Sean's mother had Alzheimer's disease and his father was dying from lung cancer. We were taking them to their final home, an assisted living facility near Sean. And while his dad said he didn't want it to be an ambulance ride, it was clear this wasn't any vacation. Sean and I had thirty years of history. He was my best friend, my first love...and, until very recently, the man I was living with. He was the man who wrote the words I'd carry in my heart my entire adult life, and the man who broke my heart. Miles from Home is the true story of our cross-country trip, an end-of-life journey for one person and new beginnings for the rest of us. It is a story about life, death, friendship, and the choices we make. It is about the messiness of life, and, ultimately, the power of love.

    Childhood tells the story of a misfit child's single-minded determination to become a poet; Youth describes her early experiences of sex, work, and independence. Dependency picks up the story as the narrator embarks on the first of her four marriages and goes on to describe her horrible descent into drug addiction, enabled by her sinister, gaslighting doctor-husband.Throughout, the narrator grapples with the tension between her vocation as a writer and her competing roles as daughter, wife, mother, and drug addict, and she writes about female experience and identity in a way that feels very fresh and pertinent to today's discussions around feminism. Ditlevsen's trilogy is remarkable for its intensity and its immersive depiction of a world of complex female friendships, family and growing up--in this sense, it's Copenhagen's answer to Elena Ferrante's Neapolitan Novels. She can also be seen as a spiritual forerunner of confessional writers like Karl Ove Knausgaard, Annie Ernaux, Rachel Cusk and Deborah Levy. Her trilogy is drawn from her own experiences but reads like the most compelling kind of fiction.Born in a working-class neighborhood in Copenhagen in 1917, Ditlevsen became famous for her poetry while still a teenager, and went on to write novels, stories and memoirs before committing suicide in 1976. Having been dismissed by the critical establishment in her lifetime as a working-class, female writer, she is now being rediscovered and championed as one of Denmark's most important modern authors, with Tove fever gripping readers.

    A hard worker. Quick to laugh and easy to like. She was happy, confident, strong. A woman who always looked after herself and her kids. Close with her family and her friends, she was much loved. Then, in 2013, she met Marcus Rappel. A local tradie, he was charming and sincere, they dated and fell in love. That should have been the end of a happy-ever-after story. But for Tara, it was much uglier. And for her family it would be devastating.A year later, Tara was pregnant to Marcus. Her family had been worried for a while, but Tara didn't tell anyone how Marcus's jealousy was souring the relationship. She tried to keep it quiet. Despite everything, she never imagined he would be physically violent - he would never hurt her.Tara was wrong. One fine day, the last day of summer in 2015, she was holding their newborn baby in her arms when he attacked her with an axe. Her murder seemed to come out of the blue. But as this extraordinary, often shocking book reveals, it did not.THE FIRST TIME HE HIT HER is an attempt to understand why dozens of women are murdered each year by men who profess to love them.

    Emerging from 3 years in Saudi Arabia, and the 2 years prior cocooned in academia, he lands in Abu Dhabi to be hit with the triple-whammy of the NWO (1991), the WTO (1995), and the spigot of “India Inc.” opened wide. Considered too old (at 40) by his feminized native land, and too white-skinned by the Zio-Globalists, he must now face hostile (multicultural) politics and the economic subterfuge orbiting a liberal American empire dedicated to outsourcing and open borders.Follow this Engineer’s eclectic adventures from the U.A.E., Malaysia, and England [Book-1] then on to India [Book-2] as he somehow negotiates a series of traps, obstacles, and near calamities while occasionally pausing to seduce a few of the world’s most exotic women.This true, instructional, and entertaining testimony delivers a slew of lessons about how the 1990s cemented the fiscal and “chronically unemployed” quagmire plaguing the Western World since Y2K. Mesmerized by the “Clinton White House”, most people refused to listen back then. Twenty or more years on, could this book open your eyes now?

    After her father’s death, Alethea is left unmoored, a young woman more connected to life’s ethereal mysteries than to practical things such as doing laundry or paying taxes.And then, just when life seems to be getting back on track, she’s suddenly racked by crushing fatigue, inexplicable pain, and memory loss. With her grasp on reality fading, and specialist after specialist declaring nothing is wrong, Alethea turns to her own research and desperate home remedies. But even as her frantic quest for wellness seems to lead to confusion and despair, she discovers more about her own strength than she ever could have imagined—and becomes a woman on fire herself.

    Now they must empty and sell the beloved family home, which hasn't been de-cluttered in more than half a century. Twenty-three rooms bulge with history, antiques, and oxygen tanks. Plum remembers her loving but difficult parents who could not have been more different: the British father, a handsome, disciplined patriarch who nonetheless could not control his opinionated,extroverted Southern-belle wife who loved tennis and gin gimlets. The task consumes her, becoming more rewarding than she ever imagined. Items from childhood trigger memories of her eccentric family growing up in a small town on the shores of Lake Ontario in the 1950's and 60's. But unearthing new facts about her parents helps her reconcile those relationships with a more accepting perspective about who they were and what they valued.They Left Us Everything is a funny, touching memoir about the importance of preserving family history to make sense of the past and nurturing family bonds to safeguard the future.

    He’s been chasing a screenwriting dream ever since he was in college, and he’s put everything on the line to attain it. So when a new phenomenon called “Rideshare” enters his market in Minneapolis, Kail seeks opportunity in a job he believes will pay well and afford him time to pursue his calling. His only item of value, a BMW sports car purchased in the glory days of wealth, affords him a down payment on a used luxury sedan. Before Kail knows it, he’s a soldier in the trenches of a tech revolution, and he’s in way over his head. “UBERED” is a journey through the jungles of a wild young mind in an even wilder adventure driving full-time for Uber and Lyft. Over the course of one year, Kail dances with all hosts of personalities and professions, battles all sorts of scenarios, and struggles to realize what it means to be an independent contractor, and not an employee. Prepare for the craziest year of Kail’s young life, one that would leave him grappling to understand the very meaning of fate and all he thought was sacred.

    If a single punch kills someone because of their thin skull, that victim's weakness cannot mitigate the seriousness of the crime. But what if it also works the other way? What if a defendant on trial for sexual crimes has to accept his 'victim' as she comes: a strong, determined accuser who knows the legal system, who will not back down until justice is done?Bri Lee began her first day of work at the Queensland District Court as a bright-eyed judge's associate. Two years later she was back as the complainant in her own case. This is the story of Bri's journey through the Australian legal system; first as the daughter of a policeman, then as a law student, and finally as a judge's associate in both metropolitan and regional Queensland-where justice can look very different, especially for women. The injustice Bri witnessed, mourned and raged over every day finally forced her to confront her own personal history, one she'd vowed never to tell. And this is how, after years of struggle, she found herself on the other side of the courtroom, telling her story.Bri Lee has written a fierce and eloquent memoir that addresses both her own reckoning with the past as well as with the stories around her, to speak the truth with wit, empathy and unflinching courage. Eggshell Skull is a haunting appraisal of modern Australia from a new and essential voice.

    His world was the Australian countryside early last century: rough-riders, bushmen, farmers and tellers of tall stories - a world held precious by the young Alan.

    In The Chronology of Water, Lidia Yuknavitch expertly moves the reader through issues of gender, sexuality, violence, and the family from the point of view of a lifelong swimmer turned artist. In writing that explores the nature of memoir itself, her story traces the effect of extreme grief on a young woman’s developing sexuality that some define as untraditional because of her attraction to both men and women. Her emergence as a writer evolves at the same time and takes the narrator on a journey of addiction, self-destruction, and ultimately survival that finally comes in the shape of love and motherhood.

    . . ch . . . changes, which took me from insanity to clarity, from egocentricity to altruism, from alcoholism to activism. These changes have marked an evolution in what I want from this life. I am what I want. What I seek to consume, possess, and achieve is a mirror that reflects my lusts and cravings, values and priorities, and moral boundaries or lack thereof. I am happy to say that what I want today is much less toxic and self-centered than what I used to want. It's taken decades of selfexamination to peel back the layers and figure out what really makes me happy. And while I'm still searching for my ultimate bliss, I know for sure it's not what I once thought it was. It's not alcohol, cigarettes, money, food, sugar, or status symbols: I've consumed all of those in massive quantities, and they've just made me miserable. Now, I want what can't be tasted, smoked, worn, seen, or counted. It's the opposite of material. As sappy as it might sound, what I want is spiritual.'--From the Introduction In iWant, Jane Velez-Mitchell shares her candid and engaging story of the true adventure of her life, a journey of self-discovery that is still in full throttle. As she searches for the ultimate joy and freedom that come from living a compassionate life, she challenges all of us to learn from her examples to end destructive behaviors and embrace a meaningful existence alongside one another.

    Raised up from poverty by a determined single mother, the gifted and beautiful twins were able to create a private haven of splendor and merriment between themselves and then earn their way to a prestigious college and to careers as artists (a photographer and a writer, respectively) and to young marriages. But, haunted by childhood experiences with father figures and further damaged by being raped as a young adult, Cara veered off the path to robust work and life and in to depression, drugs and a shocking early death.A few years after Cara was gone, Christa read that when an identical twin dies, regardless of the cause, 50 percent of the time the surviving twin dies within two years; and this shocking statistic rang true to her. "Flip a coin," she thought," those were my chances of survival." First, Christa fought to stop her sister's downward spiral; suddenly, she was struggling to keep herself alive.Beautifully written, mesmerizingly rich and true, Christa Parravani's account of being left, one half of a whole, and of her desperate, ultimately triumphant struggle for survival is informative, heart-wrenching and unforgettably beautiful.Wall Street Journal, "Favorite Books of the Year 2013"Cosmopolitan, "Best Books of the Year for Women"Library Journal, "Best Books of 2013"Salon, "Best Books of 2013"

    In the midst of the overwhelming struggles that accompanied autism, he continues to persevere. Her father’s love enabled her to overcome insurmountable obstacles, discovered the power of love and embraced the gift of life.

    And of how Nicola battled with her own alcoholism but, determined to throw off her mother's legacy, came through a survivor.

    With Paul's blessing and access to friends, family, band mates and musical collaborators, Coupe shows Paul's evolution from a young man who only really picked up a guitar in his late teens, to an Australian music icon.Through hundreds of interviews, Coupe details the way Paul juggled the demands, temptations and excesses of rock'n'roll with real life. Revealing Paul Kelly's personal relationships, his friendships, his generosity and support of other artists, such as Archie Roach, Kasey Chambers, Kev Carmody, Vika and Linda Bull and Courtney Barnett, the force of Kelly's powerful storytelling, his musical creativity, his activism and his work ethic also shines through.PAUL KELLY: THE MAN, THE MUSIC AND THE LIFE IN BETWEEN is honest, revealing and a must-read for anyone interested in one of Australia's greatest artists.