And now she’s throwing a Hissy Fit, in the best possible sense. A delicious tale of revenge and renovation, Hissy Fit tells of a wronged spitfire who’s determined to see that the no-good lowdown, lying, cheating varmint of an ex-fiancé who ruined her life and her business gets the comeuppance he so richly deserves…even as she struggles to revitalize a broken-down antebellum mansion for a hunky, if slightly odd, local businessman. If you like the novels of Fannie Flagg, Jennifer Crusie, Adriana Trigiani, and Emily Giffin, or are a devoted follower of Rebecca Wells or Jill Conner Browne’s Sweet Potato Queens, then Mary Kay’s Hissy Fit is not to be missed.

      L.A. is no place for widows. This is what forty-four-year-old Hannah Bernal quickly discovers after the tragic death of her handsome and loving husband, John. Misery and red-rimmed eyes are little tolerated in the land of the beautiful. But life stumbles on: Hannah’s sweet three-year-old daughter, Ellie, needs to be dropped off at her overpriced preschool, while Hannah herself must get back to work in order to pay the bills on “Casa Sugar,” the charming Spanish-styled bungalow they call home.   Fortunately, Hannah has her “Grief Team” for emotional support: earth mother and fanatical animal lover Chloe, who finds a potential blog post in every moment; aspiring actress Aimee, who has her cosmetic surgeon on speed dial; and Jay, Hannah’s TV producing partner, who has a penchant for Mr. Wrong. But after a series of mishaps and bizarre occurrences, one of which finds Hannah in a posh Santa Monica jail cell, her friends start to fear for her sanity. To make matters worse, John left their financial affairs in a disastrous state. And when Hannah is dramatically fired from her latest producing gig, she finds herself in danger of losing her house, her daughter, and her mind.   One night, standing in her backyard under a majestic avocado tree, in the throes of grief, Hannah breaks down and asks, “Why?” The answer that comes back—Why not?—begins an astounding journey of discovery and transformation that leads Hannah to her own truly extraordinary life after death.

    When Eve falls for the secretive, charming Dom in Switzerland, their whirlwind relationship leads them to Les Genévriers, an abandoned house set among the fragrant lavender fields of the South of France. Each enchanting day delivers happy discoveries: hidden chambers, secret vaults, a beautiful wrought-iron lantern. Deeply in love and surrounded by music, books, and the heady summer scents of the French countryside, Eve has never felt more alive.But with autumn’s arrival the days begin to cool, and so, too, does Dom. Though Eve knows he bears the emotional scars of a failed marriage—one he refuses to talk about—his silence arouses suspicion and uncertainty. The more reticent Dom is to explain, the more Eve becomes obsessed with finding answers—and with unraveling the mystery of his absent, beautiful ex-wife, Rachel.Like its owner, Les Genévriers is also changing. Bright, warm rooms have turned cold and uninviting; shadows now fall unexpectedly; and Eve senses a presence moving through the garden. Is it a ghost from the past or a manifestation of her current troubles with Dom? Can she trust Dom, or could her life be in danger?Eve does not know that Les Genévriers has been haunted before. Bénédicte Lincel, the house’s former owner, thrived as a young girl within the rich elements of the landscape: the violets hidden in the woodland, the warm wind through the almond trees. She knew the bitter taste of heartbreak and tragedy—long-buried family secrets and evil deeds that, once unearthed, will hold shocking and unexpected consequences for Eve.

    Kate and Vi were born with peculiar “senses”—innate psychic abilities concerning future events and other people’s secrets. Though Vi embraced her visions, Kate did her best to hide them. Now, years later, their different paths have led them both back to their hometown of St. Louis. Vi has pursued an eccentric career as a psychic medium, while Kate, a devoted wife and mother, has settled down in the suburbs to raise her two young children. But when a minor earthquake hits in the middle of the night, the normal life Kate has always wished for begins to shift. After Vi goes on television to share a premonition that another, more devastating earthquake will soon hit the St. Louis area, Kate is mortified. Equally troubling, however, is her fear that Vi may be right. As the date of the predicted earthquake quickly approaches, Kate is forced to reconcile her fraught relationship with her sister and to face truths about herself she’s long tried to deny. Funny, haunting, and thought-provoking, Sisterland is a beautifully written novel of the obligation we have toward others, and the responsibility we take for ourselves. With her deep empathy, keen wisdom, and unerring talent for finding the extraordinary moments in our everyday lives, Curtis Sittenfeld is one of the most exceptional voices in literary fiction today.

    Refusing to believe she was abandoned, Jenna searches for her mother regularly online and pores over the pages of Alice’s old journals. A scientist who studied grief among elephants, Alice wrote mostly of her research among the animals she loved, yet Jenna hopes the entries will provide a clue to her mother’s whereabouts.As Jenna’s memories dovetail with the events in her mother’s journals, the story races to a mesmerizing finish.

    Overcome by grief, he searches for clues about her disappearance in a file of interviews between a man called "Wiggy" and a cat, Roger. Who speaks to him.            It takes a while for Alec to realize he’s not gone mad from grief, that the cat is actually speaking to Wiggy . . . and that much of what we fear about cats is true. They do think they’re smarter than humans, for one thing. And, well, it seems they are! What’s more, they do have nine lives. Or at least this one does – Roger’s older than Methuselah, and his unblinking stare comes from the fact that he’s seen it all. And he’s got a tale to tell, a tale of shocking local history and dark forces that may link not only the death of Alec’s wife, but also several other local deaths. But will the cat help Alec, or is he one of the dark forces?In the deft and comedic hands of mega-bestseller Lynne Truss, the story is as entertaining as it is addictive” (The Sunday Telegraph) – an increasingly suspenseful and often hysterically funny adventure that will please cat lovers and haters alike. And afterwards, as one critic noted, “You may never look at a cat in quite the same way again” (The Daily Mail).

    Clair come from two different worlds. Yet, as the daughter of the St. Clair’s housekeeper, Annie grew up in Julia’s San Francisco mansion and they forged a bond that only two little girls who know nothing of class differences and scholarships could—until a life-altering betrayal destroyed their friendship.A decade later, Annie is now a talented, if underpaid, pastry chef who bakes to fill the void left in her heart by her mother’s death. Julia, a successful businesswoman, is tormented by a painful secret that could jeopardize her engagement to the man she loves. When a chance reunion prompts the unlikely duo to open a cupcakery, they must overcome past hurts and a mysterious saboteur or risk losing their fledgling business and any chance of healing their fractured friendship.

    All a far cry from her vivid, eccentric childhood, growing up with her beloved grandmother Mimi.However, when disaster strikes, Dora knows she has no choice but to return to her childhood home and take over running Mimi’s vintage clothing shop. And there she makes a surprising discovery – Mimi’s been writing stories to accompany every dress she sells. Romantic, heartbreaking tales about each one’s secret life before it got to her shop...Dora starts to matchmake these lonely frocks with new owners, but will the stories help her as well? Trading her boring high street clothes for vintage glamour is one thing. What she needs to know is whether she can trade her safe old life – and love – for something better too?A captivating and enchanting novel for every girl who knows that the right dress can change your life. By the author of the popular blog www.dressaday.com.

    Her husband has left her, she’s been fired as a magazine editor, and she only wants to go to her parents’ summer house, The Nutshell, in Keene’s Harbor, Michigan, and make a Bed and Breakfast inn. Matt Culhane needs a spy in his brewery for a saboteur, and Kate is new in town. But Kate despises beer and nobody trusts her.

    That was before she left the pop-idol life behind after she gained a dress size or two — and lost a boyfriend, a recording contract, and her life savings (when Mom took the money and ran off to Argentina). Now that the glamour and glory days of endless mall appearances are in the past, Heather's perfectly happy with her new size 12 shape (the average for the American woman!) and her new job as an assistant dorm director at one of New York's top colleges. That is, until the dead body of a female student from Heather's residence hall is discovered at the bottom of an elevator shaft.The cops and the college president are ready to chalk the death off as an accident, the result of reckless youthful mischief. But Heather knows teenage girls . . . and girls do not elevator surf. Yet no one wants to listen — not the police, her colleagues, or the P.I. who owns the brownstone where she lives — even when more students start turning up dead in equally ordinary and subtly sinister ways. So Heather makes the decision to take on yet another new career: as spunky girl detective! But her new job comes with few benefits, no cheering crowds, and lots of liabilities, some of them potentially fatal. And nothing ticks off a killer more than a portly ex-pop star who's sticking her nose where it doesn't belong . . .

    Chronicling his abusive childhood, his near-fatal addiction to Life, his excruciating time in rehab, and the ultimate triumph of his true nature, this long-awaited autobiography finally reveals the inner story of one of the most troubling, and troubled, figures in history. For the first time, Death reveals his affairs with the living, his maltreatment at the hands of the Four Horsemen of the Apocalypse, the ungodly truth behind the infamous “Jesus Incident,” and the loneliness of being the End of All Things. Intense, unpredictable, and instantly engaging, Death: A Life is not only a story of triumph against all odds, but also a tender, moving tale of unconditional love in a universe that, despite its profound flaws, gave Death the fiery determination to carve out a successful existence on his own terms. DEATH was born in Hell, the only son of Satan and Sin. He was educated in the Palace of Pandemonium and the Garden of Eden. Since before the Dawn of Time, he has ushered souls into the darkness of eternity. This is his first book.

    . . Teeny Templeton believes that her life is finally on track. She’s getting married, she’s baking her own wedding cake, and she’s leaving her troubled past behind. And then? She finds her fiancé playing naked badminton with a couple of gorgeous, skanky chicks. Add a whole lot of trouble . . . Needless to say, the wedding is off. Adding insult to injury, her fiancé slaps a restraining order on her. When he’s found dead a few days later, all fingers point to Teeny. And stir like crazy! Her only hope is through an old boyfriend-turned-lawyer, the guy who broke her heart a decade ago. But dredging up the past brings more than skeletons out of the closet, and Teeny doesn’t know who she can trust. With evidence mounting and the heat turning up, Teeny must also figure out where to live, how to support herself, how to clear her name, and how to protect her heart.

    Newly arrived in the hereafter, aka the Duration, Molly, thirty-five years old, is delighted to discover that she can still keep tabs on those she left behind: Annabel, her beloved four-year-old daughter; Lucy, her combustible twin sister; Kitty, her piece-of-work mother-in-law; Brie, her beautiful and steadfast best friend; and, of course, her husband, Barry, a plastic surgeon with more than a professional interest in many of his female patients. As a bonus, Molly quickly realizes that the afterlife comes with a finely tuned bullshit detector.As Molly looks on, her loved ones try to discern whether her death was an accident, suicide, or murder. She was last seen alive leaving for a bike ride through New York City’s Riverside Park; her body was found lying on the bank of the Hudson River. Did a stranger lure Molly to danger? Did she plan to meet someone she thought she could trust? Could she have ended her own life for mysterious reasons, or did she simply lose control of her bike? As the police question her circle of intimates, Molly relives the years and days that led up to her sudden end: her marriage, troubled yet tender; her charmed work life as a magazine decorating editor; and the irresistible colleague to whom she was drawn.More than anything, Molly finds herself watching over Annabel–and realizing how motherhood helped to bring out her very best self. As the investigation into her death proceeds, Molly will relive her most precious moments–and take responsibility for the choices in her life. Exploring the bonds of fidelity, family, and friendship, and narrated by a memorable and endearing character, The Late, Lamented Molly Marx is a hilarious, deeply moving, and thought-provoking novel that is part mystery, part love story, and all heart.

    It tell us, for example, what the sixties were truly all about, not by reporting on the psychedelic decade but by recreating it, from the inside out. In the process, this stunningly original seriocomic thriller is fully capable of simultaneously eating a literary hot dog and eroding the borders of the mind.

    His estranged family—bitter ex-wife Caroline, troubled teenage son Trenton, and unforgiving daughter Minna—have arrived for their inheritance. But the Walkers are not alone. Prim Alice and the cynical Sandra, long dead former residents bound to the house, linger within its claustrophobic walls. Jostling for space, memory, and supremacy, they observe the family, trading barbs and reminiscences about their past lives. Though their voices cannot be heard, Alice and Sandra speak through the house itself—in the hiss of the radiator, a creak in the stairs, the dimming of a light bulb. The living and dead are each haunted by painful truths that will soon surface with explosive force. When a new ghost appears, and Trenton begins to communicate with her, the spirit and human worlds collide—with cataclysmic results.