Whether he is writing about the players in a rickety bisexual love triangle or a woman visiting her husband in a nursing home, probing the psychic mainspring of a grimly obsessive weight lifter or sifting through the layers of resentment, need, and pity in a friendship that has gone on a few decades too long, Baxter enchants us with the elegant balance of his prose and the unexpectedness of his insights. Long admired and now once more available in paperback, Harmony of the World is a masterpiece of lucidity and compassion.

    This volume brings together the collections Flowering Judas; Pale Horse, Pale Rider; and The Leaning Tower as well as four stories not available elsewhere in book form.Go little book... --Flowering Judas and other stories: María Concepción ; Virgin Violeta ; The martyr ; Magic ; Rope ; He ; Theft ; That tree ; The jilting of Granny Weatherall ; Flowering Judas ; The cracked looking-glass ; Hacienda --Pale horse, pale rider: Old mortality ; Noon wine ; Pale horse, pale rider --The leaning tower and other stories: The old order : The source ; The journey ; The Witness ; The circus ; The last leaf ; The fig tree ; The grave. The downward path to wisdom ; A day's work ; Holiday ; The leaning tower

    James's --The worm in the apple --The trouble of Marcie Flint --The bella lingua --The Wrysons --The country husband --The duchess --The scarlet moving van --Just tell me who it was --Brimmer --The golden age --The lowboy --The music teacher --A woman without a country --The death of Justina --Clementina --Boy in Rome --A miscellany of characters that will not appear --The chimera --The seaside houses --The angel of the bridge --The brigadier and the golf widow --A vision of the world --Reunion --An educated American woman --Metamorphoses --Mene, mene, tekel, upharsin --Montraldo --The ocean --Marito in città --The geometry of love --The swimmer --The world of apples --Another story --Percy --The fourth alarm --Artemis, the honest well digger --Three stories --The jewels of the Cabots.

    From the beach towns of Normandy to the streets of New Orleans, these thirteen vignettes introduce us to a covetous French painter, a sleepless wanderer of the night, a guitar-playing gypsy, and a host of others who yearn for and dive into the turbulent depths of romantic experience.

    Though many of the stories gathered here were published separately, there are several themes common to them all, giving them new meaning in the context of this collection.

    M. Homes as one of the most provocative and daring writers of her generation. Here you'll find the cult classic A Real Doll, the tale of a teenage boy's erotic obsession with his sister's favorite doll; Adults Alone, which first introduced Paul and Elaine, the crack-smoking yuppie couple whose marriage careens out of control in Homes's novel Music for Torching; and Looking for Johnny, in which a kidnapped boy, having failed his abductor's expectations, is returned home. Brilliantly conceived, sharply etched, and exceptionally satisfying, these stories explore the American dream in ways you're not likely soon to forget. Working in Kodacolor hues, Homes offers an uncanny picture of a surreal suburbia-outrageous and utterly believable.

    "Power and haunting," and "nights of unrest" were typical reader responses. This collection, the only one to appear during Shirley Jackson's lifetime, unites "The Lottery:" with twenty-four equally unusual stories. Together they demonstrate Jackson's remarkable range--from the hilarious to the truly horrible--and power as a storyteller.

    Propelled by a terrific instinct for storytelling, and concerned with the convolutions of modern love and the importance of place, this collection is about the battlefields-and fields of victory-that exist in seemingly harmless spaces, in kitchens and living rooms and cars. Set mostly in the American West, the stories feature small-town lawyers, ranchers, doctors, parents, and children, and explore the moral quandaries of love, family, and friendship. A ranch hand falls for a recent law school graduate who appears unexpectedly- and reluctantly-in his remote Montana town. A young father opens his door to find his dead grandmother standing on the front step. Two women weigh love and betrayal during an early snow. Throughout the book, Meloy examines the tensions between having and wanting, as her characters try to keep hold of opposing forces in their lives: innocence and experience, risk and stability, fidelity and desire.Knowing, sly, and bittersweet, Both Ways Is the Only Way I Want It confirms Maile Meloy's singular literary talent. Her lean, controlled prose, full of insight and unexpected poignancy, is the perfect complement to her powerfully moving storytelling.

    Ranging from the 19th to the 20th centuries, writers include James Augustine Aloysius Joyce, Francis Scott Key Fitzgerald, Richard Edward Connell, Henri Nathaniel Hawthorne, Lev Nikolayevich Tolstoy, Jack London, Henri Ringgold Wilmer Lardner, Oscar Fingal O'Flahertie Wills Wilde, Anton Pavlovich Chekhov, Henri René Albert Guy de Maupassant and Edgar Allan Poe.

    Andre Dubus treats his characters--a bereaved father stalking his son's killer; a woman crying alone by her television late at night; a devout teenager writing in the coils of faith and sexuality; a father's story of limitless love for his daughter--with respect and compassion. He turns fiction into an act of witness.

    The stories are set in New York and in Italy (where Malamud's alter ego, the struggling New York Jewish painter, Arthur Fidelman, roams amid the ruins of old Europe in search of his artistic patrimony); they tell of egg candlers and shoemakers, matchmakers, and rabbis, in a voice that blends vigorous urban realism, Yiddish idiom, and a dash of artistic magic.The Magic Barrel is a book about New York and about the immigrant experience, and it is high point in the modern American short story. Few books of any kind have managed to depict struggle and frustration and heartbreak with such delight, or such artistry.

    Compressing an epic expanse of vision into narratives as hard and wounding as bullets, William Faulkner’s stories evoke the intimate textures of place, the deep strata of history and legend, and all the fear, brutality, and tenderness of which human beings are capable. These tales are set not only in Yoknapatawpha County but in Beverly Hills and in France during World War I; they are populated by such characters as the Faulknerian archetypes Flem Snopes and Quentin Compson (“A Justice”) as well as ordinary men and women who emerge in these pages so sharply and indelibly that they dwarf the protagonists of most novels.--back coverContains:Barn burning --Shingles for the Lord --The tall men --A bear hunt --Two soldiers --Shall not perish --A rose for Emily --Hair --Centaur in brass --Dry September --Death drag --Elly --Uncle Willy --Mule in the yard --That will be fine --That evening sun --Red leaves --A justice --A courtship --Lo! --Ad Astra --Victory --Crevasse --Turnabout --All the dead pilots --Wash --Honor --Dr. Martino --Fox hunt --Pennsylvania Station --Artist at home --The brooch --My Grandmother Millard --Golden land --There was a queen --Mountain victory --Beyond --Black music --The leg --Mistral --Divorce in Naples --Carcassonne.

    Her name became an adjective: Beattiesque. Subtle, wry, and unnerving, she is a master observer of the unraveling of the American family, and also of the myriad small occurrences and affinities that unite us. Her characters, over nearly four decades, have moved from lives of fickle desire to the burdens and inhibitions of adulthood and on to failed aspirations, sloppy divorces, and sometimes enlightenment, even grace. Each Beattie story, says Margaret Atwood, is "like a fresh bulletin from the front: we snatch it up, eager to know what’s happening out there on the edge of that shifting and dubious no-man’s-land known as interpersonal relations." With an unparalleled gift for dialogue and laser wit, she delivers flash reports on the cultural landscape of her time. Ann Beattie: The New Yorker Stories is the perfect initiation for readers new to this iconic American writer and a glorious return for those who have known and loved her work for decades.

    He saw the skin peel from the rocket beehive, men thus revealed running, running, mouths shrieking, soundless. Space was a black mossed well where life drowned its roars and terrors. Scream a big scream, but space snuffed it out before it was half up your throat. Men scurried, ants in a flaming matchbox; the ship was dripping lava, gushing steam, nothing!Journey with the century's most popular fantasy writer into a world of wonder and horror beyond your wildest dreams.Contents:- The Fog Horn (1951)- The Pedestrian (1951)- The April Witch (1952)- The Wilderness (1952)- The Fruit at the Bottom of the Bowl (1948)- Invisible Boy (1945)- The Flying Machine (1953)- The Murderer (1953)- The Golden Kite, the Silver Wind (1953)- I See You Never (1947)- Embroidery (1951)- The Big Black and White Game (1945)- A Sound of Thunder (1952)- The Great Wide World Over There (1952)- Powerhouse (1948)- En la Noche (1952)- Sun and Shadow (1953)- The Meadow (1953)- The Garbage Collector (1953)- The Great Fire (1949)- Hail and Farewell (1953)- The Golden Apples of the Sun (1953)

    In these previously unpublished gems, Vonnegut’s originality infuses a unique landscape of factories, trailers, and bars—and characters who pit their dreams and fears against a cruel and sometimes comically indifferent world.Here are stories of men and machines, art and artifice, and how ideals of fortune, fame, and love take curious twists in ordinary lives. An ambitious builder of roads, commanding an army of bulldozers, graders, and asphalt spreaders, fritters away his free time with miniature trains—until the women in his life crash his fantasy land. Trapped in a stenography pool, a young dreamer receives a call from a robber on the run, who presents her with a strange proposition. A crusty newspaperman is forced onto a committee to judge Christmas displays—a job that leads him to a suspiciously ostentatious ex-con and then a miracle. A hog farmer’s widow receives cryptic, unsolicited letters from a man in Schenectady about “the indefinable sweet aches of the spirit.” But what will she find when she goes to meet him in the flesh?These beautifully rendered works are a testament to Vonnegut’s unique blend of observation and imagination. Like a present left behind by a departed loved one, While Mortals Sleep bestows upon us a shimmering Kurt Vonnegut gift: a poignant reflection of our world as it is and as it could be.