Alfred R. Ferguson was founding editor of the edition, followed by Joseph Slater (until 1996).

    Written in 1941, Blithe Spirit remained the longest-running comedy in British Theatre for years. Plotted around the central role of one of Coward's best loved characters, a medium Madame Arcati (originally played by Margaret Rutherford). Coward's play is a spirited charade about a man with 2 wives, one dead and another alive.

    Solar Bones is the story of one such visit. Marcus Conway, a middle-aged engineer, turns up one afternoon at his kitchen table and considers the events that took him away and then brought him home again.Funny and strange, McCormack’s ambitious and other-worldly novel plays with form and defies convention. This is profound new work is by one of Ireland’s most important contemporary novelists. A beautiful and haunting elegy, this story of order and chaos, love and loss captures how minor decisions ripple into waves and test our integrity every day.

    Each title features: - Critical essays reflecting a variety of schools of criticism- Notes on the contributing critics, a chronology of the author's life, and an index- An introductory essay by Harold Bloom.

    In this stunningly unusual prose debut, Doireann Ni Ghriofa sculpts essay and autofiction to explore inner life and the deep connection felt between two writers centuries apart. In the 1700s, an Irish noblewoman, on discovering her husband has been murdered, drinks handfuls of his blood and composes an extraordinary poem. In the present day, a young mother narrowly avoids tragedy. On encountering the poem, she becomes obsessed with its parallels with her own life, and sets out to track down the rest of the story. A devastating and timeless tale about one woman freeing her voice by reaching into the past and finding another's.

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    Here Petronius brilliantly brings to life the courtesans, legacy-hunters, pompous professors and dissolute priestesses of the age and, above all, Trimalchio, the archetypal self-made millionaire whose pretentious vulgarity on an insanely grand scale makes him one of the great comic characters in literature. Seneca's The Apocolocyntosis, a malicious skit on the deification of Claudius the Clod', was designed by the author to ingratiate himself with Nero, who was Claudius' successor. Together, the two provide a powerful insight into a darkly fascinating period of Roman history.For this edition Professor Sullivan has updated his translation & his literary & historical introductions in the light of the latest research. He's included all Petronius' surviving verse.Petroneus:Introduction --The authorship and date of The Satyricon --The extent of the work and the plot --The literary qualities of the Satyricon --On the text and translation --The Satyricon --Puteoli --Dinner with Trimalchio --Eumolpus --The road to Croton --Croton --The fragments and the poems --List of characters --Notes on the Satyricon --Notes on the fragments and poems --Seneca:Introduction --The authorship and date of the Apocolocyntosis --The place of the work in Seneca's writings --The literary qualities of the Apocolocyntosis --On the text and translation --The Apocolocyntosis of the divine Claudius --Notes on the Apocolocyntosis

    Criticism is divided into four sections and represents the best criticism and interpretation of Donne s writing: Donne and Metaphysical Poetry includes seven seventeenth-century views by contemporaries of Donne such as Ben Jonson, Thomas Carew, and John Dryden, among others; Satires, Elegies, and Verse Letters includes seven selections that offer social and literary context for and insights into Donne s frequently overlooked early poems; Songs and Sonnets features six analyses of Donne s love poetry; and Holy Sonnets/Divine Poems explores Donne s struggles as a Christian through four authoritative essays. A Chronology of Donne s life and work, a Selected Bibliography, and an Index of Titles and First Lines are also included.

    The title character of Monsignor Quixote is a village priest, elevated to the rank of monsignor through a clerical error, who travels to Madrid accompanied by his best friend, Sancho, the Communist ex-mayor of the village, in Greene's lighthearted variation on Cervantes.

    The Poetry of Rilke—the single most comprehensive volume of Rilke’s German poetry ever to be published in English—is the culmination of this effort. With more than two hundred and fifty selected poems by Rilke, including complete translations of the Sonnets to Orpheus and the Duino Elegies, The Poetry of Rilke spans the arc of Rilke’s work, from the breakthrough poems of The Book of Hours to the visionary masterpieces written only weeks before his death. This landmark bilingual edition also contains all of Snow’s commentaries on Rilke, as well as an important new introduction by the award-winning poet Adam Zagajewski. The Poetry of Rilke will stand as the authoritative single-volume translation of Rilke into English for years to come.

    It began life as a slapstick comedy about Siamese twins, but as he wrote, something deepened. "The tale kept spreading along, and spreading along, and other people got to intruding themselves and taking up more and more time with their talk and their affairs. It changed from a farce to a tragedy while I was going along with it," Twain wrote in his frank afternote to the novel. In the end, the voice that comes to dominate the tale is Roxana's, a light-skinned slave who switches her infant son with her master's son to keep him from being sold down the river. Roxana, Twain's most complex and fully-realized adult female character, is a compelling and memorable tragic heroine, trapped with her son by the brutal system of slavery and by their own inescapable racial identities. At his best, Twain is the most uniquely American of writers, and it is inevitable that his best work revolves around the issues of race and of slavery embedded in the American psyche. The Tragedy of Pudd'nhead Wilson is a dark and powerful novel of race in America, written by the American master.

    E. Talbot Donaldson's translation of the text has been selected for this Norton Critical Edition because of its skillful emulation of the original poem's distinct alliterative verse. Selections of the authoritative Middle English text are also included for comparative analysis. Sources and Backgrounds includes a large collection of contemporary religious and historical documents pertaining to the poem, including selections from the Douai Bible, accounts of the plague, and legal statutes. Criticism includes twenty interpretive essays by leading medievalists, among them E. Talbot Donaldson, George Kane, Jill Mann, Derek Pearsall, C. David Benson, and Elizabeth D. Kirk. A Glossary and Selected Bibliography are also included.

    But this play-within-a-play is not historical drama. Its thought is as modern as today's police states and The Bomb; its theatrical impact has everywhere been called a major innovation. It is total theatre: philosophically problematic, visually terrifying. It engages the eye, the ear, and the mind with every imaginable dramatic device, technique, and stage picture, even including song and dance. All the forces and elements possible to the stage are fused in one overwhelming experience. This is theatre such as has rarely been seen before. The play is basically concerned with the problem of revolution. Are the same things true for the masses and for their leaders? And where, in modern times, lie the borderlines of sanity?

    He was the self-styled spokesman of the "Lost Generation" and author of The Great Gatsby (1925). His debut novel, This Side of Paradise (1920) examines the lives and morality of post-World War I youth. Flappers and Philosophers (1920) was his first collection of short stories. His second novel, The Beautiful and Damned (1922), demonstrates an evolution and maturity in his writing, and provides an excellent portrait of America during the Jazz Age, as does Tales of the Jazz Age (1922).

    (doubling possible.) / 5 ints. or unit set. Recently revived on Broadway to great acclaim, this is the rollicking tale of three down and out troupers who decide to head for Hollywood and try their luck with the newly invented talkies. Due to a series of consistent blunders, the most stupid of the three is carried to pinnacles of fame and fortune until he's literally made a god of the industry. It's a fast paced and wild romp and a marvelous spoof of tinsel land.