Genji, the Shining Prince, is the son of an emperor. He is a passionate character whose tempestuous nature, family circumstances, love affairs, alliances, and shifting political fortunes form the core of this magnificent epic. Royall Tyler’s superior translation is detailed, poetic, and superbly true to the Japanese original while allowing the modern reader to appreciate it as a contemporary treasure. Supplemented with detailed notes, glossaries, character lists, and chronologies to help the reader navigate the multigenerational narrative, this comprehensive edition presents this ancient tale in the grand style that it deserves.

    As their stories unfurl in an ingeniously layered narrative, coolly mediated by Yuriko’s older sister, we are taken back to their time in a prestigious girls’ high school—where a strict social hierarchy decided their fates — and follow them through the years as they struggle against rigid societal conventions.Shedding light on the most hidden precincts of Japanese society today, Grotesque is both a psychological investigation into the female psyche and a work of noir fiction that confirms Natsuo Kirino’s electrifying gifts.

    The beautiful Indo prostitute Dewi Ayu and her four daughters are beset by incest, murder, bestiality, rape, insanity, monstrosity, and the often vengeful undead. Kurniawan's gleefully grotesque hyperbole functions as a scathing critique of his young nation's troubled past: the rapacious offhand greed of colonialism; the chaotic struggle for independence; the 1965 mass murders of perhaps a million "Communists," followed by three decades of Suharto's despotic rule.Beauty Is a Wound astonishes from its opening line: "One afternoon on a weekend in May, Dewi Ayu rose from her grave after being dead for twenty-one years…" Drawing on local sources—folk tales and the all-night shadow puppet plays, with their bawdy wit and epic scope—and inspired by Melville and Gogol, Kurniawan's distinctive voice brings something luscious yet astringent to contemporary literature.

    We have been constrained by unwritten rules not to do so, by the robes of tradition and by the sanctity of our exclusive calling...But I feel it is time to speak out."Celebrated as the most successful geisha of her generation, Mineko Iwasaki was only five years old when she left her parents' home for the world of the geisha. For the next twenty-five years, she would live a life filled with extraordinary professional demands and rich rewards. She would learn the formal customs and language of the geisha, and study the ancient arts of Japanese dance and music. She would enchant kings and princes, captains of industry, and titans of the entertainment world, some of whom would become her dearest friends. Through great pride and determination, she would be hailed as one of the most prized geishas in Japan's history, and one of the last great practitioners of this now fading art form.In Geisha, a Life, Mineko Iwasaki tells her story, from her warm early childhood, to her intense yet privileged upbringing in the Iwasaki okiya (household), to her years as a renowned geisha, and finally, to her decision at the age of twenty-nine to retire and marry, a move that would mirror the demise of geisha culture. Mineko brings to life the beauty and wonder of Gion Kobu, a place that "existed in a world apart, a special realm whose mission and identity depended on preserving the time-honored traditions of the past." She illustrates how it coexisted within post-World War II Japan at a time when the country was undergoing its radical transformation from a post-feudal society to a modern one."There is much mystery and misunderstanding about what it means to be a geisha. I hope this story will help explain what it is really like and also serve as a record of this unique component of Japan's cultural history," writes Mineko Iwasaki. Geisha, a Life is the first of its kind, as it delicately unfolds the fabric of a geisha's development. Told with great wisdom and sensitivity, it is a true story of beauty and heroism, and of a time and culture rarely revealed to the Western world.

    Ileto submits to varied kinds of analyses standard documents as well as such previously ignored sources as folk songs, poems, and religious traditions, in order to articulate hidden or suppressed features of the thinking of the masses. Paramount among the conclusions of the book is that the pasyon, or native account of Christ's life, death and resurrection, provided the cultural framework of movements for change. The book places the Philippine revolution in the context of native traditions, and explains the persistence of radial peasant brotherhoods in this century. Seen as continuous attempts by the masses to transform the world in their terms are the various movements that the book analyzes - Apolinario de la Cruz's Cofradia de San Jose, Andres Bonifacio's Katipunan, Macario Sakay's Katipunan, Felipe Salvador's Santa Iglesia, the Colorum Society, and other popular movements during the Spanish, revolutionary, and American colonial periods.

    She doesn't even know what her real goals are, aside fro simultaneously pining for and getting over smart, hot, talented, charming Gabe, whose glassy perfection both dazzles and depresses her. Then the universe deals her a wake-up call in three sure steps:1.) She starts an internship at a preschool, where the kids are chaotic but cute;2.) She finds an intriguing, potentially life-changing stash of letters addressed to her grandmother from her namesake grandaunt; and3.) She falls into a weird friendship with Luis, the boy with an infectious smile who seems determined to rescue her from Gabe-and from herself.Will this wake-up call finally push her life forward or is Natividad, much like her old-fashioned name, doomed to forever live in the past?

    So she is elated to learn she is to become the second wife of a wealthy Sikh landowner in a union beneficial to both. For Sardaji’s first wife, Satya, has failed to bear him children. Roop believes that she and Satya, still very much in residence, will be friends. But the relationship between the older and younger woman is far more complex. And, as India lurches toward independence, Sardarji struggles to find his place amidst the drastic changes.Meticulously researched and beautifully written, What the Body Remembers is at once poetic, political, feminist, and sensual.

    William Paulinha, a Filipino street hustler, is in the early days of self-imposed reform when he meets Shem C. A failed writer now ostracized by his wife and New York City's literati, Shem recruits Paulinha to retaliate against the community that has spurned him. Under Shem's guidance, Paulinha becomes Master Chao, a revered practitioner of Feng Shui--the Chinese art of creating a harmonious environment. As this latter-day confidence man cuts a swath through upper-crust society, his biting observations form a comic picaresque of class resentment and revenge.

    In this debut collection, she conjures the disturbing and often hilarious experience of adolescence through the eyes of Chinese American girls growing up in New York City. Her stories cut across generations and continents, moving from the fraught halls of a public school in Flushing, Queens, to the tumultuous streets of Shanghai, China, during the Cultural Revolution of the 1960s. In the absence of grown-ups, latchkey kids experiment on each other until one day the experiments turn violent; an overbearing mother abandons her artistic aspirations to come to America but relives her glory days through karaoke; and a shy loner struggles to master English so she can speak to God.Narrated by the daughters of Chinese immigrants who fled imperiled lives as artists back home only to struggle to stay afloat — dumpster diving for food and scamming Atlantic City casino buses to make a buck — these seven stories showcase Zhang's compassion and moral courage, and a perverse sense of humor reminiscent of Portnoy's Complaint. A darkly funny and intimate rendering of girlhood, Sour Heart examines what it means to belong to a family, to find your home, leave it, reject it, and return again.

    Her friends at Rhododendron High School—all girls from semi-royal and other rich families—will soon be going abroad, but she, with second-division marks in her final exams, might have to settle for a grimy little college in town. Her parents, plodding away in middle-class Kathmandu, are deeply disappointed, and all their hopes are now pinned on Numa, her sister. Sundry cousins from their village in far-off Lungla—driven out by poverty and the warring Maoists—come to live with the family, trample upon her privacy, and wage kitchen politics with Boju, her foul-tongued grandmother. Other relatives embarrass her with their gauche village ways. And, worst of all, Sagar, Sumnima’s US-returned RJ boyfriend, for whom she has been lying, sneaking around and stealing money from home, keeps her waiting for his phone calls.Employing a rich cast of characters, The Wayward Daughter tells the story of a young girl seeking out love, finding herself and her own spaces in life. Equally, it draws a telling portrait of Kathmandu—its class and caste divisions, its cosmopolitanism which exists alongside conservative attitudes, and its politics due to which a civil war looms. Written with humour, empathy and skill, this novel is a must-read.

    His search takes him to stormy mountaintops, an experimental military weapons lab, and an old Soviet science station. The more he learns, the more he comes to realize that ball lightning is just the tip of an entirely new frontier in particle physics. Although Chen’s quest provides a purpose for his lonely life, his reasons for chasing his elusive quarry come into conflict with soldiers and scientists who have motives of their own: a beautiful army major with an obsession with dangerous weaponry, and a physicist who has no place for ethical considerations in his single-minded pursuit of knowledge.Ball Lightning, by award-winning Chinese science fiction author Cixin Liu, is a fast-paced story of what happens when the beauty of scientific inquiry runs up against a push to harness new discoveries with no consideration of their possible consequences.The original Chinese version was published in 2004. In 2018 the English version, translated by Joel Martinsen, was published in the US by Tor Books.

    The tales of journeys and returns, of error, of loss and recovery, all resound with Divakaruni's unique understanding of the human spirit.From acclaimed and beloved author Chitra Banerjee Divakaruni comes a new collection of moving stories about family, culture, and the seduction of memory. With the rich prose and keen insight that made Mistress of Spices and Sister of My Heart national bestsellers, these tales of journeys and returns, of error, of loss and recovery, all resound with her unique understanding of the human spirit."Don't we all have to pay, no matter what we choose?" a young woman asks in "The Love of a Good Man," one of the unforgettable stories in Chitra Divakaruni's beautifully crafted exploration of the tensions between new lives and old. In tales set in India and the United States, she illuminates the transformations of personal landscapes, real and imagined, brought about by the choices men and women make at every stage of their lives."The Love of a Good Man" tells of an Indian woman happily settled in the United States who must confront the past when her long-estranged father begs to meet his only grandson. In the acclaimed "Mrs. Dutta Writes a Letter", a widow, inadvertently eavesdropping, discovers that her cherished, old-fashioned ways are an embarrassment to her daughter-in-law. A young American woman joins a pilgrimage of women in Kashmir and, in the land of her ancestors, comes to view herself and her family in a new light in "The Lives of Strangers." Two women, uprooted from their native land by violence and deception, find unexpected comfort and hope in each other in "The Blooming Season for Cacti." And in the title story, a young woman turns to her painting and the wisdom of her grandmother for the strength to accept her fiance's past when it arrives on her doorstep.Whether writing about the adjustments of immigrants to a foreign land or the accommodations families make to the disruptive differences between generations, Divakaruni poignantly portrays the eternal struggle to find a balance between the pull of home and the allure of change.

    A few short weeks before, Aasha’s grandmother Paati passed away under mysterious circumstances and her older sister, Uma, departed for Columbia University--leaving Aasha alone to cope with her mostly absent father, her bitter mother, and her imperturbable older brother.Beginning with Aasha’s grandfather’s ascension from Indian coolie to illustrious resident of the Big House on Kingfisher Lane, and going on to tell the story of how Appa, the family’s Oxford-educated patriarch, courted Amma, the humble girl next door, Evening Is the Whole Day moves gracefully backward and forward in time to answer the many questions that haunt the family: What was Chellam’s unforgivable crime? Why was Uma so intent on leaving? How and why did Paati die? What did Aasha see? And, underscoring all of these mysteries: What ultimately became of Appa’s once-grand dreams for his family and his country? Sweeping in scope, sumptuously lyrical, and masterfully constructed, Evening Is the Whole Day offers an unflinching look at relationships between parents and children, brothers and sisters, the wealthy and the poor, a country and its citizens--and the ways in which each sometimes fails the other. Illuminating in heartbreaking detail one Indian immigrant family’s secrets and lies while exposing the complex underbelly of Malaysia itself, Preeta Samarasan’s debut is a mesmerizing and vital achievement sure to earn her a place alongside Arundhati Roy, Kiran Desai, and Zadie Smith.

    Adopted by the community, Kampol is soon being raised by figures like Chong the shopkeeper, who rents out calls on his telephone and goes into debt while extending his customers endless credit. Kampol also plays with local kids like Noi, whose shirt is so worn that it rips right in half, and the sweet, deceptively cute toddler Penporn.Dueling flea markets, a search for a ten-baht coin lost in the sands of a beach, pet crickets that get eaten for dinner, bouncy ball fads in school, and loneliness so merciless that it kills a boy’s appetite all combine into Bright, the first-ever novel by a Thai woman to appear in English translation. Duanwad Pimwana’s urban, and at times gritty, vignettes are balanced with a folk-tale-like feel and a charmingly wry sense of humor. Together, these intensely concentrated, minimalist gems combine into an off-beat, highly satisfying coming-of-age story of a very memorable young boy and the age-old legends, practices, and personalities that raise him.

    For the Akha people, ensconced in ritual and routine, life goes on as it has for generations—until a stranger appears at the village gate in a jeep, the first automobile any of the villagers has ever seen. Slowly, Li-yan, one of the few educated girls on her mountain, begins to reject the customs that shaped her early life. When she has a baby out of wedlock she rejects the tradition that would compel her to give the child over to be killed, and instead leaves her, wrapped in a blanket with a tea cake tucked in its folds, near an orphanage in a nearby city. As Li-yan comes into herself, leaving her village for an education, a business, and city life, her daughter, Haley, is raised in California by loving adoptive parents. Despite her privileged childhood, Haley wonders about her origins. Across the ocean Li-yan longs for her lost daughter. Over the course of years, each searches for meaning in the study of Pu’er, the tea that has shaped their family’s destiny for centuries.