Jess had done the research. Success requires precision: a dark room, a mirror, a candle, salt, and four teenage girls. Each of them--Jess, Shauna, Kitty, and Anna--must link hands, follow the rules . . . and never let go. A thrilling fear spins around the room the first time Jess calls her name: "Bloody Mary. Bloody Mary. BLOODY MARY." A ripple of terror follows when a shadowy silhouette emerges through the fog, a specter trapped behind the mirror. Once is not enough, though--at least not for Jess. Mary is called again. And again. But when their summoning circle is broken, Bloody Mary slips through the glass with a taste for revenge on her lips. As the girls struggle to escape Mary's wrath, loyalties are questioned, friendships are torn apart, and lives are forever altered.A haunting trail of clues leads Shauna on a desperate search to uncover the legacy of Mary Worth. What she finds will change everything, but will it be enough to stop Mary--and Jess--before it's too late?

    Unsettled by a sense of intense evil within the house, she soon becomes obsessed with the belief that malevolent forces are stalking the children in her care. Obsession of a more worldly variety lies at the heart of The Aspern Papers, the tale of a literary historian determined to get his hands on some letters written by a great poet-and prepared to use trickery and deception to achieve his aims. Both works show James's mastery of the short story and his genius for creating haunting atmosphere and unbearable tension.Anthony Curtis's wide-ranging introduction traces the development of the two stories from initial inspiration to finished work and examines their critical reception.

    The diary he kept while tending sheep formed the heart of this book and eventually lured thousands of Americans to visit Yosemite country.First published in 1911, My First Summer in the Sierra incorporates the lyrical accounts and sketches he produced during his four-month stay in the Yosemite River Valley and the High Sierra. His record tracks that memorable experience, describing in picturesque terms the majestic vistas, flora and fauna, and other breathtaking natural wonders of the area.Today, Muir is recognized as one of the most important and influential naturalists and nature writers in America. This book, the most popular of the author's works, will delight environmentalists and nature lovers with its exuberant observations.

    A young and naive English doctor by the name of William Abbey witnesses the lynching of a local boy by the white colonists. As the child dies, his mother curses William.William begins to understand what the curse means when the shadow of the dead boy starts following him across the world. It never stops, never rests. It can cross oceans and mountains. And if it catches him, the person he loves most in the world will die.

    To escape a home she doesn't belong in anymore, she assumes the name of a former classmate and accepts a teaching job at the Cherokee Female Seminary.Nothing prepares her for what she finds there. Her pupils are the daughters of the Cherokee elite—educated and more wealthy than she, and the school is cloaked in mystery. A student drowned in the river last year, and the girls whisper that she was killed by a jealous lover. Willie's room is the very room the dead girl slept in. The students say her spirit haunts it.Willie doesn't believe in ghosts, but when strange things start happening at the school, she isn't sure anymore. She's also not sure what to make of a boy from the nearby boys' school who has taken an interest in her—his past is cloaked in secrets. Soon, even she has to admit that the revenant may be trying to tell her something. . . .

    This brutal unseen force makes attempts on her life and terrorizes her children, but the worst part is that no one believes her. Among the skeptics is psychiatrist Dr. Sneidermann, who believes Carlotta is psychotic, a danger to herself and her children who should be committed. But two graduate students in parapsychology have a different theory: that Carlotta is being tormented by a powerful entity from beyond our reality, outside space and time. The tension builds to an electrifying conclusion, and the truth may be far more frightening than any of them ever imagined ... Based on documented real-life events that happened to a California woman in 1974, Frank De Felitta's provocative and disturbing novel The Entity (1978) is a classic of occult literature. Like De Felitta's Audrey Rose (1975), which sold more than 2.5 million copies, The Entity was a worldwide bestseller, and was also adapted for a 1982 film starring Barbara Hershey. This edition features a new introduction by Gemma Files.

    She’s been able to see ghosts since her mother tried to murder her when she was five years old. No way does she want anyone to know she can talk to spooks. Being a foster kid is hard enough without being labeled a freak too. Normally, she just ignores the ghosts and they go away. That is until she see’s the ghost of her foster sister… Sally. Everyone thinks Sally’s just another runaway, but Mattie knows the truth—she’s dead. Murdered. Mattie feels like she has to help Sally, but she can’t do it alone. Against her better judgment, she teams up with a young policeman, Officer Dan, and together they set out to discover the real truth behind Sally’s disappearance. Only to find out she’s dealing with a much bigger problem, a serial killer, and she may be the next victim… Will Mattie be able to find out the truth before the killer finds her?

    A desperate search for reunion with dead loved ones precipitated a tidal wave of self-proclaimed psychics—and, as reputable media sought stories on occult phenomena, mediums became celebrities. Against this backdrop, in 1924, the pretty wife of a distinguished Boston surgeon came to embody the raging national debate over Spiritualism, a movement devoted to communication with the dead. Reporters dubbed her the blonde Witch of Lime Street, but she was known to her followers simply as Margery. Her most vocal advocate was none other than Sherlock Holmes' creator Sir Arthur Conan Doyle, who believed so thoroughly in Margery's powers that he urged her to enter a controversial contest, sponsored by Scientific American and offering a large cash prize to the first medium declared authentic by its impressive five-man investigative committee.  Admired for both her exceptional charm and her dazzling effects, Margery was the best hope for the psychic practice to be empirically verified.  Her supernatural gifts beguiled four of the judges. There was only one left to convince...the acclaimed escape artist, Harry Houdini.David Jaher's extraordinary debut culminates in the showdown between Houdini, a relentless unmasker of charlatans, and Margery, the nation's most credible spirit medium. The Witch of Lime Street, the first book to capture their electric public rivalry and the competition that brought them into each other’s orbit, returns us to an oft-mythologized era to deepen our understanding of its history, all while igniting our imagination and engaging with the timeless question: Is there life after death?

    Except this summer, Iris doesn’t have to make up a story. This summer, one falls right in her lap.Years ago, before Iris was born, a local boy named Elijah Landry disappeared. All that remained of him were whispers and hushed gossip in the church pews. Until this summer. A ghost begins to haunt Iris, and she’s certain it’s the ghost of Elijah. What really happened to him? And why, of all people, has he chosen Iris to come back to?

    In "The New Daughter," a father comes to suspect that a burial mound on his land hides something very ancient, and very much alive; in "The Underbury Witches," two London detectives find themselves battling a particularly female evil in a town culled of its menfolk. And finally, private detective Charlie Parker returns in the long novella "The Reflecting Eye," in which the photograph of an unknown girl turns up in the mailbox of an abandoned house once occupied by an infamous killer. This discovery forces Parker to confront the possibility that the house is not as empty as it appears, and that something has been waiting in the darkness for its chance to kill again.

    What he does with them doesn’t make him proud, just quiets the demons for a little while. But his nights soon take a terrifying turn in a desert cantina, where Travis crosses paths with a mysterious pale-skinned girl in red boots. Come the morning, he wakes weak and bloodied in his cabover camper, no sign of a girl, no memory of the night before.Annabelle Gaskin spies the camper parked behind her rundown motel and offers the disheveled cowboy inside a few odd jobs to pay his board. Travis takes her up on the offer, if only to buy time, to lay low, to heal. By day, he mends the old motel, insinuating himself into the lives of Annabelle and her ten-year-old son. By night, in the cave of his camper, he fights an unspeakable hunger. Before long, Annabelle and her boy come to realize that this strange cowboy they’ve taken in is not what he seems.Half a state away, a grizzled Texas ranger is hunting Travis down for his past misdeeds, but what he finds will lead him to a revelation far more monstrous than he could ever imagine. A man of the law, he’ll have to decide how far into the darkness he’ll go for the sake of justice. When these lives converge on a dusty autumn night, an old evil will find new life—and new blood.Deftly written and utterly compelling, this is an atmospheric literary fiction debut perfect for fans of horror, psychological suspense, and Western fiction.

    This chapel, a stained glass folly set on the moors of Shropshire, was built by de Bonne sixteen years earlier to house the remains of his beloved wife and muse, Ada. Since then, the chapel has been locked and abandoned, a pilgrimage site for the rabid fans of de Bonne’s last book, The Lost History of Dreams.However, Ada’s grief-stricken niece refuses to open the glass chapel for Robert unless he agrees to her bargain: before he can lay Hugh to rest, Robert must record Isabelle’s story of Ada and Hugh’s ill-fated marriage over the course of five nights.As the mystery of Ada and Hugh’s relationship unfolds, so does the secret behind Robert’s own marriage—including that of his fragile wife, Sida, who has not been the same since the tragic accident three years ago, and the origins of his own morbid profession that has him seeing things he shouldn’t—things from beyond the grave.Kris Waldherr effortlessly spins a sweeping and atmospheric gothic mystery about love and loss that blurs the line between the past and the present, truth and fiction, and ultimately, life and death.

    Over 40 tales of visitation by the undead--from vengeful and violent spirits, set on causing harm to innocent people tucked up in their homes, to rarer and more kindly ghosts, returning from the grave to reach out across the other side. Yet others entertain desires of a more sinister bent, including the erotic. This new edition includes a selection of favorite haunted house tales chosen by famous screen stars such as Boris Karloff, Peter Cushing and Christopher Lee. In addition, a top ranking list of contributors includes Stephen King, Bram Stoker, Ruth Rendell, and James Herbert--all brought together by an anthologist who himself lives in a haunted house.Contents1 • The Haunted House • (2000) • short fiction by Elizabeth Albright and Ray Bradbury3 • Foreword: I Live In A Haunted House • (2000) • essay by Peter Haining9 • The Haunted and the Haunters • (1919) • novelette by Edward Bulwer-Lytton (variant of The Haunted and the Haunters; or, The House and the Brain 1859)39 • Authentic Narrative of a Haunted House • (2000) • short story by Joseph Sheridan Le Fanu (variant of An Authentic Narrative of a Haunted House 1862)53 • A Case of Eavesdropping • [Jim Shorthouse] • (1900) • short story by Algernon Blackwood69 • A Haunted House • (1921) • short story by Virginia Woolf73 • Ghost Hunt • (1948) • short story by H. Russell Wakefield81 • Dark Winner • (1976) • short story by William F. Nolan89 • The Old House in Vauxhall Walk • (1882) • novelette by Mrs. J. H. Riddell [as by Charlotte Riddell]109 • No. 252 Rue M. Le Prince • (1895) • short story by Ralph Adams Cram125 • The Southwest Chamber • (1903) • novelette by Mary E. Wilkins Freeman [as by Mary Eleanor Freeman]145 • The Toll-House • (1907) • short story by W. W. Jacobs157 • Feet Foremost • (1932) • novelette by L. P. Hartley191 • Happy Hour • (1990) • novelette by Ian Watson217 • The Ankardyne Pew • (1979) • short story by William Fryer Harvey [as by W. F. Harvey]231 • The Real and the Counterfeit • (1988) • short story by Mrs. Alfred Baldwin [as by Louisa Baldwin]249 • A Night at a Cottage ... • (1926) • short story by Richard Hughes253 • The Considerate Hosts • (1939) • short story by Thorp McClusky265 • The Grey House • (1967) • short story by Basil Copper309 • Watching Me, Watching You • (1981) • short story by Fay Weldon329 • A Spirit Elopement • (1915) • short story by Richard Dehan339 • The House of Dust • (1920) • short story by Herbert de Hamel357 • The Kisstruck Bogie • (1946) • short story by A. E. Coppard367 • Mr Edward • (2000) • short story by Norah Lofts (variant of Mr. Edward 1947)385 • House of the Hatchet • (1941) • short story by Robert Bloch403 • Napier Court • (1971) • short story by Ramsey Campbell423 • Lost Hearts • (1895) • short story by M. R. James435 • The Shadowy Third • (1916) • novelette by Ellen Glasgow461 • A Little Ghost • (1922) • short story by Hugh Walpole477 • The Patter of Tiny Feet • (1950) • short story by Nigel Kneale489 • Uninvited Ghosts • (1981) • short story by Penelope Lively497 • Playing with Fire • (1900) • short story by Arthur Conan Doyle [as by Sir Arthur Conan Doyle]513 • The Whistling Room • [Carnacki (Hodgson)] • (1910) • short story by William Hope Hodgson533 • Bagnell Terrace • (1925) • short story by E. F. Benson547 • The Companion • (1978) • short story by Joan Aiken557 • The Ghost Hunter • (2000) • short fiction by James Herbert563 • Computer Séance • (1997) • short story by Ruth Rendell573 • In Letters of Fire • [L'homme qui a vu le diable] • (1908) • novelette by Gaston Leroux (trans. of L'homme qui a vu le diable)593 • The Judge's House • (1891) • short story by Bram Stoker613 • The Storm • (1944) • short story by McKnight Malmar627 • The Waxwork • (1931) • short story by A. M. Burrage [as by Ex-Private X]641 • The Inexperienced Ghost • (1902) • short story by H. G. Wells655 • Sophy Mason Comes Back • (1930) • short story by E. M. Delafield669 • The Boogeyman • (1973) • short story by Stephen King683 • Appendix: Haunted House Novels: A Listing • (2000) • essay by Peter Haining

    Perhaps "too" much history.362 Belisle Street is a homeowner's dream. A nice neighborhood, close to schools, new hardwood floors, unique original detail. So why then, wonders real estate agent Glenn Darnley, won't this charming property stay off the market? Perhaps the clawed feet of the antique bathtub look a little too threatening. Or maybe it's the faint hospital-like smell of the room off the top of the stairs. It's possible that the haunting music that pours out from under the steps keeps the residents awake at night.In the three parts of Susie Moloney's hair-raising novel "The Dwelling," ownership of 362 Belisle changes four times -- with Glenn Darnley brokering each deal. The first occupants are a young couple, Rebecca and Daniel Mason, who have big dreams of wealth and success. It doesn't take long for them to realize that they're not welcome in their new house. After a ghostly seduction and a violent confrontation, the property is once again for sale. Next comes Barbara Parkins, a divorcee, and her unhappy young son, Petey. Lonely and looking for companionship, the two find comfort in some new, playful young friends. When the Parkins family leaves, the house is sold again. Last, ownership goes to Richie Bramley, a drunken writer and lost soul. But like the others, he can't settle down in this house -- which has a mind, and a heart, of its own.For Glenn, however, the house is a dream, always warm and welcoming. The floors gleam, and sun pours in through the windows. Owners come -- and 362 Belisle makes sure owners go. It's waiting patiently for its beloved to realize how much it loves her. It's waiting for Glenn, the very special person who can finally turn this house into a home."The Dwelling" is clever, scary, and ultimately moving. It's a novel for everyone who ever spent time looking for "just the right house."

    They were destined to be together forever.DoBut Jana's destiny was fatally flawed. And now she's in Dead School, where Mars Dreamcote lurks in the back of the classroom, with his beguiling blue eyes, mysterious smile, and irresistibly warm touch.UsMichael and Jana were incomplete without each other. There was no room for Mars in Jana's life—or death—story. Jana was sure Michael would rush to her side soon.PartBut things aren't going according to Jana's plan. So Jana decides to do whatever it takes to make her dreams come true—no matter what rules she has to break.