This up-to-date new survey draws on evidence produced at the cutting edge of modern archaeological research, revealing how the evidence for life in this city was first uncovered, and how archaeologists over the centuries have unpeeled the layers that enable us to reconstruct Pompeii's history.With its lavish illustrations, covering monumental architecture and inscriptions, shops, graffiti, wall-paintings, and mosaics, plus its numerous box features ranging from theatrical entertainments to water supply, The Complete Pompeii is the ultimate resource and inspirational guide to this iconic ancient town.Among the many topics covered:How Pompeii was destroyed in the eruption of AD 79What we know of the lives and deaths of its inhabitantsWhat the houses tell us about the people who lived in themWho was involved in politicsWhat can be reconstructed about religious practices

    Hofstadter make this 320-page, breathtaking collection the definitive book of optical illusions. Rings of seahorses that seem to rotate on the page. Butterflies that transform right before your eyes into two warriors with their horses. A mosaic portrait of oceanographer Jacques Cousteau made from seashells. These dazzling and often playful artistic creations manipulate perspective so cleverly that they simply outwit our brains: we can’t just take a quick glance and turn away. They compel us to look once, twice, and over and over again, as we try to figure out exactly how the delightful trickery manages to fool our perceptions so completely. Of course, first and foremost, every piece is beautiful on the surface, but each one offers us so much more. Some, including Sandro del Prete’s charming “Window Gazing,” construct illusionary worlds where normal conceptions of up, down, forward, and back simply have no meaning anymore. Others, such as Jos De Mey’s sly “Ceci n’est pas un Magritte,” create visual puns on earlier work. From Escher’s famous and elaborate “Waterfall” to Shigeo Fukuda’s “Mary Poppins,” where a heap of bottles, glasses, shakers, and openers somehow turn into the image of a Belle Epoque woman when the spotlight hits them, these works of genius will provide endless enjoyment and food for thought.

    Part of the highly successful Then & Now series, each spread shows an image of Las Vegas as it was, and how it is currently.

    A highly readable and beautifully illustrated re-telling of the most famous stories from Greek mythology.

    It takes into account new finds as well as new ideas and attitudes to the subject, and emphasizes that Greek art should be seen in its proper context, not that of galleries and museums. 302 illustrations, 73 in color

    King, and Howlin' Wolf; the multicolored psychedelic hallucinations promoting the Grateful Dead, Dylan, and the Doors; the deliciously tasteless art for the Sex Pistols, Crime, and the Clash. From the Red Dog Saloon in San Francisco, where the psychedelic scene started, to CBGB, New York's punk Mecca, and beyond. 1,500 images searched out world-wide from clubs, attics, and bedrooms—as well as more formal collections—are reproduced in their original blazing colors. Replete with firsthand history—including exclusive interviews with scores of insiders, poster artists, musicians, and promoters—this is the ultimate high for the rock music fan, required reading for the poster collector, a treasure trove for the graphic artist, and a riotous feast for anyone who digs pop culture.

    What kind of society could produce such spectacular treasures only to bury them forever?Lost in a frenzy of speculation-anthropological, scientific, and commercial-was Tutankhamen himself. Thirty-five hundred years ago, the mightiest empire on earth crowned a boy as its king, then worshipped him as a god. Nine years later, he was dead. Despite the young monarch's almost universal recognition in death, Egyptologists know very little about his life. Traditional histories, founded on incomplete investigation and academic dogma, shed almost no light on the details of a life as complicated and as fascinating as it was short.In Tutankhamen: The Life and Death of the Boy-King, Christine El Mahdy finally delivers a coherent portrait of King Tut's life and its historical significance. Based on stunning tomb records, lost since their discovery, this revolutionary biography begins to answer one of the twentieth century's most compelling archaeological mysteries: Who was Tutankhamen?

    From north to south, east to west it cradles astonishing beauty. The human story here is a million years old, and counting. But the tolerant, easygoing peace we enjoy has been hard won. We have made and known the best and worst of times. We have been hero and villain and all else in between, and we have learned some lessons.The Story of the British Isles in 100 Places is Neil’s very personal account of what makes these islands so special, told through the places that have witnessed the unfolding of our history. Beginning with footprints made in the sand by humankind’s earliest ancestors, he takes us via Romans and Vikings, the flowering of religion, through civil war, industrial revolution and two world wars. From windswept headlands to battlefields, ancient trees to magnificent cathedrals, each of his destinations is a place where, somehow, the spirit of the past seems to linger. Beautifully written, his book is majestic, awe-inspiring, a kaleidoscopic history of a place with a story like no other.

    This was the epoch of Alexander’s vast expansion of the Greco-Macedonian world, the rise and fall of his successors’ major dynasties in Egypt and Asia, and, ultimately, the establishment of Rome as the first Mediterranean superpower.The Hellenistic Age chronicles the years 336 to 30 BCE, from the days of Philip and Alexander of Macedon to the death of Cleopatra and the final triumph of Caesar’s heir, the young Augustus. Peter Green’s remarkably far-ranging study covers the prevalent themes and events of those centuries: the Hellenization of an immense swath of the known world–from Egypt to India–by Alexander’s conquests; the lengthy and chaotic partition of this empire by rival Macedonian marshals after Alexander’s death; the decline of the polis (city state) as the predominant political institution; and, finally, Rome’s moment of transition from republican to imperial rule.Predictably, this is a story of war and power-politics, and of the developing fortunes of art, science, and statecraft in the areas where Alexander’s coming disseminated Hellenic culture. It is a rich narrative tapestry of warlords, libertines, philosophers, courtesans and courtiers, dramatists, historians, scientists, merchants, mercenaries, and provocateurs of every stripe, spun by an accomplished classicist with an uncanny knack for infusing life into the distant past, and applying fresh insights that make ancient history seem alarmingly relevant to our own times.To consider the three centuries prior to the dawn of the common era in a single short volume demands a scholar with a great command of both subject and narrative line. The Hellenistic Age is that rare book that manages to coalesce a broad spectrum of events, persons, and themes into one brief, indispensable, and amazingly accessible survey.

    This is a kaleidoscope of human events to be enjoyed by everyone but especially by those who have little or no background in world history and would like to appreciate and understand how the fragments of major events form a unified whole. Read the high reviews on Amazon.

    This new book brings the world in which the cuneiform was written to life for the non- expert reader and covers the origins, development and eventual demise of the script. Richly illustrated with a wealth of fresh examples ranging from elementary school exercises to revealing private letters or beautifully calligraphic literature for the royal library, we meet people that aren't so very different from ourselves. For the first time cuneiform tablets and their messages are not remote and inaccessible, but wonderfully human documents that resonate today.Authors Irving Finkel and Jonathan Taylor are curators of the world's largest collection of cuneiform tablets at the British Museum. The treasures in their care number over 130,000 examples of cuneiform writing and cover more than 3,000 years of human experience.

    . . sums up with economy and power all that the written record so far deciphered has to tell about the ancient and complementary civilizations of Babylon and Assyria."—Edward B. Garside, New York Times Book ReviewAncient Mesopotamia—the area now called Iraq—has received less attention than ancient Egypt and other long-extinct and more spectacular civilizations. But numerous small clay tablets buried in the desert soil for thousands of years make it possible for us to know more about the people of ancient Mesopotamia than any other land in the early Near East.Professor Oppenheim, who studied these tablets for more than thirty years, used his intimate knowledge of long-dead languages to put together a distinctively personal picture of the Mesopotamians of some three thousand years ago. Following Oppenheim's death, Erica Reiner used the author's outline to complete the revisions he had begun."To any serious student of Mesopotamian civilization, this is one of the most valuable books ever written."—Leonard Cottrell, Book Week"Leo Oppenheim has made a bold, brave, pioneering attempt to present a synthesis of the vast mass of philological and archaeological data that have accumulated over the past hundred years in the field of Assyriological research."—Samuel Noah Kramer, ArchaeologyA. Leo Oppenheim, one of the most distinguished Assyriologists of our time, was editor in charge of the Assyrian Dictionary of the Oriental Institute and John A. Wilson Professor of Oriental Studies at the University of Chicago.

    To Alexander the Great, the country was a place of clever naked philosophers and massive armies mounted on elephants – which eventually forced his army to retreat. To ancient Rome, it was a source of luxuries, mainly spices and textiles, paid for in gold—hence the enormous numbers of Roman gold coins excavated in India. At the height of the Mughal empire in 1700, India boasted 24 percent of the world economy—a share virtually equal to Europe’s 25 percent. But then its economy declined. Colonial India was known for its extremes of wealth and poverty, epitomized by the Taj Mahal and famines, maharajas and untouchables, and also for its spirituality: many-armed Hindu gods and Buddhist philosophy, Mahatma Gandhi and Rabindranath Tagore.India: A Short History places as much emphasis on individuals, ideas and cultures as on the rise and fall of kingdoms, political parties and economies. Anyone curious about a great civilization, and its future, will find this an ideal introduction, at times controversial, written by an author who has been strongly engaged with India for more than three decades.

    Martin brings alive Greek civilization from its Stone Age roots to the fourth century B.C. Focusing on the development of the Greek city-state and the society, culture, and architecture of Athens in its Golden Age, Martin integrates political, military, social, and cultural history in a book that will appeal to students and general readers alike. This edition has been updated with new suggested readings and illustrations. "[A] highly accessible, and comprehensive history of Greece and its civilization from prehistory through the collapse of Alexander the Great's empire. ...A highly readable account of ancient Greece, particularly useful as an introductory or review text for the student of the general reader." --Kirkus Reviews "Photographs and maps enhance this solid first lesson about the ancients." --Booklist

    His amazing, unprecedented collection of animals, plants and insects from all around the world gained international fame during his lifetime. In 1731, after decades of collecting, Seba commissioned illustrations of each and every specimen and arranged the publication of a four-volume catalog detailing his entire collection?from strange and exotic plants to snakes, frogs, crocodiles, shellfish, corals, insects, butterflies and more, as well as fantastic beasts, such as a hydra and a dragon. Seba's scenic illustrations, often mixing plants and animals in a single plate, were unusual even for the time. Many of the stranger and more peculiar creatures from Seba's collection, some of which are now extinct, were as curious to those in Seba's day as they are to us now. This reproduction is taken from a rare, hand-colored original. The introduction offers background information about the fascinating tradition of the cabinet of curiosities to which Seba's curiosities belonged.