Often based on common fantasies of Middle-Eastern women, this obsession nevertheless produced wonderfully evocative images.Buonaventura also documents the impact the genre had on fashion, theatre and film at the turn of the century, and explores present and future trends in Arabic dance.Wendy Buonaventura is an established dancer and choreographer who pioneered the development of Arabic dance as a theatre art in the West. She performs and lectures internationally and has written and presented programmes for the BBC. She is the author of Beauty and the East and I Put a Spell on You, both published by Saqi Books. Her website is www.buonaventura.com.

    Wright’s most intimate thoughts and images appear before us in dramatic and spectral short narratives: mesmerizing poems whose colloquial sound and rhythms announce a new path for this luminous and masterful poet. In these journeys, we hear the constant murmured “yes” of creation—“it will be packing its small suitcase soon; it will leave the keys dangling from the lock and set out at last,” Wright tells us. He introduces us to the powerful presences in his world (the haiku master Basho, Nietzsche, St. Teresa of Avila, and especially his father, James Wright) as he explores the continually unfolding loss of childhood and the mixed blessings that follow it. Taken together, the pieces deliver the diary of a poet—“a fairly good egg in hot water,” as he describes himself—who seeks to narrate his way through the dark wood of his title, following the crumbs of language. “Take everything,” Wright suggests, “you can have it all back, but leave for a little the words, of all you gave the most mysteriously lasting.” With a strong presence of the dramatic in every line, Kindertotenwald pulls us deep into this journey, where we too are lost and then found again with him.

    Tom Chesshyre took a different approach - he jumped on a plane and became the first to return to the region as a tourist. The result is the fascinating, street-level tale of a journey through lands fresh from revolution – Tunisia, Libya and Egypt. Chesshyre heads for tourist sites that few have seen in recent years, as well as new 'attractions' like Gaddafi's bombed-out bunker in Tripoli. In a book both touching and humorous, he describes being abducted in Libya, listening to the sound of Kalashnikovs at night and talking to ordinary people struggling to get by.  On the second anniversary of the Arab Spring, this is the ideal time for this book.

    While we focus on al Qaeda, Hamas, and Hezbollah, it's actually the Muslim Brotherhood, the world’s oldest, most influential, and most anti-American Islamist group, that has become the preeminent voice and power in the Muslim world.Hiding behind a cloak of respectability and expensive Western suits, the Muslim Brotherhood is installing vehemently anti-American governments and power structures throughout the Middle East and the world, as we sit back and cheer for the "democracy" of the Arab Spring.In his new book, The Brotherhood: America’s Next Great Enemy, Erick Stakelbeck teaches us the frightening truth about this dangerous group, from his first-hand experiences investigating the Brotherhood for eleven years, interviewing its members and visiting its mosques and enclaves.In The Brotherhood, Stakelbeck:Reveals how the Obama administration has put the Brotherhood on the threshold of power at every turnExamines the alarming ramifications for America, Europe and Israel of the Brotherhood’s rapid riseWarns against the West’s—particularly the Left’s—shortsighted, naïve and deadly embrace of the Ikhwan andTraces the group from its violent roots to its current strategy of “stealth jihad”With Middle Eastern unrest only growing hotter, and saber-rattling at the West only growing louder, the Muslim Brotherhood’s growing global clout will remain on the front burner of American national security challenges. Revealing and disconcerting, The Brotherhood is a must-read for every American hoping to remain in a free America.

    Today, in the land where the church began, less than two percent of the people in Israel, West Bank and Gaza are Christians. Yet that remnant holds the hope for peace-if they can only persevere in faith and not be discouraged.Light Force is the remarkable story of Brother Andrew's mission to seek out the church in the Middle East, learn about its conditions and needs, and do whatever he can to strengthen what remains. Through dramatic true stories, readers get an exclusive behind-the-scenes look at real people affected by the centuries-old conflicts in this volatile part of the world. Now available in paper, this gripping account of the church caught in the crossfire will captivate readers everywhere.

    It deals with the realities of business, and the stresses and strains of operating in the Gulf as a Western visitor or expatriate. It also focuses on the need for a common bond of understanding between staff in the Gulf and their managers at home. It shows, in a straightforward manner, the effects of Islam upon the daily life of the expatriate, and is a valuable reference to proper conduct in the Arab world.

    in this book there are animals who talk, princesses who are locked up at the top of towers, wicked stepmothers and many other themes ... An enjoyable book by a skilled author' Financial TimesThe civilization we know as Ancient Egypt stretched over three thousand years. What was life like for ancient Egyptians? What were their beliefs - and how different were they from ours? Myths and Legends of Ancient Egypt uses Egypt's vivid narratives to create a panorama of its history, from the earliest settlers to the time of Cleopatra.Gathered from pyramid texts, archaeological finds and contemporary documents, these stories cover everything from why the Nile flooded annually to Egyptian beliefs about childbirth and what happened after death. They show us what life was really like for rich and poor, man and woman, farmer and pharaoh.Myths and Legends of Ancient Egypt brings a long-dead culture back to life.

    Simon & Schuster has a great book for every reader.

    It was a revolution as swift as it was explosive. For eighteen days, anger, defiance, and resurgent national pride reigned in the streets---protestors of all ages struck back against police and state security, united toward the common goal of liberation. But the revolution was more than a spontaneous uprising. It was the end result of years of mounting tension, brought on by a state that shamelessly abused its authority, rigging elections, silencing opposition, and violently attacking its citizens. When revolution bloomed in the region in January 2011, Egypt was a country whose patience had expired---with a people suddenly primed for liberation. As a journalist based in Cairo, Ashraf Khalil was an eyewitness to the perfect storm that brought down Mubarak and his regime. Khalil was subjected to tear gas alongside protestors in Tahrir Square, barely escaped an enraged mob, and witnessed the day-to-day developments from the frontlines. From the halls of power to the back alleys of Cairo, he offers a one-of-a-kind look at a nation in the throes of an uprising. Liberation Square is a revealing and dramatic look at the revolution that transformed the modern history of one of the world’s oldest civilizations.

    During the 1920s and ’30s, a vibrant music, theater, film, and cabaret scene flourished, defining what it meant to be a “modern” Egyptian. Women came to dominate the Egyptian entertainment industry—as stars of the stage and screen but also as impresarias, entrepreneurs, owners, and promoters of a new and strikingly modern entertainment industry.Raphael Cormack unveils the rich histories of independent, enterprising women like vaudeville star Rose al-Youssef (who launched one of Cairo’s most important newspapers); nightclub singer Mounira al-Mahdiyya (the first woman to lead an Egyptian theater company) and her great rival, Oum Kalthoum (still venerated for her soulful lyrics); and other fabulous female stars of the interwar period, a time marked by excess and unheard-of freedom of expression. Buffeted by crosswinds of colonialism and nationalism, conservatism and liberalism, “religious” and “secular” values, patriarchy and feminism, this new generation of celebrities offered a new vision for women in Egypt and throughout the Middle East.

     Somewhere in the Middle East, an aspiring terrorist has been entrusted with a mission that will reverberate around the world: to deliver a bomb to a hotel in Beirut, where the detonation will destroy hundreds of innocent lives. If he remains true to his cause, he will bring about his own death. Yet life holds such tantalizing delights: food (his secret vice), the heady pleasures of bicycle racing, the joys of unexpected love. As the days count down to the final, chilling moment of reckoning, this angst-ridden gourmand ponders his existential quandary -- with horrifying and hilarious results. A slyly subversive black comedy about a food-fixated terrorist who dreams of liberation through a world of eroticism and sensuality, The Cyclist combines absurdist humor and edgy lyricism to tell a provocative, page-turning tale of individual freedom and political violence.

    One of these principles is what Harold Speed calls "dither," the freedom that allows realism and the artistic vision to play against each other. Very important to any artist or work of art, this quality separates the scientifically accurate from the artistically accurate. Speed's approach to this problem is now considered a classic, one of the few books from the early years of this century that has continued to be read and recommended by those in the graphic arts.In this work, Harold Speed approaches this dynamic aspect of drawing and painting from many different points of view. He plays the historical against the scientific, theory against precise artistic definition. He begins with a study of line drawing and mass drawing, the two basic approaches the artist needs to learn. Further sections carry the artistic vision through unity and variety of line and mass, balance, proportion, portrait drawing, the visual memory, materials, and procedures. Throughout, Speed combines historical backgrounds, dynamic aspects which each technique brings to a work of art, and specific exercises through which the young draughtsman may begin his training. Although not a technique book in the strict sense of the terms, The Practice and Science of Drawing brings to the beginner a clear statement of the principles that he will have to develop and their importance in creating a work of art. Ninety-three plates and diagrams, masterfully selected, reinforce Speed's always clear presentation.Harold Speed, master of the art of drawing and brilliant teacher, has long been cited for this important work. For the beginner, Speed will develop a sense for the many different aspects which go into an artistic education. For the person who enjoys looking at drawings and paintings, Speed will aid developing the ability to see a work of art as the artist meant it to be seen.

    This is about growing up as a young woman torn between her immigrant roots and her desire to be like everyone else.The humour is sometimes offset with the more sombre reminder of the racism that has always existed in this country, from misguided quips to more serious stories of harassment. The impact of recent world events shows that, more than ever, marginalised voices are needed in our cultural discourse.

    Hamida Ghafour's family fled when the Communists came, the first of their ancient Afghan line to leave. Most of her other relatives soon followed. This is an evocative, searching family memoir from a young journalist.