Initiating and describing a theory and method of reading the metaphors and materiality of "the wake," "the ship," "the hold," and "the weather," Sharpe shows how the sign of the slave ship marks and haunts contemporary Black life in the diaspora and how the specter of the hold produces conditions of containment, regulation, and punishment, but also something in excess of them. In the weather, Sharpe situates anti-Blackness and white supremacy as the total climate that produces premature Black death as normative. Formulating the wake and "wake work" as sites of artistic production, resistance, consciousness, and possibility for living in diaspora, In the Wake offers a way forward.

    Using the innovative concept of slow violence to describe these threats, Rob Nixon focuses on the inattention we have paid to the attritional lethality of many environmental crises, in contrast with the sensational, spectacle-driven messaging that impels public activism today. Slow violence, because it is so readily ignored by a hard-charging capitalism, exacerbates the vulnerability of ecosystems and of people who are poor, disempowered, and often involuntarily displaced, while fueling social conflicts that arise from desperation as life-sustaining conditions erode.In a book of extraordinary scope, Nixon examines a cluster of writer-activists affiliated with the environmentalism of the poor in the global South. By approaching environmental justice literature from this transnational perspective, he exposes the limitations of the national and local frames that dominate environmental writing. And by skillfully illuminating the strategies these writer-activists deploy to give dramatic visibility to environmental emergencies, Nixon invites his readers to engage with some of the most pressing challenges of our time.

    Gammell's art begins with exuberant shades, but when the story enters the past, the pictures are as gray as Dorothy's Kansas until the boy finds the star...The rainbow then spectacularly spills its colors over the boy, and the book closes with the little girl and the Starfinder looking out at the universe, filled with colorful planets and golden light."—The Horn Book

    They especially can't wait to watch the sunset. But Mole soon realizes that when the sun goes down. . .it will be dark. What if they get lost?Seeing Mole nervous, Bear decides to tell his friend the legend of a special star--the First Star--that will always help them find their way. Featuring the popular characters and cozy illustrations of Will Hillenbrand's earlier Bear and Mole books, First Star is a perfect bedtime book, an ode to friendship, and a gentle reminder that no matter how dark it gets, your loved ones will always help you find your way.

    Identifying those trends which she finds most destructive in modern fiction (reportage, the substitution of violence for emotion, and the growing cults of ugliness, toughness, and caricature), Nin offers, instead, an argument for and synthesis of the poetic novel.Drawing upon such related arts as filmmaking, painting, and dance, Nin discusses her own efforts in this genre as well as the development of such writers as D. H. Lawrence, Henry Miller, Lawrence Durrell, Marguerite Young, and Djuna Barnes. In chapters devoted to the pursuit of the hidden self, the genesis of fiction, and the relationship between the diary and fiction, she addresses the materials, techniques, and nourishment of the arts, and the functions of art itself.

    How do we evaluate the power and utility of language when it has been made to articulate falsehoods in certain totalitarian regimes or has been charged with vulgarity and imprecision in a mass-consumer democracy? How will language react to the increasingly urgent claims of more exact speech such as mathematics and symbolic notation? These are some of the questions Steiner addresses in this elegantly written book, first published in 1967 to international acclaim.

    He never worries about the world below…until one day, when Sarah straps on a big backpack and does something Truman has never seen before. She boards the bus! Truman waits for her to return. He waits. And waits. And waits. And when he can wait no longer, he knows what he must do. Even if it seems…impossible!

    But the wings he gets are made of gold and his bird friends turn against him. “You think you are better than we are,” they say. What Tico does with his golden feathers—and the important lesson he learns—is a fable that children will take to their hearts.

    Ten-year-old Julia Gillian knows everything about her quirky neighbors, her Minneapolis neighborhood, even the inscrutable "claw machine" in the back of the corner hardware store. The one thing Julia Gillian doesn't know is how the book she's reading is going to end. It doesn't seem as if it's going to have a happy ending, and that scares her. But Julia learns a little something about fear: sometimes you just have to work through it. And though bad things do happen sometimes, having good friends and family around you makes life a bit less scary - and much more fun.