Abay's major work is The Book of Words (Kazakh: Қара Сөздер), a philosophic treatise and collection of poems where he encourages his fellow Kazakhs to embrace education, literacy, and good moral character in order to escape poverty, enslavement and corruption.

    First published on the eve of war in 1939, the essay has often been read as a pacifist manifesto. Rachel Bespaloff was a French contemporary of Weil’s whose work similarly explored the complex relations between literature, religion, and philosophy. She composed her own distinctive discussion of the Iliad in the midst of World War II—calling it “her method of facing the war”—and, as Christopher Benfey argues in his introduction, the essay was very probably written in response to Weil. Bespaloff’s account of the Iliad brings out Homer’s novelistic approach to character and the existential drama of his characters’ choices; it is marked, too, by a tragic awareness of how the Iliad speaks to times and places where there is no hope apart from war.This edition brings together these two influential essays for the first time, accompanied by Benfey’s scholarly introduction and an afterword by the great Austrian novelist Hermann Broch.

    Against a tender love story, Dumas continues the suspense which began with The Vicomte de Bragelonne and will end with The Man in the Iron Mask. Set during the reign of Louis XIV and filled with behind-the-scenes intrigue, the novel brings the aging Musketeers and d'Artagnan out of retirement to face an impending crisis within the royal court of France. This new edition of the classic English translation is richly annotated and places Dumas's invigorating tale in its historical and cultural context.

    But the brothers’ talents found their most memorable outlet in their journal, which is at once a chronicle of an era, an intimate glimpse into their lives, and the purest expression of a nascent modern sensibility preoccupied with sex and art, celebrity and self-exposure. The Goncourts visit slums, brothels, balls, department stores, and imperial receptions; they argue over art and politics and trade merciless gossip with and about Hugo, Baudelaire, Degas, Flaubert, Zola, Rodin, and many others. And in 1871, Edmond maintains a vigil as his brother dies a slow and agonizing death from syphilis, recording every detail in the journal that he would continue to maintain alone for another two decades.

    It is a strident critique of logocentrism and phallogocentrism, having much in common with Jacques Derrida's earlier thought. The essay also calls for an acknowledgment of universal bisexuality or polymorphous perversity, a precursor of queer theory's later emphases, and swiftly rejects many kinds of essentialism which were still common in Anglo-American feminism at the time. The essay also exemplifies Cixous's style of writing in that it is richly intertextual, making a wide range of literary allusions.(From Wikipedia)

    This classic of Japanese literature invites you to take your choice if you dare.In Ghostly Japan collects twelve ghostly stories from Lafcadio Hearn, deathless images of ghosts and goblins, touches of folklore and superstition, salted with traditions of the nation. While some of these stories contain nightmare imagery worthy of a midnight creature feature, others are not ghostly or ghastly at all. "Bits of Poetry" offers an engaging study on verse, and "Japanese Buddhist Proverbs" explains the meaning of several aphorisms based on Japanese cultural references.Whether you're looking to spot the demons that walk among us, or simply to enjoy the prose of a legendary craftsman, In Ghostly Japan affords countless delights. Stories include:"Fragment" about a young pilgrim who encounters a mountain of skulls"Ingwa-banashi" about a dying wife who bequeaths a rival a sinister legacy"A Passional Karma" about a spectral beauty who returns for her handsome samurai lover

    A town of spilled peaches fields its own game show. A mosquito fogger finds an unlikely friend. The stories in Mike Young's debut collection Look! Look! Feathers tap into the surreal and sad, the absurd and ragged dreams scratching at the edge of the American heart. Punks drive auctioned police cars, and necklaces of bluebird bones are sold from a roadside van. In these tales of the Pacific Northwest, Young finds magic burrowed under the moss of ordinary life.

    The story of the Cornish knight and the Irish princess who meet by deception, fall in love by magic, and pursue that love in defiance of heavenly and earthly law has inspired artists from Matthew Arnold to Richard Wagner. But nowhere has it been retold with greater eloquence and dignity than in Joseph Bédier’s edition, which weaves several medieval sources into a seamless whole, elegantly translated by Hilaire Belloc and Paul Rosenfeld.

    Although not autobiographical in any usual sense, the book is profoundly personal. Valery said he could not imagine the existence of the novel, vet he could not resist the character living in his mind. On the one hand. Monsieur Teste reflects Valery's preoccupation with the phenomenon of a mind detached from sensibility; on the other, he is an ordinary fictional character seen from many viewpoints. This volume also includes '"The Snapshots of Monsieur Teste, " excerpts from Valery's Notebooks.

    Written in a French style that long defied successful translation - Cocteau was always a poet no matter what he was writing - the book came into its own for English-language readers in 1955 when the present version was completed by Rosamond Lehmann. It is a masterpiece of the art of translation of which the Times Literary Supplement said: "It has the rare merit of reading as though it were an English original." Miss Lehmann was able to capture the essence of Cocteau's strange, necromantic imagination and to bring fully to life in English his story of a brother and sister, orphaned in adolescence, who build themselves a private world out of one shared room and their own unbridled fantasies. What started in games and laughter became for Paul and Elisabeth a drug too magical to resist. The crime which finally destroyed them has the inevitability of Greek tragedy. Illustrated with twenty of Cocteau's own drawings.

    More than a tale of possession, the novel probes disturbing depths of guilt, paranoia, and sexual obsession with an unsparing detachment.

    Contains two novellas:The slut of the Normandy CoastThe Atlantic manandAn interview with Marguerite Duras by Ana Maria Moix --An afterword by Alberto Manguel.

    The eight stories in this collection, his first to be published in English, represent some of his best writing and most imaginative storylines: from the love story between Balthazar, wealthy and successful author, and Odette, cashier at a supermarket, to the tale of a barefooted princess; from the moving story of a group of female prisoners in a Soviet gulag to the entertaining portrait of a perennially disgruntled perfectionist. Here are eight contemporary fables, populated by a cast of extravagant and affecting characters, about people in search of happiness. Behind each story lies a simple, if elusive, truth: happiness is often right in front of our eyes, though we may frequently be blind to it.

    Swirling voices and skeins of story, laughter and rage, ferocious attention to detail and sweeping nuttiness, tears and chortling—these stories will remind readers of the late giant David Foster Wallace, in their straightforward accounts of anything-but-straightforward events; of modern short story pioneer Raymond Carver, a bit, in their blunt, unadorned dialogue; and of Julia Whitty, a bit, in their willingness to believe what is happening, even if it absolutely shouldn’t be. Funny, piercing, unique, memorable, this is a collection of stories readers will find nearly impossible to forget:... The barber who shaves the heads of the thugs in Bin Laden’s cave tells cheerful stories of life with the preening video-obsessed leader, who has a bald spot shaped just like Iceland.... A husband gathers all of his wife’s previous boyfriends for a long day on a winery-touring bus.... A teenage boy drives off into the sunset with his troubled sister’s small daughters…and the loser husband locked in the trunk of the car.... The late Joseph Kennedy pours out his heart to a golf-course bartender moments before the stroke that silenced him forever.… A man digging in his garden finds a brand-new baby boy, still alive, and has a chat with the teenage neighbor girl whose son it is.... A man born on a Greyhound bus eventually buys the entire Greyhound Bus Company and revolutionizes Western civilization.... A mountainous bishop dies and the counting of the various keys to his house turns… tense.... A man discovers his wife having an affair, takes up running to grapple with his emotions, and discovers everyone else on the road is a cuckold too.And many others.

    Much like a few of Poe's other poems (such as "The Raven", "Annabel Lee", and "Lenore"), "Ulalume" focuses on the narrator's loss of his beloved due to her death. Poe originally wrote the poem as an elocution piece and, as such, the poem is known for its focus on sound. Additionally, it makes many allusions, especially to mythology, and the identity of Ulalume herself, if a real person, has been a subject of debate.