Looking for a change, she accepts a request for help from her former fiancé, Gil Trent, not knowing that she’ll soon become embroiled in a murder investigation that will test not only her friendship with Gil, but will upset the status quo with her husband.Amory accompanies Gil to the Brightwell Hotel in an attempt to circumvent the marriage of his sister, Emmeline, to Rupert Howe, a disreputable ladies’ man. Amory sees in the situation a grim reflection of her own floundering marriage. There is more than her happiness at stake, however, when Rupert is murdered and Gil is arrested for the crime. Amory is determined to prove his innocence and find the real killer, despite attempted dissuasion from the disapproving police inspector on the case. Matters are further complicated by Milo’s unexpected arrival, and the two form an uneasy alliance as Amory enlists his reluctant aid in clearing Gil’s name. As the stakes grow higher and the line between friend and foe becomes less clear, Amory must decide where her heart lies and catch the killer before she, too, becomes a victim. Murder at the Brightwell is a delicious mystery in which murder invades polite society and romance springs in unexpected places. Weaver has penned a debut in the tradition of Jacqueline Winspear.

    But when he dies on their wedding night, she finds herself a penniless widow. Her only legacy is Brooke House, a Gothic revival manor in the wilds of the Hudson River Valley. However, the eerie mansion comes with two tenants. One is a hostile ghost. The second, and far worse, is former violinist Roderick Brooke--the most insolent, dangerous, maddeningly gorgeous man she's ever met.As Sybil and Roderick engage in a battle of wills--and wits--she finds herself increasingly drawn to him despite her growing suspicion that there is a connection between him and the spirit that haunts Brooke House. But soon an even greater threat arises: the mysterious queen of local society, Mrs. Lavinia Dove. For reasons that Sybil can't imagine, Mrs. Dove is determined to have Brooke House and Roderick for herself... if necessary, by deadly means.

    Accepting a job at a debt collection agency seems a step toward a more tranquil life. But as she follows up on a routine loan to Romana Laszlo, a pregnant Hungarian refugee who's recently come off the train from London, Mirabelle's instincts for spotting deception are stirred when the woman is reported dead, along with her unborn child. After encountering a social-climbing doctor with a sudden influx of wealth and Romana's sister, who seems far from bereaved and doesn't sound Hungarian, Mirabelle decides to dig deeper into the suspicious circumstances surrounding the death. Aided by her feisty sidekick—a fellow office worker named Vesta Churchill ("no relation to Winston," as she explains)—Mirabelle unravels a web of evil that stretches from the Brighton beachfront to the darkest corners of Europe. Putting her own life at risk, she must navigate a lethal labyrinth of lies and danger to expose the truth.

    After leaving the Metropolitan Police Training Academy, 22 year-old Jane Tennison is placed on a probationary exercise in Hackney, London where criminality thrives. At first she struggles to deal with the shocking situations she faces, receiving no help or sympathy from her superiors. Jane feels out of her depth in this male-dominated, chauvinistic environment. Then she is given her first murder case . . .

    Before he can show them to Nicholas Brisbane, the private inquiry agent he has retained for his protection, Sir Edward collapses and dies at his London home, in the presence of his wife, Julia, and a roomful of dinner guests. Prepared to accept that Edward's death was due to a long-standing physical infirmity, Julia is outraged when Brisbane visits and suggests that Sir Edward has been murdered. It is a reaction she comes to regret when she discovers the damning paper for herself, and realizes the truth. Determined to bring her husband's murderer to justice, Julia engages the enigmatic Brisbane to help her investigate Edward's demise. Dismissing his warnings that the investigation will be difficult, if not impossible, Julia presses forward, following a trail of clues that lead her to even more unpleasant truths, and ever closer to a killer who waits expectantly for her arrival.

    Now, in 1137, the ambitious head of Shrewsbury Abbey has decided to acquire the sacred remains for his Benedictine order. Native Welshman Brother Cadfael is sent on the expedition to translate and finds the rustic villagers of Gwytherin passionately divided by the Benedictine's offer for the saint's relics. Canny, wise, and all too wordly, he isn't surprised when this taste for bones leads to bloody murder.The leading opponent to moving the grave has been shot dead with a mysterious arrow, and some say Winifred herself held the bow. Brother Cadfael knows a carnal hand did the killing. But he doesn't know that his plan to unearth a murderer may dig up a case of love and justice...where the wages of sin may be scandal or Cadfael's own ruin.

    History warns us none is.1468. A young priest, Christopher Fairfax, arrives in a remote Exmoor village to conduct the funeral of his predecessor. The land around is strewn with ancient artefacts – coins, fragments of glass, human bones – which the old parson used to collect. Did his obsession with the past lead to his death?As Fairfax is drawn more deeply into the isolated community, everything he believes – about himself, his faith and the history of his world – is tested to destruction.

    Kate Moore is looking for a way out of the poverty and violence of her childhood. When a chance encounter on a transatlantic ocean liner brings her face-to-face with the handsome heir to a Chicago fortune, she thinks she may have found her escape—as long as she can keep her past concealed.After exchanging wedding vows, Kate quickly discovers that something isn’t quite right with her husband—or her new family. As Mrs. Matthew Lemont, she must contend with her husband’s disturbing past, his domineering mother, and his overly close sister. Isolated at Lakecrest, the sprawling, secluded Lemont estate, she searches desperately for clues to Matthew’s terrors, which she suspects stem from the mysterious disappearance of his aunt years before. As Kate stumbles deeper into a maze of family secrets, she begins to question everyone’s sanity—especially her own. But just how far will she go to break free of this family’s twisted past?

    Ben Collier has just arrived from war-torn Europe to find his brother has died in mysterious circumstances. Why would a man with a beautiful wife, a successful movie career, and a heroic past choose to kill himself? Ben enters the uneasy world beneath the glossy shine of the movie business, where politics and the dream factories collide and Communist witch hunts are rendering the biggest star makers vulnerable. Even here, where the devastation of Europe seems no more real than a painted movie set, the war casts long and dangerous shadows. When Ben learns troubling facts about his own family’s past and embarks on a love affair that never should have happened, he is caught in a web of deception that shakes his moral foundation to its core. Rich with atmosphere and period detail, Stardust flawlessly blends fact and fiction into a haunting thriller evoking both the glory days of the movies and the emergence of a dark strain of American political life.

    When a dead body is found during a house party at the home of Agatha Christie and her husband Max Mallowan, it's up to famous author's head of household, Phyllida Bright, to investigate... Tucked away among Devon's rolling green hills, Mallowan Hall combines the best of English tradition with the modern conveniences of 1930. Housekeeper Phyllida Bright, as efficient as she is personable, manages the large household with an iron fist in her very elegant glove. In one respect, however, Mallowan Hall stands far apart from other picturesque country houses...The manor is home to archaeologist Max Mallowan and his famous wife, Agatha Christie. Phyllida is both loyal to and protective of the crime writer, who is as much friend as employer. An aficionado of detective fiction, Phyllida has yet to find a gentleman in real life half as fascinating as Mrs. Agatha's Belgian hero, Hercule Poirot. But though accustomed to murder and its methods as frequent topics of conversation, Phyllida is unprepared for the sight of a very real, very dead body on the library floor...A former Army nurse, Phyllida reacts with practical common sense--and a great deal of curiosity. It soon becomes clear that the victim arrived at Mallowan Hall under false pretenses during a weekend party. Now, Phyllida not only has a houseful of demanding guests on her hands--along with a distracted, anxious staff--but hordes of reporters camping outside. When another dead body is discovered--this time, one of her housemaids--Phyllida decides to follow in M. Poirot's footsteps to determine which of the Mallowans' guests is the killer. With help from the village's handsome physician, Dr. Bhatt, Mr. Dobble, the butler, along with other household staff, Phyllida assembles the clues. Yet, she is all too aware that the killer must still be close at hand and poised to strike again. And only Phyllida's wits will prevent her own story from coming to an abrupt end...

    It's 1935, but things still aren't looking up since the big crash and her father's subsequent suicide, leaving Henrietta to care for her antagonistic mother and younger siblings. Henrietta is eventually persuaded to take a job as a taxi dancer at a local dance hall - and just when she's beginning to enjoy herself, the floor matron turns up dead. When aloof Inspector Clive Howard appears on the scene, Henrietta agrees to go undercover for him and is plunged into Chicago's grittier underworld. Meanwhile, she's still busy playing mother hen to her younger siblings, as well as to pesky neighborhood boy Stanley, who believes himself in love with her and keeps popping up in the most unlikely places, determined to keep Henrietta safe even from the Inspector, if need be. Despite his efforts, however, and his penchant for messing up the Inspector's investigation, the lovely Henrietta and the impenetrable Inspector find themselves drawn to each other in most unsuitable ways.

    and Cindy, have gone missing. Later that day, Cindy's body is found in a derelict lot a half mile from her home, strangled. Ten days later, Frankie Jr.'s decomposing body is found. Immediately, all fingers point to Ruth. As police investigate the murders, the detritus of Ruth's life is exposed. Seen through the eyes of the cops, the empty bourbon bottles and provocative clothing which litter her apartment, the piles of letters from countless men and Ruth's little black book of phone numbers, make her a drunk, a loose woman - and therefore a bad mother. The lead detective, a strict Catholic who believes women belong in the home, leaps to the obvious conclusion: facing divorce and a custody battle, Malone took her children's lives. Pete Wonicke is a rookie tabloid reporter who finagles an assignment to cover the murders. Determined to make his name in the paper, he begins digging into the case. Pete's interest in the story develops into an obsession with Ruth, and he comes to believe there's something more to the woman whom prosecutors, the press, and the public have painted as a promiscuous femme fatale. Did Ruth Malone violently kill her own children, is she a victim of circumstance - or is there something more sinister at play?

    Born into dismal poverty, young Nell Sweeney scratches by on her wits and little else until fortune blesses her with a position as nursery governess to the fabulously wealthy Hewitts. But she soon learns that ugly secrets lurk beneath the surface of their gold-plated world.The Hewitts’ eldest son, William, a former Union Army battle surgeon and the black sheep of the family, was reported to have died three years before in a notorious Confederate prison camp. But one snowy February afternoon, his parents learn that he is, in fact, still alive—and in jail for having murdered a man while intoxicated on opium. Infuriated by his son’s deception and convinced of his guilt, August Hewitt forbids his wife from coming to Will’s aid, so she begs Nell to help exonerate him. Nell finds that she must delve into the kind of dark and treacherous underworld she thought she’d left far behind if she is to unearth the truth before the hangman’s noose tightens around William Hewitt’s throat.

    Genevieve Summerford is used to forging her own path. But when one of her patients is arrested for murder-a murder Genevieve fears she may have unwittingly provoked-she is forced to seek help from an old acquaintance.Desperate to clear her patient's name and relieve her own guilty conscience, Genevieve finds herself breaking all the rules she's tried so hard to live by. In her search for answers, Genevieve uncovers an astonishing secret that, should she reveal it, could spell disaster for those she cares about most. But if she lets her discovery remain hidden, she will almost certainly condemn her patient to the electric chair.

    The first of an exciting new series of novels.London, September 1666. The Great Fire rages through the city, consuming everything in its path. Even the impregnable cathedral of St. Paul’s is engulfed in flames and reduced to ruins. Among the crowds watching its destruction is James Marwood, son of a disgraced printer, and reluctant government informer.In the aftermath of the fire, a semi-mummified body is discovered in the ashes of St. Paul’s, in a tomb that should have been empty. The man’s body has been mutilated and his thumbs have been tied behind his back.Under orders from the government, Marwood is tasked with hunting down the killer across the devastated city. But at a time of dangerous internal dissent and the threat of foreign invasion, Marwood finds his investigation leads him into treacherous waters – and across the path of a determined, beautiful and vengeful young woman.