Three plays from Pulitzer-Prize winning playwright August Wilson: Ma Rainey's Black Bottom, Fences, and Joe Turner's Come and Gone.

    Hold tight as the ordinary turns extraordinary in Mark O’Rowe’s exhilarating new play. A blackly comic vision of Dublin infested with demons, from the author of Howie the Rookie.

    

    Three Weeks in October The Manhunt for the Serial Sniper(View amazon detail page)ASIN: B0044KZ458

    It follows Eddy Nugent, a bored fifteen-year-old, living in Manchester, as he travels through the drinking, swearing and sex-obsessed world of our nation's finest.

    Lee Butts! Legendary as the meanest, most fearless lawdog of the Old West, Hayden Tilden sometimes blurs the line between U.S. Marshal and hired assassin. His adventures all began with one murderous, cold-blooded bastard: Saginaw Bob Magruder. The depraved killer butchered Tilden’s entire family and hurled the young man into a ruthless, bloody crusade for vengeance and a career as a U. S. Marshal. Tracking down Magruder will be just the beginning of Tilden’s adventures, bringing his own brand of justice to the wild and lawless West. “Lawdog has it all. I couldn’t put it down.” —Jack Ballas, author of A Town Afraid “Lawdog should assume its rightful place beside other Western classics.” —Peter Brandvold, bestselling author of Once Hell Freezes Over About the Author: J. Lee Butts is the author of 22 published books and numerous magazine articles and short works. His book Brotherhood of Blood was runner-up for the Western Writers of America Spur Award in 2005. He’s worn many hats over the years (teacher, administrator, pool manager, IBM supervisor, and western author), and he and his late wife lived everywhere from Los Angeles to Dallas. Currently he’s hanging those hats back in White Hall, Arkansas.

    A mystery, really. A man has been murdered. The mystery is, who he is, who murdered him and what were the circumstances? And to solve it, Wilson looks at the outsides and insides of his tiny, Middle Western town. He looks at a middle-aging woman who falls in love with the young man who comes to work in her cafe. He looks at a coarse, nasty woman mistreating her senile mother, who is obsessed with visions of Eldritch being evil and headed for blood-spilling. He looks at a tender relationship between a young man and a dreamy, crippled girl. But Wilson sees far more than this. He is grasping the very fabric of Bible Belt America, with its catchword morality ("virgin," "God-fearing") and its capability for the vicious. He senses the rhythm of its life and the cruelty it can impose. He understands the speech patterns of its loveless gossips, its sex-hungry boys, its compassionless preachers, its car-conscious blondes." In the end his portrait of Eldritch is full length, and the truth of its revelations will be pondered long after the stage lights have dimmed and the play has ended.

    His parents retired and moved to Florida. That doesn't mean his family isn't still in Jersey. In fact, he sees both sets of his grandparents every Sunday for dinner. This is routine until he has to tell them that he's been offered a dream job. The job he's been waiting for - marketing executive - would take him away from his beloved, but annoying, grandparents. He tells them. The news doesn't sit so well. Thus begins a series of schemes to keep Nick around. How could he betray his family's love to move to Seattle for a job, wonder his grandparents? Well, Frank, Aida, Nunzio, and Emma do their level best, that includes bringing the lovely - and single - Caitlin O'Hare as bait.

    By turns sad and funny, satiric and moving, Alan Ayckbourn's intelligent British comedy Woman in Mind charts, without sentimentality or heartless irony, a frowsy middle-aged Englishwoman's hopeless descent into psychosis.

    An investor in the growing railroad industry, he played host to US presidents. And when he fell in love, he fell hard. Rosa Pelham was almost two decades younger than Suit, who courted her unsuccessfully for five long years. Then, in 1883, he found the chink in Rosa’s romantic armor. She dreamed of living in a castle. Suit vowed to build her one if she accepted his proposal. He was as good as his word, and Berkeley Castle became part of West Virginian history. Some say the story of Rosa and her castle ended badly, with heartache, financial ruin, and insanity. Some darkly hint that vengeful ghosts now walk the halls of Berkeley Castle, tormented by secret misdeeds. Others tell a different tale—one of love and courage in the face of changing fortunes. Rosa’s Castle tells this tale—a dazzling “what if” based on one of America’s most striking love stories. As for ghosts…well, not all are vengeful shades. Some haunt out of love for those they left behind.

    

    What Rebecca Gilman makes of this familiar scenario is something startlingly real and compelling, delving deeply into the small space that can divide a feeling of hope from one of hopelessness, as Curt and Sandy both try to get a foothold in the American dream of a house, a job, a life, a relationship with another human being.Gilman's previous play, Boy Gets Girl, was acclaimed by Time magazine as the best play of 2000, saying that "with Spinning into Butter, her play about race relations on campus, Rebecca Gilman gave notice that she was a playwright to watch. And with this intense drama of a woman's encounter with a stalker, she became one to hail . . . It's not just a gripping play but also an important one." Marked by Gilman's characteristically sharp delineation of character, pitch-perfect dialogue, and effortless use of humor that is both biting and silly, Blue Surge is a worthy successor to these plays--an intimate look at the class struggle in America today as well as a brilliant example of the dramatic craft from one of today's most accomplished practitioners. It will have its world premiere at the Goodman Theatre in Chicago in the spring of 2001.

    

    Searching Manchester in desperation, she finds all roads lead to Pomona - an abandoned concrete island at the heart of the city.Here at the centre of everything, journeys end and nightmares are born.A sinister and surreal thriller from Alistair McDowall, Pomona received its world premiere at the Orange Tree Theatre, London, on 12 November 2014.