These were among the earliest versions of some of our most familiar fairy tales ("Cinderella," "Sleeping Beauty," "Little Red Riding Hood," "Puss in Boots," and "Tom Thumb") and are still among the few classic re-tellings of these perennial stories.In addition to the five well-known tales listed above, Perrault tells three others that are sure to delight any child or adult: "The Fairies," a short and very simple tale of two sisters, one sweet and one spiteful; "Ricky of the Tuft," a very unusual story of a brilliant but ugly prince and a beautiful but stupid princess; and "Blue Beard," a suspense story perhaps more famous as a classic thriller than as a fairy tale. The witty verse morals that Perrault included in the original edition (often omitted in later reprintings) are retained here in verse translations.This edition also includes 34 extraordinary full-page engravings by Gustave Doré that show clearly why this artist became the foremost illustrator of his time. These illustrations have long been considered the ideal accompaniment to Perrault's fairy tales. In many cases they created the pictorial image that we associate with the stories.Along with the collections of Andersen, Lang, and the Brothers Grimm, this volume is among the great books of European fairy tales. These stories have been enjoyed by generation after generation of children in many countries, and are here, with magnificent Doré illustrations, waiting to be enjoyed again.

    Readers experience the unique charm of this story in its original form--as a 17th century French fairy tale! This Signet Classic edition also contains other beloved tales, such as "Cinderella", "Sleeping Beauty", "Little Red Riding Hood", and "Puss in Boots", conveying all the excitement and timeless appeal to forever keep and cherish.

    CONTENTS Blondine, Bonne-Biche, and Beau-Minon Blondine; Blondine Lost; The Forest of Lilacs; Blondine's Awakening - Beau-Minon; Bonne-Biche; Blondine's Second Awakening; The Parrot; Repentance; The Tortoise; The Journey and Arrival Good Little Henry The Poor Sick Mother; The Crow, the Cock, and the Frog; The Harvest; The Vintage; The Chase; The Fishing; The Plant of Life Princess Rosette The Farm; Rosette at the Court of the King Her Father; Family Council; Second Day of the Festival; Third and Last Day of the Festival The Little Gray Mouse The Little House; The Fairy Detestable; The Prince Gracious; The Tree in the Rotunda; The Casket Ourson The Lark and the Toad; Birth and Infancy of Ourson; Violette; The Dream; The Toad Again; Violette's Sacrifice; The Wild Boar; The Conflagration; The Well; The Farm - The Castle - The Forge; The Sacrifice; The Combat; The Recompense

    When the selfish townspeople of Hamelin refuse to pay the piper for spiriting away the hordes of rats that had plagued them, he exacts his revenge by luring away their greatest treasure, the children of the town.Excerpt from The Pied Piper of Hamelin The Pied Piper of Hamelin. I. Hamelin Town's in Brunswick, By famous Hanover city;The river Weser, deep and wide, Washes its wall on the southern side;A pleasanter spot you never spied;But, when begins my ditty, Almost five hundred years ago, To see the townsfolk suffer soFrom vermin, was a pity.

    This is the best known version of the original story that inspired Walt Disney’s classic and has been retold countless times and adapted for screen, stage, prose, and television.

    Three centuries later, Angela Carter, widely regarded as one of England’s most imaginative writers, adapted them for contemporary readers. The result is a cornucopia of fantastic characters and timeless adventures, stylishly retold by a modern literary visionary.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    It’s been more than a hundred years since the publication of the first Uncle Remus book, and it was in 1955 that all of the delightful and inimitable tales of Brer Rabbit, Brer Fox, Brer Bear, and Brer Wolf were gathered together in one volume.

    Writing in the midst of a Europe-wide rebirth of national literature, Anderson broke new ground with his fairy tales in two important ways. First, he composed them in the vernacular, mimicking the language he used in telling them to children aloud. Second, he set his tales in his own land and time, giving rise to his loving descriptions of the Danish countryside. In contrast to such folklorists as the Brothers Grimm, Anderson’s tales are grounded in the real and often focus on the significance of small or overlooked things.Tinderbox --Little Claus and big Claus --Princess on the pea --Thumbelina --Traveling companion --Little mermaid --Emperor's new clothes --Steadfast tin soldier --Wild swans --Flying trunk --Nightingale --Sweethearts --Ugly duckling --Fir tree --Snow queen --Red shoes --Shepherdess and the chimney sweep --Shadow --Old house --Little match girl --Story of a mother --Collar --Bell --Marsh King's daughter --Wind tells of Valdemar Daae and his daughters --Snowman --Ice maiden --Wood nymph --Most incredible thing --Auntie toothache.

    The tales are bawdy and irreverent but also tender and whimsical, acute in psychological characterization and encyclopedic in description. They are also evocative of marvelous worlds of fairy-tale unreality as well as of the everyday rituals of life in seventeenth-century Naples. Yet because the original is written in the nonstandard Neopolitan dialect of Italian—and was last translated fully into English in 1932—this important piece of Baroque literature has long been inaccessible to both the general public and most fairy-tale scholars.Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” is a modern translation that preserves the distinctive character of Basile’s original. Working directly from the original Neopolitan version, translator Nancy L. Canepa takes pains to maintain the idiosyncratic tone of The Tale of Tales as well as the work’s unpredictable structure. This edition keeps the repetition, experimental syntax, and inventive metaphors of the original version intact, bringing Basile’s words directly to twenty-first-century readers for the first time. This volume is also fully annotated, so as to elucidate any unfamiliar cultural references alongside the text. Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” is also lushly illustrated and includes a foreword, an introduction, an illustrator’s note, and a complete bibliography.The publication of The Tale of Tales marked not only a culmination of the interest in the popular culture and folk traditions of the Renaissance period but also the beginning of the era of the artful and sophisticated “authored” fairy tale that inspired and influenced later writers like Charles Perrault and the Brothers Grimm. Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” offers an excellent point of departure for reflection about what constitutes Italian culture, as well as for discussion of the relevance that forms of early modern culture like fairy tales still hold for us today. This volume is vital reading for fairy-tale scholars and anyone interested in cultural history.

    Her selection of her favorite stories describes powerful—and sometimes exceedingly silly—monarchs, and commoners who are every bit their match; musicians and dancers who live for art rather than earthly reward; and a goldfish who wishes to “marry the Moon, surpass the Sun, and possess the World.”

    Nearly every culture tells the story in one fashion or another - such cultural phenomena as The Fault in Our Stars and Me Before You are recent examples - and it is impossible to find one version that laid the foundation for the rest. From Cupid and Psyche, India's Snake Bride to South Africa's 'Story of Five Heads', the partnering of beast and beauties has beguiled us for thousands of years.In this fascinating volume preeminent fairy tale scholar Maria Tatar brings together tales from ancient times to the present and from a wide variety of cultures.

    With wit, sublime humor, and beautiful art, The Secret Lives of Princesses introduces a bevy of royal daughters to the court of young readers.  While it alludes to some of their more famous sisters, this large and lusciously illustrated compendium presents such unique and unforgettable characters as the petite Princess Claire Voyant, who can see very far into tomorrow (but muddles her predictions); Princess Oblivia, who forgets everything and misses all her appointments; Princess Tangra-La, who does the tango, the fandango, and any dance that comes her way; and Princess Babbling Brooke, who chatters on and on about everything and nothing. Plus, you’ll learn about such princessy matters as the language of fans; coats of arms; and how not to offend dangerous fairies who cast evil spells.Poetic, often humorous, and always enchanting, this is the perfect collection for princess-loving girls who long for more than just the traditional fairy tale.

    When she was young, and had been first taught the art of conjuring by the necromancer, her father, she was always practicing her skill, whizzing about from one kingdom to another upon her black stick, and conferring her fairy favors upon this Prince or that.

    Telling stories resourcefully and artfully was a key social grace, and when they recorded theseelegant narratives they consciously invented the modern fairy tale as we still know it today. For this beautiful anthology of six masterpiece wonder tales, Marina Warner gathered five writers with a special sympathy for the French stories they render here in burnished, cunning and amusing English. The stories, The White Cat (translated by John Ashbery), The Subtle Princess (GilbertAdair), Bearskin and Starlight (Terence Cave), The Counterfeit Marquise (Ranjit Bolt), and The Great Green Worm (A.S. Byatt), are as unforgettable today as they were when first published centuries ago. Wonder is the key to the stories, and each tale abounds with transformation and magic.Wonders can be benign (like the garden fruits that come when you whistle) or baneful (like the bad fairy Magotine's spells), producing dread and desire at the same time. But, fortunately, they almost always punish those who deserve it: tyrants, seducers, and other forces of malevolence. Heroes and heroines are put to mischievous tests, and their quest for love is confounded when their objects of desire change into beasts or monsters. Still, true understanding and recognition of the person beneath the spell wins in the end, for after wonder comes consolation, and after strangesetbacks comes a happy ending. In Wonder Tales, a magical world awaits all who dare to enter.

      Filled with kings and peasants, saints and ogres—as well as some quite extraordinary plants and animals—these two hundred tales bring to life Italy’s folklore, sometimes with earthy humor, sometimes with noble mystery, and sometimes with the playfulness of sheer nonsense.   Selected and retold by one of the country’s greatest literary icons, “this collection stands with the finest folktale collections anywhere” (The New York Times Book Review).   “For readers of any age . . . A masterwork.” —The Wall Street Journal   “A magic book, and a classic to boot.” —Time