Following their father's sudden death, the van Goethem sisters find their lives upended. Without his wages, and with the small amount their laundress mother earns disappearing into the absinthe bottle, eviction from their lodgings seems imminent. With few options for work, Marie is dispatched to the Paris Opéra, where for a scant seventeen francs a week, she will be trained to enter the famous ballet. Her older sister, Antoinette, finds work as an extra in a stage adaptation of Émile Zola's naturalist masterpiece L'Assommoir. Marie throws herself into dance and is soon modeling in the studio of Edgar Degas, where her image will forever be immortalized as Little Dancer Aged Fourteen. There she meets a wealthy male patron of the ballet, but might the assistance he offers come with strings attached? Meanwhile Antoinette, derailed by her love for the dangerous Émile Abadie, must choose between honest labor and the more profitable avenues open to a young woman of the Parisian demimonde. Set at a moment of profound artistic, cultural, and societal change, The Painted Girls is a tale of two remarkable sisters rendered uniquely vulnerable to the darker impulses of "civilized society." In the end, each will come to realize that her salvation, if not survival, lies with the other.

    A Harvard-trained physician, Trevor never showed the tiniest flicker of interest in Kate, and she's bewildered at the way he suddenly seeks her out. Surprising even herself, Kate agrees to Trevor's entirely unexpected and risky proposal to work side-by-side with him in his quest to rid the world of tuberculosis, a contagious and deadly disease. As Kate begins to unlock the mysteries of Trevor's past, she realizes there is much more to him than she could have imagined. His hidden depths may fascinate her, but his most closely guarded secrets and a shadowy enemy lurking in the background carry a serious threat to their future. When the truth of the past comes out, threatening to destroy everything they hold dear, how will Trevor and Kate ever overcome all that stands in their way?

    Exactly what happens in the two years before its recovery is a mystery. Many replicas of the Mona Lisa exist, and more than one historian has wondered if the painting now in the Louvre is a fake, switched in 1911.Present day: art professor Luke Perrone digs for the truth behind his most famous ancestor: Peruggia. His search attracts an Interpol detective with something to prove and an unfamiliar but curiously helpful woman. Soon, Luke tumbles deep into the world of art and forgery, a land of obsession and danger.A gripping novel exploring the 1911 theft and the present underbelly of the art world, The Last Mona Lisa is a suspenseful tale, tapping into our universal fascination with da Vinci's enigma, why people are driven to possess certain works of art, and our fascination with the authentic and the fake.

    When renowned painter Robert Oliver attacks a canvas in the National Gallery of Art and becomes his patient, Marlow finds that order destroyed. Desperate to understand the secret that torments the genius, he embarks on a journey that leads him into the lives of the women closest to Oliver and a tragedy at the heart of French Impressionism. Kostova's masterful new novel travels from American cities to the coast of Normandy, from the late 19th century to the late 20th, from young love to last love. The Swan Thieves is a story of obsession, history's losses, and the power of art to preserve human hope.

    It's a picture of an ideal relationship for a new generation of married couples: alternately grotesque, sexy, silly, and sexually permissive, but above all, built on mutual respect and honesty: •I promise: to never comment on your bad breath, as long as you don't come near me with bad breath. •We're going to make a lot of parenting mistakes: Let's not make putting leashes on our children when we go to the mall one of them.•Your job: I know I'm the 'free spirited one', but you're not allowed to be doing something that makes you miserable. Sorry. We'll f**'in live in a box, it's fine.