He explores the queasy relationships between life and art, love and estrangement, and the bane that is American identity drift, with unsparing but compassionate candor.” –Misha Berson, Seattle Times“Margulies’s remarkable gift of building characterization through realistic dialogue is undiminished. Full of aching ruefulness that underlies the comedy, Brooklyn Boy’s scenes are written with precision and humor. The play isn’t about Brooklyn, nor is it about a boy—it’s about a man without a home.” –Don Shirley, Los Angeles TimesThis new play by the Pulitzer Prize-winning author of Dinner with Friends follows the career of Eric Weiss, a writer whose novel hits the bestseller list the same time his life begins to unravel. His wife is out the door, his father is in the hospital, and his childhood friend thinks he has sold himself to the devil. A funny and emotionally rich look at family, friends and fame.Donald Margulies received the 2000 Pulitzer Prize for Drama for Dinner with Friends. The play received numerous awards, including the American Theatre Critics Association New Play Award, the Dramatists Guild/Hull-Warriner Award, the Lucille Lortel Award, the Outer Critics Circle Award and a Drama Desk nomination, and has been produced all over the United States and around the world. In addition to his adaptation of God of Vengeance, his many plays include Collected Stories, The Country House, Sight Unseen, The Model Apartment, The Loman Family Picnic, What’s Wrong with This Picture? and Time Stands Still. Mr. Margulies currently lives with his wife and their son in New Haven, Connecticut, where he teaches playwriting at Yale University.

    This collection features dozens of newly translated poems interspersed with legends and stories of their lives, presenting an intimate portrait of their communion and allowing readers to eavesdrop on their unique spiritual dialogue.

    Banks learns that one of the young men he has seen occasionally about the house is about to become his son-in-law. Daughter Kay announces the engagement out of nowhere. Mrs. Banks and her sons are happy, but Mr. Banks is in a dither. The groom-to-be, Buckley Dunstan, appears on the scene and Mr. Banks realizes that the engagement is serious. Buckley and Kay don't want a "big" wedding just a simple affair with a few friends! We soon learn, however, that the "few" friends idea is out. Then trouble really begins. The guest list grows larger each day, a caterer is called in, florists, furniture movers and dressmakers take over, and the Banks household is soon caught in turmoil.

    The first play, Tughlaq, is a historical play in the manner of nineteenth-century Parsee theater. The second, Hayavadana was one of the first modern Indian plays to employ traditional theatrical techniques. In Naga-Mandala, the third play, Karnad turns to oral tales, usually narrated by women. This selected work of one of India's best known playwrights should attract the attention of students and scholars of comparative literature, or any reader interested in South Asian literature.

    The first scene of the play is a conversation between two lovers, Tommy and Donna, who broke up some time earlier but who are obviously still attracted to each other. Donna is enraged because Tommy, a would-be artist, is now having an affair with her younger sister, but Tommy, stretched out on his recliner (which, apart from a refrigerator full of beer, comprises the entire furnishings of his spartan apartment), is seemingly unmoved by her harangue. In the second scene Donna visits her father, a once successful artist who stopped painting at the death of his wife, whom he had bullied and betrayed despite his professed love for her. Combative and complex (but also very funny) the father sits and drinks and eventually gives in to his daughter's demand that he force Tommy to marry her or beat him up. Then, in the third and final scene, the father and Tommy confront each other, with results that are sometimes menacing, sometimes antic, with a lively discussion about art and women eventually leading to a sort of tenuous truce—and a grudging recognition of the responsibility that love, in its various guises, imposes.

    Her characters suffer and survive against the enormous weight of the times with a dignity that inspires. Her work challenges the audience and reader to reexamine the conflicts and meaning of our everyday lives through her singular, poetic imagery and language.Includes: One Flea SpareIn the Heart of AmericaSlaughter CityThe War BoysThe Trestle at Pope's Creek

    When the outside world comes calling, intent on manipulation for political and economic reasons, the islanders find their own world blown apart from the inside as well as beyond. Further Than The Furthest Thing is a beautifully drawn story evoking the sadness and beauty of a civilisation in crisis.Further Than The Furthest Thing premiered at the Traverse Theatre, Edinburgh in August, 2000.

    A mixture of poetry, metaphysics, and common sense, they are ideal for the imaginative director and are easily adapted for radio or small acting areas.

    Ondaatje is said to care more about the relationship between art and nature than any other poet since the Romantics.

    Using the format of an end-of-term play, the new drama teacher's progress through two terms of recalcitrant classes, synical colleagues and obstructive caretakers is reviewed. Disillutioned, he departs for a safer private school.

    The play was suppressed for over a decade, but interest in it renewed when Howard and Carr were released from imprisonment from the Tower of London in 1622.The play's scribal manuscript survives, and it was first published by Isaac Reed in 1778.This edition features an introduction, notes, and historical background by Elizabeth Schafer, a biographical sketch of Middleton by William C. Carroll, and Ian Spink's piano/vocal arrangements of the original settings two of the play's songs, "In a Maiden Time Profess'd" composed by John Wilson, and "Come Away, Hecate!" composed by Robert Johnson.

    This uplifting book will guide you on your journey through grief and inspire you with evidence of the afterlife. A practicing lawyer for over two decades, Mark Anthony is also a gifted medium who has worked with thousands of clients. He shares incredible true stories of contact with spirits and their enduring messages of forgiveness, gratitude, and acceptance. Even more remarkable, you will be able to recognize and make contact with the spirits of your loved ones. Compelling, comforting, and inspiring for those of all backgrounds and faiths, Never Letting Go offers true healing through messages of hope from the Other Side. Praise:"This deep, emotionally touching book is destined to become a metaphysical classic."—Joyce Keller, author of SEVEN STEPS TO HEAVEN "An enlightening journey through coping with grief and discovering spiritual renewal. I highly recommend this book!"—Jeffrey A. Wands, author of ANOTHER DOOR OPENS

    This volume from one of Ireland's greatest playwrights includes "In the Shadow of the Glen," "Riders to the Sea," and "The Playboy of the Western World."

    This collection of three screenplays displays his defiantly unorthodox approach to film form, as well as the unclassifiable imaginative energy that drives all of his work.

    Meet Nilah Stefanik. She’s sassy, smart and fresh out of grad school. With a ton of student debt, she’s taken a “dead-end” office job at the Fogg Funeral Home in Danvers, Massachusetts. It’s a toss-up as to what her family disapproves of more...her current place of employment, or that she has no discernible psychic or magickal talents of any kind. Nilah comes from a long line of Polska Roma fortune tellers, mystics, and psychics. Her grandmother, the incomparable Madame Sabina, is an institution in Danvers. Unfortunately, that talent skipped Nilah...or so the family always believed. Now, paranormal predicaments confound Nilah and draw her into a mystery just in time for Halloween. Deep down, Nilah is a Gypsy at heart, and with a little help from her grandmother and a trouble-making ghost, Nilah may at last uncover the truth about herself and her destiny. *** Previously released in the Welcome to Haven Harbor anthology***