We have chosen the same principle here, and the book's contents do a good job of covering the island, from C.J. Sullivan's Inwood and John Lutz's Upper West Side, to Justin Scott's Chelsea and Carol Lea Benjamin's Greenwich Village. The range in mood and literary style is at least as great; noir can be funny, it can stretch to include magic realism, it can be ample or stark, told in the past or present tense, and in the first or third person. I wouldn't presume to define noir - if we could define it, we wouldn't need to use a French word for it -- but it seems to be that it's more a way of looking at the world than what one sees.The good Samaritan / Charles Ardai --The last supper / Carol Lea Benjamin --If you can't stand the heat / Lawrence Block --Rain / Thomas H. Cook --A nice place to visit / Jeffrey Deaver --The next best thing / Jim Fusilli --Take the man's pay / Robert Knightly --The laundry room / John Lutz --Freddie Prinze is my guardian angel / Liz Martínez --The organ grinder / Maan Meyers --Why do they have to hit? / Martin Meyers --Building / S.J. Rozan --The most beautiful apartment in New York / Justin Scott --The last round / C.J. Sullivan --Crying with Audrey Hepburn / Xu Xi

    Short Story!Named a Notable Translation of 2014 by World Literature Today "This entry in Akashic's noir series takes the gritty sensibilities born out of American film and fiction to Tehran."-- Publishers Weekly "A tour de force not to be missed."-- World Literature Today "Tehran Noir is not only a solid crime collection, but an illuminating look into day-to-day life in the Middle East, with religious and political implications galore, as well as racial tensions bubbling just beneath the surface...The stories in Tehran Noir aren't always easy to read, but they are engaging in the extreme."-- San Francisco Book Review "The 15 stories in this collection also come from a stellar and diverse cast of Iranian writers....A collection such as this is able to bring Iran to life for the foreign reader in a way other fiction and non-fiction cannot....Superb."--PopMatters"Tehran Noir is a worthy addition to Akashic's collection...bloody and beautiful."--Digging Through the Fat"Tehran Noir will prove fascinating reading to anyone with an interest in Iran. It will be equally intriguing for a reader who is simply curious about a theocratic society in the 21st century, or what became of a vibrant, cosmopolitan society after the fall of its dynastic ruler."--Gumshoe ReviewLaunched with the summer '04 award-winning best seller Brooklyn Noir, Akashic Books continues its groundbreaking series of original noir anthologies. Each book is comprised of all-new stories, each one set in a distinct neighborhood or location within the city of the book.Includes brand-new stories by: Gina B. Nahai, Salar Abdoh, Lily Farhadpour, Azardokht Bahrami, Yourik Karim-Masihi, Vali Khalili, Farhaad Heidari Gooran, Aida Moradi Ahani, Mahsa Mohebali, Majed Neisi, Danial Haghighi, Javad Afhami, Sima Saeedi, Mahak Taheri, and Hossein Abkenar.From the Introduction by Salar Abdoh:"There is something of both the absolutely spectacular and positively disgraceful about Tehran. But most writers around the world are inclined to think that their own sprawling metropolis is the capital of every imaginable vice and crime, of impossible love and tenderness and cruelty and malice in measures that seldom exist anywhere else. For me, Tehran's case is no different--except that there really is a difference here. The city may be a hothouse of decadence, a den of inequity, all that. But it still exists under the watchful eye of a very unique entity, the Islamic Republic. The city enforces its own morality police, and there are regular public hangings of drug dealers and thieves. Because of this, there is a raging sense of a split personality about the place--the imposed propriety of the mosque rubbing against the hidden (and more often not so hidden) rhythms of the real city...There is always an element of the end of the world about this place. A feeling of being once removed from the edge of the precipice. Elsewhere I have called it the "Seismic City"--the seismic sanctuary. All of this will end one day. Yes. And maybe sooner than later. And when it does, by God, we will miss it."

    RozanLost and found by Thomas BentilLook what love is doing to me by Marlon JamesHome sweet home by Sandra KittA visit to St. Nick's by Robert J. HughesNumbers up by Miles Marshall LewisThe big five by Joseph WallaceErnie K.'s gelding by Ed DeeThe prince of Arthur Avenue by Patrick W. PicciarelliYou want I should whack Monkey Boy? by Thomas Adcock

    Los Angeles.  In no other city do sex, celebrity, money, and crime exert such an irresistible magnetic field.  And no writer has mapped that field with greater savagery and savvy than James Ellroy.  With this fever-hot collection of reportage and short fiction, he returns to his native habitat and portrays it as a smog-shrouded netherworld where"every third person is a peeper, prowler, pederast, or pimp."From the scandal sheets of the 1950s to this morning's police blotter, Ellroy reopens true crimes and restores human dimensions to their victims.  Sublimely, he resurrects the rag Hush-Hush magazine.  And in a baroquely plotted novella of slaughter and corruption he enlists the forgotten luminaries of a lost Hollywood.  Shocking, mesmerizing, and written in prose as wounding as an ice pick, Crime Wave is Ellroy at his best.

    Dennis Lehane (Mystic River, The Given Day) has proven himself to be a master of both crime fiction and literary fiction. Here, he extends his literary prowess to that of master curator. In keeping with the Akashic Noir series tradition, each story in Boston Noir is set in a different neighborhood of the city—the impressively diverse collection extends from Roxbury to Cambridge, from Southie to the Boston Harbor, and all stops in between. Lehane’s own contribution—the longest story in the volume—is set in his beloved home neighborhood of Dorchester and showcases his phenomenal ability to grip the heart, soul, and throat of the reader. In 2003, Lehane’s novel Mystic River was adapted into film and quickly garnered six Academy Award nominations (with Sean Penn and Tim Robbins each winning Academy Awards). Boston Noir launches in November 2009 just as Shutter Island, the film based on Lehane’s best-selling 2003 novel of the same title, hits the big screen. Dennis Lehane is the author of The New York Times bestseller Mystic River (also an Academy Award–winning major motion picture); Prayers for Rain; Gone, Baby, Gone (also a major motion picture); Sacred; Darkness, Take My Hand; A Drink Before the War, which won the Shamus Award for Best First Novel; and, most recently, The Given Day. A native of Dorchester, Massachusetts, he splits his time between the Boston area and Florida.PART I: FEAR & LOATHINGLYNNE HEITMANExit InterviewFinancial DistrictDENNIS LEHANEAnimal RescueDorchesterJIM FUSILLIThe Place Where He BelongsBeacon HillPATRICIA POWELLDark WatersWatertownPART II: SKELETONS IN THE CLOSETDANA CAMERONFemme SoleNorth EndBRENDAN DUBOISThe Dark IslandBoston HarborSTEWART O'NANThe RewardBrooklineJOHN DUFRESNEThe Cross-Eyed BearSouthiePART III: VEILS OF DECEITDON LEEThe Oriental Hair PoetsCambridgeITABARI NJERIThe CollarRoxburyRUSS ABORNTurn SpeedNorth Quincy

    This is not an anthology of ill-conceived and inauthentic political thrillers. Instead, in D.C. Noir, pimps, whores, gangsters, and con-men run rampant in zones of this city that most never hear about.

    Joining award-winning Jamaican authors such as Marlon James, Leone Ross, and Thomas Glave are two "special guest" writers with no Jamaican lineage: Nigerian-born Chris Abani and British writer Ian Thomson. The menacing tone that runs through some of these stories is counterbalanced by the clever humor in others, such as Kei Miller's �White Gyal with a Camera,” who softens even the hardest of August Town’s gangsters; and Mr. Brown, the private investigator in Kwame Dawes’s story, who explains why his girth works to his advantage: "In Jamaica a woman like a big man. She can see he is prosperous, and that he can be in charge." Together, the outstanding tales in Kingston Noir comprise the best volume of short fiction ever to arise from the literary wellspring that is Jamaica.

    New Orleans has always had a heart of noir.Brand-new stories by: Thomas Adcock, Ace Atkins, Patty Friedmann, David Fulmer, Barbara Hambly, Greg Herren, Laura Lippman, Tim McLoughlin, James Nolan, Ted O'Brien, Eric Overmyer, Jeri Cain Rossi, Maureen Tan, Jervey Tervalon, Olympia Vernon, Christine Wiltz, Kalamu Ya Salaam, and Julie Smith, who also edited the collection.

    . . Poems by C.K. Williams, Paul Muldoon, and others--plus photos by Gerald Slota--enhance this distinguished entry."-- Publishers Weekly "It was inevitable that this fine noir series would reach New Jersey. It took longer than some readers might have wanted, but, oh boy, was it worth the wait . . . More than most of the entries in the series, this volume is about mood and atmosphere more than it is about plot and character . . . It should go without saying that regular readers of the noir series will seek this one out, but beyond that, the book also serves as a very good introduction to what is a popular but often misunderstood term and style of writing."-- Booklist , Starred Review"A lovingly collected assortment of tales and poems that range from the disturbing to the darkly humorous."-- Shelf Awareness Featuring brand-new stories (and a few poems) by: Joyce Carol Oates, Jonathan Safran Foer, Robert Pinsky, Edmund White & Michael Carroll, Richard Burgin, Paul Muldoon, Sheila Kohler, C.K. Williams, Gerald Stern, Lou Manfredo, S.A. Solomon, Bradford Morrow, Jonathan Santlofer, Jeffrey Ford, S.J. Rozan, Barry N. Malzberg & Bill Pronzini, Hirsh Sawhney, and Robert Arellano.From the introduction by Joyce Carol Oates:". . . The most civilized and 'decent' among us find that we are complicit with the most brutal murderers. We enter into literally unspeakable alliances--of which we dare not speak except through the obliquities and indirections of fiction, poetry, and visual art of the sort gathered here in New Jersey Noir."

    Each tale in this anthology edited by Ann Hood is set in a different part of the city. Pulitzer Prize winner Elizabeth Strout's story takes place at Trinity Repertory Company. Thomas Cobb, whose novel Crazy Heart was made into a movie with Jeff Bridges, tees up at Triggs Memorial Golf Course, and Dumb and Dumber co-writer and co-director Peter Farrelly, a graduate of Providence College, sets his story in the Elmhurst neighborhood, near his old college stomping grounds."-- Boston Globe "Providence, of course, has a history of crime, the mob, corruption and other goodies. In this collection of 15 stories...we are given a darkly hued tour of the city in all its nooks and crannies by such excellent writers as Hood herself, John Searles, Bruce DeSilva, Peter Farrelly, Elizabeth Strout, Hester Kaplan and others, each with their own style, tone and sly approach that will keep you reading, waiting for the sudden murder, the end of troubled relationships, the discovery of bones....[A] wonderful collection."-- Providence Journal Akashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each story is set in a distinct neighborhood or location within the city of the book.Featuring brand-new stories by: John Searles, Elizabeth Strout, Taylor M. Polites, Hester Kaplan, Robert Leuci, Amity Gaige, Peter Farrelly, Pablo Rodriguez, Bruce DeSilva, Marie Myung-Ok Lee, Luanne Rice, Dawn Raffel, Thomas Cobb, LaShonda Katrice Barnett, and Ann Hood.Anyone who has spent time in Providence, Rhode Island, knows that lurking in the shadows are many sinister noir elements and characters. The city is ripe for this volume, and Akashic is proud to have recruited the amazing Ann Hood as editor. The impressive contributor list conveys the caliber of Providence Noir, which joins Cape Cod Noir, Boston Noir, and Boston Noir 2: The Classics in sketching a dark and alternative portrait of these New England locales.From the introduction by Ann Hood:"Providence was founded in 1636 by a rogue named Roger Williams. Williams escaped here when Massachusetts was ready to deport him back to England. In the almost four hundred years since, we've become infamous for all sorts of crimes and misdemeanors, including serving as home base for the Patriarca crime family for decades. My very own Uncle Eddie--I can hear Mama Rose screaming at me: 'He wasn't a blood relative! He was related through marriage!'--was gunned down in the Silver Lake section of town in 1964, just a year after he drove me in his white Cadillac convertible in a parade as the newly crowned Little Miss Natick. The writer Geoffrey Wolff told me that once he went to a barber in Princeton, New Jersey and the barber asked him where he was from. 'Providence,' Wolff told him. The barber put down his scissors, raised his hands in the air, and said, 'Providence? Don't shoot!'"I've asked fourteen of my favorite writers to contribute short stories to Providence Noir. We have stories to make you shiver, stories to make you think, stories that will show you my beautiful, noirish city in a way it’s never been highlighted before."

    Each story is set in a distinct neighborhood or location within the city of the book.Featuring brand-new stories by: Joyce Carol Oates, Lawrence Block, Ed Park, Gary Earl Ross, Kim Chinquee, Christina Milletti, Tom Fontana, Dimitri Anastasopoulos, Lissa Marie Redmond, S.J. Rozan, John Wray, Brooke Costello, and Connie Porter.Buffalo, New York, is still the second-largest metropolis in the state, but in recent years its designation as the Queen City has been elbowed aside by a name that's pure noir: The City of No Illusions. Presidents came from here; and in 1901, a president was killed here while visiting the Pan-American Exposition, by a man who checked into a hotel under a name that translates as Nobody.As Buffalo saw its prosperity wane, those on the outside could only see harsh winters and Rust Belt grit, chicken wings and sports teams that came agonizingly close. (Vincent Gallo's Buffalo 66 is less the doomed quest of a would-be assassin than the collective fever dream of every Bills fan.)Anyone who has spent more than a few days in Buffalo will tell you that this city can spar with any other major American metropolis in the noir arena. This highly anticipated entry in the Akashic Noir Series includes stories from Buffalo-affiliated mystery titans as well as up-and-comers.

    The Continental Op was his great first contribution to the genre and these seven stories, which first appeared in the magazine Black Mask, are the best examples of Hammett's early writing, in which his formidable literary and moral imagination is already operating at full strength. The Continental Op is the dispassionate fat man working for the Continental Detective Agency, modelled on the Pinkerton Agency, whose only interest is in doing his job in a world of violence, passion, desperate action and great excitement.The tenth clew.--The golden horseshoe.--The house in Turk Street.--The girl with the silver eyes.--The whosis kid.--The main death.--The farewell murder.

    The founding and early members were amongst the most famous and best loved figures in the golden age - Agatha Christie, G. K. Chesteron, Dorothy Sayers, John Dickson Carr (the only American ever to be a member) among others - and membership remains by invitation only.      Now to celebrate the impending seventy-fifth anniversary of The Detection Club, its members have produced The Detection Collection - a collection of eleven new stories from the best and the brightest in the British crime field. This original volume includes never-before-published stories from Lindsey Davis, P.D. James, Robert Barnard, Colin Dexter, John Harvey, Reginald Hill, Peter Lovesey, and others, as well as an introduction and history of the Detection Club from the current Club president Simon Brett.  This outstanding collection is a true must-have volume for mystery lovers around the world.

    Contains Chandler's essay on the art of detective stories and a collection of 8 classic Chandler mysteries.

    She attended public schools and has lived in several of the city’s distinctive neighborhoods, including Dickeyville, Tuscany-Canterbury, Evergreen, and South Federal Hill.CONTENTSIntroductionPart I: The Way Things Used To Be“Easy As A-B-C” by Laura Lippman (Locust Point)“Fat Chance” by Robert Ward (Old Northwood)“Pigtown Will Shine Tonight” by Jack Bludis (Pigtown)“Over My Dead Body” by Rob Hiaasen (Fell’s Point)“The Invisible Man” by Rafael Alvarez (Highlandtown)Part II: The Way Things Are“Stainless Steel” by David Simon (Sandtown-Winchester)“Home Movies” by Marcia Talley (Little Italy)“Liminal” by Joseph Wallace (Security Boulevard-Woodlawn)“Almost Missed It By a Hair” by Lisa Respers (France Howard Park)“Ode to the O’s” by Charlie Stella (Memorial Stadium)“Don¹t Walk in Front of Me” by Sarah Weinman (Pikesville)Part III: The Way Things Never Were“As Seen on TV” by Dan Fesperman (Fells Point)“The Haunting of Slink Ridgely” by Tim Cockey (Greenspring Valley)“The Homecoming” by Jim Fusilli (Camden Yards)“Frog Cycle” by Ben Neihart (Inner Harbor)“Goodwood Gardens” by Sujata Massey (Roland Park)