It begins in 2010 and moves backward and forward in time, from the present day to twentieth-century Poland, France, Germany, England, and America, ending in the courtroom of the Palace of Justice at the International Military Tribunal in Nuremberg in 1945. The book opens with the author being invited to give a lecture on genocide and crimes against humanity at Lviv University, welcomed as the first international law academic to give a lecture there on such subjects in fifty years. Sands accepted the invitation with the intent of learning about the extraordinary city with its rich cultural and intellectual life, home to his maternal grandfather, a Galician Jew who had been born there a century before and who’d moved to Vienna at the outbreak of the First World War, married, had a child (the author’s mother), and who then had moved to Paris after the German annexation of Austria in 1938. It was a life that had been shrouded in secrecy, with many questions not to be asked and fewer answers offered if they were. As the author uncovered, clue by clue, the deliberately obscured story of his grandfather’s mysterious life and of his flight first to Vienna and then to Paris, and of his mother’s journey as a child surviving Nazi occupation, Sands searched further into the history of the city of Lemberg and realized that his own field of humanitarian law had been forged by two men—Rafael Lemkin and Hersch Lauterpacht—each of whom had studied law at Lviv University in the city of his grandfather’s birth, each of whom had come to be considered the finest international legal mind of the twentieth century, each considered to be the father of the modern human rights movement, and each, at parallel times, forging diametrically opposite, revolutionary concepts of humanitarian law that had changed the world. In this extraordinary and resonant book, Sands looks at who these two very private men were, and at how and why, coming from similar Jewish backgrounds and the same city, studying at the same university, each developed the theory he did, showing how each man dedicated this period of his life to having his legal concept—“genocide” and “crimes against humanity”—as a centerpiece for the prosecution of Nazi war criminals. And the author writes of a third man, Hans Frank, Hitler’s personal lawyer, a Nazi from the earliest days who had destroyed so many lives, friend of Richard Strauss, collector of paintings by Leonardo da Vinci. Frank oversaw the ghetto in Lemberg in Poland in August 1942, in which the entire large Jewish population of the area had been confined on penalty of death. Frank, who was instrumental in the construction of concentration camps nearby and, weeks after becoming governor general of Nazi-occupied Poland, ordered the transfer of 133,000 men, women, and children to the death camps. Sands brilliantly writes of how all three men came together, in October 1945 in Nuremberg—Rafael Lemkin; Hersch Lauterpacht; and in the dock at the Palace of Justice, with the twenty other defendants of the Nazi high command, prisoner number 7, Hans Frank, who had overseen the extermination of more than a million Jews of Galicia and Lemberg, among them, the families of the author’s grandfather as well as those of Lemkin and Lauterpacht. A book that changes the way we look at the world, at our understanding of history and how civilization has tried to cope with mass murder. Powerful; moving; tender; a revelation.

    I cut off her hair, thick and beautiful, and she grasps my hand and begs me to remember that I too am a Jew. She knows that she is lost. ‘But remember,‘ she says, ‘you see what is being done to us. That‘s why my wish for you is that you will survive and take revenge for our innocent blood, which will never rest.‘ She has not had time to get up when a murderer who is walking between the benches lashes her on the head with his whip. Blood shows on her now shorn head. That evening, the blood of tens of thousands of victims, unable to rest, thrust itself upwards to the surface.—from The Last Jew of TreblinkaWhy do some live while so many others perish? Tiny children, old men, beautiful girls. In the gas chambers of Treblinka, all are equal. The Nazis kept the fires of Treblinka burning night and day, a central cog in the wheel of the Final Solution. There was no pretense of work here like in Auschwitz or Birkenau. Only a train platform and a road covered with sand. A road that led only to death. But not for Chil Rajchman, a young man who survived working as a “barber” and “dentist,” heartsick with witnessing atrocity after atrocity. Yet he managed to survive so that somehow he could tell the world what he had seen. How he found the dress of his little sister abandoned in the woods. How he was forced to extract gold teeth from the corpses. How every night he had to cover the body-pits with sand. How ever morning the blood of thousands still rose to the surface.Many have courageously told their stories, and in the tradition of Elie Wiesel’s Night and Primo Levi’s Survival at Auschwitz and The Drowned and the Saved, Rajchman provides the only survivors’ record of Treblinka. Originally written in Yiddish in 1945 without hope or agenda other than to bear witness, Rajchman’s tale shows that sometimes the bravest and most painful act of all is to remember.

    In this remarkable narrative, the life of Auschwitz's Angel of Death is told in counterpoint to the lives of the survivors, who until now have kept silent about their heinous death-camp ordeals.

    Weaving together the voices of three generations of women, Leslie Gilbert-Lurie and her mother, Rita Lurie, provide powerful — and inspiring — evidence of the resilience of the human spirit, relevant to every culture in every corner of the world. By turns unimaginably devastating and incredibly uplifting, this firsthand account of survival and psychological healing offers a strong, poignant message of hope in our own uncertain times. Rita Lurie was five years old when she was forced to flee her home in Poland to hide from the Nazis. From the summer of 1942 to mid-1944, she and fourteen members of her family shared a nearly silent existence in a cramped, dark attic, subsisting on scraps of raw food. Young Rita watched helplessly as first her younger brother then her mother died before her eyes. Motherless and stateless, Rita and her surviving family spent the next five years wandering throughout Europe, waiting for a country to accept them. The tragedy of the Holocaust was only the beginning of Rita's story.Decades later, Rita, now a mother herself, is the matriarch of a close-knit family in California. Yet in addition to love, Rita unknowingly passes to her children feelings of fear, apprehension, and guilt. Her daughter Leslie, an accomplished lawyer, media executive, and philanthropist, began probing the traumatic events of her mother's childhood to discover how Rita's pain has affected not only Leslie's life and outlook but also her own daughter, Mikaela's. A decade-long collaboration between mother and daughter, Bending Toward the Sun reveals how deeply the Holocaust remains in the hearts and minds of survivors, influencing even the lives of their descendants. It also sheds light on the generational reach of any trauma, beyond the initial victim. Drawing on interviews with the other survivors and with the Polish family who hid five-year-old Rita, this book brings together the stories of three generations of women — mother, daughter, and granddaughter — to understand the legacy that unites, inspires, and haunts them all.

    It follows the experiences of the author as she and her friends come to terms with the non-stop hustle and bustle of hospital life. This book treats the reader to a peep behind the scenes as we enter the hospital wards. As well as an insight into nurse training, hurry up nurse provides a glimpse into the social history of life in the 1970's and early 1980's.

    Finkelstein moves from an interrogation of the place the Holocaust has come to occupy in American culture to a disturbing examination of recent Holocaust compensation agreements. It was not until the Arab-Israeli War of 1967, when Israel's evident strength brought it into line with US foreign policy, that memory of the Holocaust began to acquire the exceptional prominence it enjoys today. Leaders of America's Jewish community were delighted that Israel was now deemed a major strategic asset and, Finkelstein contends, exploited the Holocaust to enhance this newfound status. Their subsequent interpretations of the tragedy are often at variance with actual historical events and are employed to deflect any criticism of Israel and its supporters. Recalling Holocaust fraudsters such as Jerzy Kosinski and Binjamin Wilkomirski, as well as the demagogic constructions of writers like Daniel Goldhagen, Finkelstein contends that the main danger posed to the memory of Nazism's victims comes not from the distortions of Holocaust deniers but from prominent, self-proclaimed guardians of Holocaust memory. Drawing on a wealth of untapped sources, he exposes the double shakedown of European countries as well as legitimate Jewish claimants, and concludes that the Holocaust industry has become an outright extortion racket. Thoroughly researched and closely argued, The Holocaust Industry is all the more disturbing and powerful because the issues it deals with are so rarely discussed.In a devastating new postscript to this best-selling book, Norman G. Finkelstein documents the Holocaust industry's scandalous cover-up of the blackmail of Swiss banks, and in a new appendix demolishes an influential apologia for the Holocaust industry.

    Enamored with a man named Arno, Zdenka Fantlová, a young Czech-Jewish woman, is separated from her soul-mate due to the German invasion. During a brief reunion, Arno proposes to 19-year-old Zdenka with a ring made from tin. Following Zdenka from Terezin through Auschwitz and Kurzbach to Bergen–Belsen, this heartbreaking account dwells less on the horrors of extermination camps and more on the compassion of the friends and family who shared in her ordeal.

    He was put to work every day in a German factory, where he labored alongside Jewish prisoners from a nearby camp called Auschwitz. The stories they told him were horrifying. Eventually Avey's curiosity, kind-heartedness, derring-do, and perhaps foolhardiness drove him to suggest--and remarkably manage--switching places with two of the Jewish prisoners in order to spend a couple of harrowing days and nights inside. Miraculously, he lived to tell about it.Surely deserving of its place alongside the great World War II stories, this is an incredible tale of generosity, courage, and, for one Jewish prisoner whom Denis was able to help, survival. Amazingly, breathtakingly, it is told here for the first time.

    It is up to you.Eddie Jaku always considered himself a German first, a Jew second. He was proud of his country. But all of that changed in November 1938, when he was beaten, arrested and taken to a concentration camp.Over the next seven years, Eddie faced unimaginable horrors every day, first in Buchenwald, then in Auschwitz, then on a Nazi death march. He lost family, friends, his country.Because he survived, Eddie made the vow to smile every day. He pays tribute to those who were lost by telling his story, sharing his wisdom and living his best possible life. He now believes he is the 'happiest man on earth'.Published as Eddie turns 100, this is a powerful, heartbreaking and ultimately hopeful memoir of how happiness can be found even in the darkest of times.

    Who was this enigmatic officer Pearl Good had spoken of so often?After five years of research--interviewing survivors, assembling a team that could work to open German files untouched for fifty years, following every lead he could, Good was able to uncover the amazing tale of one man's remarkable courage. And in April 2005 Karl Plagge joined Oskar Schindler and 380 other Germans as a "Righteous among Nations," honored by the State of Israel for protecting and saving Jewish lives during the Holocaust.This expanded edition features new photographs and a new epilogue on the impact of the discovery of Karl Plagge--especially the story of 83-year-old Alfons von Deschwanden, who, after fifty years of silence, came forward as a veteran of Plagge's unit. His testimony is now part of this growing witness to truth.

    They planned their future together, secure in the belief that their love could survive anything, even Hitler. Then, in March 1944, the Germans invaded Hungary.Here is the moving and dramatic account of one woman's courage in the face of war, and of a love that spanned three decades. From the agony of separation to the horrors of a concentration camp, from her marriage to Otto Schimmel, an Auschwitz survivor who promised her a new life in America, through the joy and struggle of raising a family, Betty never forgot her first love. Then, in 1975, she returned to Budapest and saw someone across a crowded room...To See You Again is Betty Schimmel's wrenching memoir of survival and sacrifice, of love lost and love found. A true story that unfolds with all the suspense of a novel, it is one that will not soon be forgotten.

    The story that will have you wondering, "How did he survive?" Was it luck, fate or maybe a small miracle.

      At 108 years old, the pianist Alice Herz-Sommer is an eyewitness to the entire last century and the first decade of this one. She has seen it all, surviving the Theresienstadt concentration camp, attending the trial of Adolf Eichmann in Jerusalem, and along the way coming into contact with some of the most fascinating historical figures of our time. As a child in Prague, she spent weekends and holidays in the company of Franz Kafka (whom she knew as “Uncle Franz”), and Gustav Mahler, Sigmund Freud, and Rainer Maria Rilke were friendly with her mother. When Alice moved to Israel after the war, Golda Meir attended her house concerts, as did Arthur Rubinstein, Leonard Bernstein, and Isaac Stern. Today Alice lives in London, where she still practices piano for hours every day.    Despite her imprisonment in Theresienstadt and the murders of her mother, husband, and friends by the Nazis, and much later the premature death of her son, Alice has been victorious in her ability to live a life without bitterness. She credits music as the key to her survival, as well as her ability to acknowledge the humanity in each person, even her enemies. A Century of Wisdom is the remarkable and inspiring story of one woman’s lifelong determination—in the face of some of the worst evils known to man—to find goodness in life. It is a testament to the bonds of friendship, the power of music, and the importance of leading a life of material simplicity, intellectual curiosity, and never-ending optimism.Foreword by Václav Havel

    It was a journey that began in 1933, when she was eight years old and witnessed the beginnings of Jewish persecution, a journey along which she suffered the horrible deaths of her father, mother and sister. Sustained by great courage and resourcefulness, Lucille Eichengreen emerged from her nightmare with the inner strength to build a new life for herself in the United States. Only in 1991 did she return to Germany and Poland to assess the Jewish situation there. Her story is a testament to the very thing the Holocaust sought to destroy: the regeneration of Jewish life. Blessed with a remarkable memory that made her one of the most effective witnesses in the postwar trial of her persecutors, Eichengreen has composed a memoir of exceptional accuracy. As important as its factual accuracy is its emotional clarity and truth. Simple and direct, Eichengreen's words compel with their moral authority.

    In spare, brutal prose he describes a world where where the will to survive overrides compassion and prisoners eat, work and sleep a few yards from where others are murdered; where the difference between human beings is reduced to a second bowl of soup, an extra blanket or the luxury of a pair of shoes with thick soles; and where the line between normality and abnormality vanishes. Published in Poland after the Second World War, these stories constitute a masterwork of world literature.