After a pelican mother is shot, Storm Boy rescues the three chicks, and nurses them back to health. He names them Mr Proud, Mr Ponder and Mr Percival. After he releases them, his favourite, Mr Percival, returns. The story then concentrates on the conflict between his lifestyle and the externally imposed requirement for him to attend a school, and the fate of the pelican.

    She fears for her life, but finds kindness rather than danger there, for the lion by day is a gentle young man by night-a prince under the spell of a wicked enchantress. Soon the lady and the lion fall in love. Unlike the more familiar tale, however, this story has only just begun. The prince is not yet safe from the enchantress, and it will take all of the lady's strength and courage, through a seven-year quest, to rescue him. Dazzlingly romantic and visually magnificent, this is a book for the ages-an exhilarating tale of virtue, heroism, and the power of love. Illustrated by Laurel Long.

    There was a baby in it."So ten-year-old Maria, orphaned mistress of Malplaquet, discovers the secret of her deteriorating estate: on a deserted island at its far corner, in the temple long ago nicknamed Mistress Masham's Repose, live an entire community of people—"The People," as they call themselves—all only inches tall. With the help of her only friend—the absurdly erudite Professor—Maria soon learns that this settlement is no less than the kingdom of Lilliput (first seen in Gulliver's Travels) in exile. Safely hidden for centuries, the Lilliputians are at first endangered by Maria's well-meaning but clumsy attempts to make their lives easier, but their situation grows truly ominous when they are discovered by Maria's greedy guardians, who look at The People and see only a bundle of money.

    . .A boy with magical powers to win Princess Charming's heart. A fairy who likes turning humans into toads. A true love forbidden by the King.A world of fairies and magic -- what could be more perfect than that? But is it perfect enough to help a simple farm boy marry a beautiful princess? And if an unruly fairy turns a maiden into a toad, how does she turn herself back? And can a fairy -- even a helpful one -- change a stubborn king's law?Welcome to a land where Princess Charming saves the day, the prince must kiss the toads, and nothing is as it seems!Now in one volume, three hilarious chances at happily-ever-after from the Newbery Honor author of Ella Enchanted: Cinderellis and the Glass HillFor Biddle's SakeThe Fairy's Return

    There’s mute Lily, in “The Healer,” who has the power to help others, and receives a startling opportunity to find her voice when a mysterious mage stumbles into town. And Queen Ruen, who is at the mercy of a power-hungry uncle until she encounters a shape-changer in “The Stagman.” In “Touk’s House,” a maiden who has grown up with a witch and a troll has a chance to become a princess, but she must decide whether she would really live happily ever after. When a curse follows Coral to her new husband’s farm in “Buttercups,” the pair has a choice: Succumb to defeat or find a way to turn a disastrous enchantment into a fruitful new venture. Finally, travel to upstate New York with Annabelle. In the title story, her family moves shortly after her sixteenth birthday, and just as she starts to adjust to her new life in a small town, a plan to build a superhighway threatens her new home. But a strange box hidden in a secret attic in the new house may be the answer. This is a delightful assortment of tales from an author with “a remarkable talent for melding the real and the magical into a single, believable whole” (Booklist).

    This acclaimed best-seller, first published in 1978, transports readers into a world of pure magic and mystery.

    Retelling each in its own individual style, she presents funny tales, moving tales and enchanting fairy tales. Soar with the goshawk, dive with selkies and battle with the stoorworm, as each story is brought to life with exquisite illustrations by Scottish fine artist Kate Leiper, which brim with otherworldly beauty.A wonderful gift, this is a truly stunning book to be treasured for a lifetime and will be enjoyed by parents and grandparents as well as children.Longlisted for the Kate Greenaway Medal 2013.

    Getting into trouble is much easier that getting out of it in George Layton's bestselling collection of funny, bittersweet stories about growing up in the Fifties.

    Now brought luminously to life by K. Y. Craft's lavish paintings, this new edition of a timeless favorite is sure to enchant readers both young and old. Fairy tale lovers have been eagerly awaiting Craft's next magical romance since the release of her Cinderella. With illustrations inspired by the magnificent style of Baroque painters, the sumptuous color and exquisite detail of this breathtaking interpretation make it a dream come true.

    Along their treacherous and sometimes heartbreaking journey, the bears encounter an army of wild boars, a wily professor who may or may not be a magician, ghosts, snarling Marmoset the Cat, and, worst of all, treachery within their own ranks.If The Bears' Famous Invasion of Sicily sounds too distressing to read alone, that's because it is. Lemony Snicket's introduction to this extraordinary tale is unlikely to make you feel any better, and a careful study of Snicket's Reader's Companion, cleverly hidden at the back, may actually make you feel worse. For that reason, among many others, it is recommended that you either abandon this book, abandon plans to read it, or abandon all hope.

    The Knight of the Cart is the first telling of the adulterous relationship between Lancelot and Arthur's Queen Guinevere, and in The Knight with the Lion Yvain neglects his bride in his quest for greater glory. Erec and Enide explores a knight's conflict between love and honour, Cligés exalts the possibility of pure love outside marriage, while the haunting The Story of the Grail chronicles the legendary quest. Rich in symbolism, these evocative tales combine closely observed detail with fantastic adventure to create a compelling world that profoundly influenced Malory, and are the basis of the Arthurian legends we know today.Alternate cover for this edition.

    Even his little sister can beat him at swimming. But Jack's uncle Parker has come up with a plan to make him and Zero shine: they'll pretend that Jack can tell the future! If only they could foresee what chaos the plan will cause.Helen Cresswell is the much-loved writer of over 40 children's books. She's the author of classics such as Lizzie Dripping as well as having adapted The Demon Headmaster for television. She has been runner-up for the Carnegie Medal four times.

    In fact original fairy tales are still being written. Over the last century and a half many well-known authors have used the characters and settings and themes of traditional tales such as 'Cinderella', 'Hansel and Gretel', and 'Beauty and the Beast' to produce new and characteristic works of wonder and enchantment. The Oxford Book of Modern Fairy Tales brings together forty of the best of these stories by British and American writers from John Ruskin and Nathaniel Hawthorne to I. B. Singer and Angela Carter. These tales are full of princes and princesses, witches and dragons and talking animals, magic objects, evil spells, and unexpected endings. Some of their authors, like John Ruskin and Oscar Wilde, use the form to point a social or spiritual moral; others such as Jeanne Desy and Richard Kennedy, turn the traditional stories inside out to extraordinary effect. James Thurber, Bernard Malamud, and Donald Barthelme, among many others, bring the characters and plots of the traditional fairy tale into the contemporary world to make satiric comments on modern life. The literary skill, wit, and sophistication of these stories appeal to an adult audience, even though some of them were originally written for children. They include light-hearted comic fairy stories like Charles Dickens's 'The Magic Fishbone' and L. F. Baum's 'The Queen of Quok', thoughtful and often moving tales like Lord Dunsany's 'The Kith of the Elf Folk' and Philip K. Dick's 'The King of the Elves', and profoundly disturbing ones like Lucy LaneClifford's 'The New Mother', and Ursula Le Guin's 'The Wife's Story'. Together they prove that the fairy tale is not only one of the most popular and enduring forms, but a significant and continually developing part of literature.Uncle David's nonsensical story about giants and fairies / Catherine Sinclair --Feathertop / Nathaniel Hawthorne --The King of the Golden River / John Ruskin --The story of Fairyfoot / Frances Browne --The light princess / George MacDonald --The magic fishbone / Charles Dickens --A toy princess / Mary De Morgan --The new mother / Lucy Lane Clifford --Good luck is better than gold / Juliana Horatia Ewing --The apple of contentment / Howard Pyle --The griffin and the minor canon / Frank Stockton --The selfish giant / Oscar Wilde --The rooted lover / Laurence Housman --The song of the morrow / Robert Louis Stevenson --The reluctant dragon / Kenneth Grahame --The book of beasts / E. Nesbit --The Queen of Quok / L.F. Baum --The magic ship / H.G. Wells --The Kith of the elf-folk / Lord Dunsany --The story of Blixie Bimber and the power of the gold buckskin whincher / Carl Sandburg --The lovely myfanwy / Walter De la Mare --The troll / T.H. White --Gertrude's child / Richard Hughes --The unicorn in the garden / James Thurber --Bluebeard's daugher / Sylvia Townsend Warner --The chaser / John Collier --The King of the elves / Philip K. Dick --In the family / Naomi Mitchison --The jewbird / Bernard Malamud --Menaseh's dream / I.B. Singer --The glass mountain / Donald Barthelme --Prince Amilec / Tanith Lee --Petronella / Jay Williams --The man who had seen the rope trick / Joan Aiken --The courtship of Mr Lyon / Angela Carter --The princess who stood on her own two feet / Jeanne Desy --The wife's story / Ursula Le Guin --The river maid / Jane Yolen --The porcelain man / Richard Kennedy --Old man Potchikoo / Louise Erdrich

    In "Matchless", Maguire adds a different dimension to the story, intertwining the match girl's tale with that of a young boy, Frederik, whose own yearnings are the catalyst for a better future for himself and his family. Maguire uses his storytelling magic to rekindle Andersen's original intentions, and to suggest transcendence, the permanence of spirit, and the continuity that links the living and the dead.

    Through the ages and around the world, the Green Man and other nature spirits have appeared in stories, songs, and artwork, as well as many beloved fantasy novels, including Tolkien's Lord of the Rings. Now Ellen Datlow and Terri Windling, the acclaimed editors of over thirty anthologies, have gathered some of today's finest writers of magical fiction to interpret the spirits of nature in short stories and poetry. Folklorist and artist Charles Vess brings his stellar eye and brush to the decorations, and Windling provides an introduction exploring Green Man symbolism and forest myth. The Green Man is required reading, not only for fans of fantasy fiction but for those interested in mythology and the mysteries of the wilderness.