rocky) experiences working in the town with Billy Wilder, Howard Hawks, Alfred Hitchcock, and others. . .We see Chandler’s alter ego, Philip Marlowe, private eye, the incorruptible knight with little armor who walks the “mean streets” in a world not made for knights (“If I had ever an opportunity of selecting the movie actor who would best represent Marlowe to my mind, I think it would have been Cary Grant.”) . . . Here is Chandler on drinking (his life in the end was in a race with alcohol—and loneliness) .  .  . and here are Chandler’s women—the Little Sisters, the “dames” in his fiction, and in his life (on writing The Long Goodbye, Chandler said, “I watched my wife die by half inches and I wrote the best book in my agony of that knowledge . . . I was as hollow as the places between the stars.” After her death Chandler led what he called a “posthumous life” writing fiction, but more often than not, his writing life was made up of letters written to women he barely knew.) Interwoven throughout the text are more than one hundred pictures that reveal the psyche and world of Raymond Chandler. “I have lived my whole life on the edge of nothing,” he wrote.  In his own words, and with Barry Day’s commentary, we see the shape this took and the way it informed the man and his extraordinary work.

    Fascinated by the recurring theme of flight in Peruvian folklore, Shah sets out to discover whether the Incas really were able to "fly like birds" over the jungle, as a Spanish monk reported. Or was their soaring drug-induced? His journey, full of surreal experiences, takes him from the Andes mountains to the desert and finally, in the company of a Vietnam vet, up the Amazon deep into the jungle to discover the secrets of the Shuar, a tribe of legendary savagery.- Travel writing at its best, at once colorful, informative, and amusing. Doris Lessing said that Shah has a "genius for surreal traveling."- The cast of characters includes madmen and dreames, sorcerers and con men, headhunters and scholars--in short, the usual assortment for Shah.- Features an appendix on flora-based hallucinogens of Amazonia, including ayahuasca, "the vine of the dead."- Hardcover ISBN: 1-55970-613-9

    Never having been awarded the Nobel Prize, which his readers worldwide believed he deserved, this story writer, poet, essayist, and man of letters died at age eighty-six.This anthology of interviews with him features more than a dozen conversations that cover all phases of his life and work.Conducted between 1964 and 1984, the interviews reveal Borges to be a remarkably candid, humorous man, by turns skeptical and enthusiastic, and always a singularly incisive and adventurous thinker.He discusses his blindness, his family and childhood, early travels, literary friends, and struggles to find his literary identity. In depth he examines the meanings and intentions of his own famous stories and poems, and he speaks of the writers whose works he has loved-Dante, Cervantes, Emerson, Dickinson, H. G. Wells, Kafka, Stevenson, Kipling, Whitman, Frost, and Faulkner-and of those whom he disliked, such as Hemingway and Lorca. Borges expresses his contempt for P ron and assesses the tumultuous politics of Argentina. He speaks also of the imagination as a type of dreaming, about issues of collaboration and translation, about philosophy, and about time.Many of the interviews were conducted by notable figures, including Alastair Reid, Willis Barnstone, and Ronald Christ.As Borges speaks in these conversations, readers who have fallen under the spell of his magical prose and poetry will find additional sustenance.Richard Burgin's books include the story collections "Feat of Blue Skies," "Private Fame," and "Man without Memory." In his first book on Borges, "Conversations with Jorge Luis Borges" (now out of print), he was the sole interviewer. Burgin is the editor of "Boulevard" magazine and an associate professor of communication and English at Saint Louis University.

    In this highly readable short biography, Alexander Kennedy brings Mozart and his times vividly to life. Here we see the sweeping grandeur of the courts Mozart visited as a child prodigy, and the grasping desperation of his scheming father. We follow the composer through the flush of his first love up through his marriage to Constanze Weber, and from his first, half-plagiarized concertos to masterpieces like The Magic Flute. We watch Mozart clash with family and friends, with archbishops and emperors, and we feel again the tragedy of his mysterious early death. And above all, we hear his eternal music: music that captivated a continent, defined a genre, and changed the world. “I pay no attention whatever to anybody's praise or blame. I simply follow my own feelings” - Wolfgang Amadeus Mozart Buy Now to Discover: A layperson’s explanation of the devices that made Mozart’s music unique. The complicated relationship between Mozart and his demanding father. Mozart’s love affair with his cousin Maria Anna Thekla. The surprising story behind the premiere of La nozze di Figaro. Mozart’s friendship with fellow master Joseph Haydn. The most likely cause of Mozart’s young death. Mozart’s influence on Rossini, Beethoven, Tchaikovsky, and more. Read Your Book Now Your book will be instantly and automatically delivered to your Kindle device, smartphone, tablet, and computer. FREE Bonus Book Buy this book now and receive instant access to your free Kindle ebook. Money Back Guarantee If you start reading our book and are not completely satisfied with your purchase, simply return it to Amazon within 7 days for a full refund. Go to Your Account -> Manage Your Content and Devices -> Find the Book -> Return for Full Refund. Buy Now and Read The True Story of Wolfgang Amadeus Mozart... Thank you in advance for buying our book. We know you'll love it!

    Warned off investigating a friend’s missing report, Jake rebels and returns home to the Pacific Northwest to find his friend has died in a fiery demolition derby. Jake alone believes it is murder and now he is the next target of someone anticipating his every move. Estranged from his family, Jake turns to a native shaman to unlock cryptic rock art clues to the murder and follow their trail across the high-desert landscape. The stakes rise when Jake uncovers more than a murder. Jake races the clock to expose a band of mercenaries tangled in a conspiracy sixty years in the making, as the land he loves teeters on the brink of an ecological Armageddon.

     This fascinating memoir offers a glimpse into the extraordinary life of a young physician. Walk through the halls of the hospital with the author as a medical intern. Dash along on his calls as he rushes to attend dramatic scenes involving life and death. Watch as he saves a life by applying a theory he learned in medical school and performing a procedure he has studied from a book – if he’s lucky, he has actually seen one done once. “See one, do one, teach one” is the refrain among all of his equally-inexperienced young colleagues. If he is nervous or unsure, he is nevertheless intrepid. He does what he believes must be done. This true-life narrative takes you through a thirteen-year segment of the author’s life. It begins with a detailed description of life as a medical intern followed by a brief stint practicing rural medicine in the tiny town of Grand Coulee, Washington, as a fresh new physician. The story continues with an account of his duties as a naval flight surgeon during the Vietnam War years and, finally, his experience in private practice in a small resort town in North Idaho. Throughout the period, he questions his choice of a career in medicine and struggles with the decision to leave it all behind to pursue a lifetime dream. You’ll enjoy it all in this well-written memoir that is factual, informative, honest, and, at times, cleverly humorous.

    Focusing on Huli “passenger women,” (women who accept money for sex) Wayward Women explores the socio-economic factors that push women into the practice of transactional sex, and asks how these transactions might be an expression of resistance, or even revenge. Challenging conventional understandings of “prostitution” and “sex work,” Holly Wardlow contextualizes the actions and intentions of passenger women in a rich analysis of kinship, bridewealth, marriage, and exchange, revealing the ways in which these robust social institutions are transformed by an encompassing capitalist economy. Many passenger women assert that they have been treated “olsem maket” (like market goods) by their husbands and natal kin, and they respond by fleeing home and defiantly appropriating their sexuality for their own purposes. Experiences of rape, violence, and the failure of kin to redress such wrongs figure prominently in their own stories about becoming “wayward.” Drawing on village court cases, hospital records, and women’s own raw, caustic , and darkly funny narratives, Wayward Women provides a riveting portrait of the way modernity engages with gender to produce new and contested subjectivities.

    In Money Has No Smell, Paul Stoller offers us a more complete portrait of the complex lives of West African immigrants like Diallo, a portrait based on years of research Stoller conducted on the streets of New York City during the 1990s.Blending fascinating ethnographic description with incisive social analysis, Stoller shows how these savvy West African entrepreneurs have built cohesive and effective multinational trading networks, in part through selling a simulated Africa to African Americans. These and other networks set up by the traders, along with their faith as devout Muslims, help them cope with the formidable state regulations and personal challenges they face in America. As Stoller demonstrates, the stories of these West African traders illustrate and illuminate ongoing debates about globalization, the informal economy, and the changing nature of American communities.

    In "Song of Herself", Kahlo expert and child psychiatrist Salomon Grimberg introduces and contextualizes an intimate, deeply introspective interview that Kahlo gave towards the end of her life to her friend the psychologist Olga Campos for an unpublished book on the creative process. Kahlo comments directly and starkly as never before on her life, her loves and her art, and expresses her attitudes towards sexuality, her body, friendship, politics and death, among other personal concerns.The most revealing autobiographical text known on this singular woman, this startling interview is accompanied here by Campos' reflections on her relationship with Kahlo and a psychological assessment of Kahlo by Dr James Bridger Harris. The book is illustrated with selected photographs and works by Kahlo, including previously unseen and rarely seen drawings.

    Drawn from fourteen years of arctic experience, The Last Light Breaking offers a rare perspective on America's last great wilderness and its people--the Inupiat Natives, an ancient culture on the cusp of change.Making a poignant connection between the world he describes and the world of the Inupiat once knew, Nick Jans invokes with stunning power, the life of the Eskimos in the harsh arctic and the mystical aura of the wilderness of the far North.With the eye of an outdoorsman and the heart of a poet, Jans weaves together these 23 essays with strands of native American narrative, making vivid a place where wolves and grizzlies still roam free, hunters follow the caribou, and old women cast their nets in the dust as they have for countless generations. But looming on the horizon is the world of roads and modern technology; the future has already arrived in the form of stop signs, computers, and satellite dishes. Jans creates unforgettable images of a proud people facing an uncertain future, and of his own journey through this haunting timeless landscape.

    Journalist Elizabeth Royte weaves together her own adventures on Barro Colorado with tales of researchers struggling to parse the intricate workings of a tropical rain forest. As Royte works alongside the scientists � sorting insects, collecting monkey dung, radiotracking fruit bats � she asks: What is the point of such research? Both "moving and satisfying" (Providence Sunday Journal), The Tapir's Morning Bath humanizes the scientists, who are driven by passion and ambition to explore arcane questions even though the world may not have time to wait for the answers.

    Interviews with a Guatemalan national leader discuss her country's political situation and the resulting violence, which has claimed the lives of her brother, mother, and father.

    Its recession-proof economy is the envy of the world. It's the planet's great lifestyle superpower. Its artistic exports win unprecedented acclaim. But never before has its politics been so brutal, narrow and facile, as well as being such a global laughing stock. A positive national story is at odds with a deeply unattractive Canberra story.The country should be enjoying The Australian Moment, so vividly described by the best-selling author George Megalogenis. But that description may turn out to be inadvertently precise. It could end up being just that: a fleeting moment.At present the country seems to be in speedy regression, with the nation's leaders, on both sides, mired in relatively small problems, such as the arrival of boat people, rather than mapping out a larger and more inspiring national future.In The Rise and Fall of Australia, BBC correspondent and author Nick Bryant offers an outsider's take on the great paradox of modern-day Australian life: of how the country has got richer at a time when its politics have become more impoverished. In this thoroughly entertaining and thought-provoking book, dealing with politics, racism, sexism, the country's place in the region and the world, culture and sport, the author argues that Australia needs to discard the out-dated language used to describe itself, to push back against Lucky Country thinking, to celebrate how the cultural creep has replaced the cultural cringe and to stop negatively typecasting itself. Rejecting most of the national stereotypes, Nick Bryant sets out to describe the new Australia rather than the mythic country so often misunderstood not just by foreigners but Australians themselves.

    This brief introduction shows how psycholinguistic research can act as a window to the workings of the human mind and the study of consciousness.