. . The collection is astonishingly diverse . . . Tyrewala’s anthology [offers] a sampling of brand-new authors and [a] superb introduction. It might provide a fictional contrast to Katherine Boo’s Behind the Beautiful Forevers."--Library Journal (Starred review)"Most of the 14 short stories in Akashic’s workmanlike Mumbai volume draw inspiration from the criminal networks and the sordid underbelly the city is infamous for . . . Armchair travelers will find plenty of amusement in touring the seedier parts of this island city in perfect safety."-- Publishers Weekly “The fifteen contributors to Mumbai Noir . . . provide a cool composite narrative of a unique human-intensive metropolitan system, whose magnitude, complexity, diversity, and pace can hardly be captured in writing or, for that matter, any other medium. [Mumbai Noir is] rich and diverse in character and characterization.”-- Rain Taxi Review of Books Featuring brand-new stories by: Annie Zaidi, R. Raj Rao, Abbas Tyrewala, Avtar Singh, Ahmed Bunglowala, Smita Harish Jain, Sonia Faleiro, Altaf Tyrewala, Namita Devidayal, Jerry Pinto, Kalpish Ratna, Riaz Mulla, Paromita Vohra, and Devashish Makhija.Bombay’s communal riots of 1992--in which Hindus were alleged to be the primary perpetrators—were followed by retaliatory bomb blasts in 1993, masterminded by the Muslim-dominated underworld. Over a thousand citizens lost their lives in these internecine bouts of violence and thousands more became refugees in their own city. In a matter of months, Bombay ceased to be the cosmopolitan, wholesome, and middle-class bastion it had been for decades. When the city was renamed Mumbai in 1995, it merely formalized the widespread perception that the Bombay everyone knew and remembered had been lost forever.Today Mumbai is like any other Asian city on the rise, with gigantic construction cranes winding atop upcoming skyscrapers and malls . . . Right-wing violence, failing electricity and water supplies, overcrowding, and the ever-looming threat of terrorist attacks—these are some of the gruesome ground realities that Mumbai’s middle and working classes must deal with every day, while the city’s super-rich . . . zip from roof to roof in their private choppers. Abandoned by its wealthy, mistreated by its politicians and administrators, Mumbai continues to thrive primarily because of the helpless resilience of its hardworking, upright citizens.The stories in Mumbai Noir depict the many ways in which the city’s ever-present shadowy aspects often force themselves onto the lives of ordinary people. . . . What emerges is the sense of a city that, despite its new name and triumphant tryst with capitalism, is yet to heal from the wounds of the early '90s, and from all the subsequent acts of havoc wreaked within its precincts by both local and outside forces.

    In its harrowing chronicle of the breakup of a relationship, Interiors confirmed Cash's remarkable talents as a lyricist, with songs that were intelligent and astonishingly frank, songs that with their stark empathy transcended the self-involvement that had come to confine the work of many "confessional" singer-songwriters. The Wheel (1993) was further evidence that she had few equals in her field. As one of our most literate lyricists, Cash naturally began to turn to longer prose pieces, and in her first collection, Bodies of Water, she reveals the full breadth and depth of her talent. These stories are a series of portraits of the inner lives of women seeking self-forgiveness, resolution, and freedom in the face of the familiar betrayals of everyday existence. A mother spends a comically forlorn New Year's Eve alone with her young children. Alone in Paris, a traveler faces her loneliness as middle age approaches. A dinner party becomes a battleground of concealed disappointment. It is at the margins of reality and dreams, the boundaries between art and insanity, that Cash's characters come to learn that their redemption is to be found in facing the past, and finally, in retrieving power from it.

    It had to happen to someone, and it was me. Think about it. Of all the men in the world, of all the doctors in the world, of all the fathers in the whole world, I happened to be the one present in that place at that time. Someone or the other had to do it. It just so happens that someone was your dad.’Where does one draw the line between empathy and sacrifice? Between integrity and survival? Between prosperity and love?In an unnamed city, a young Indian doctor arrives to make his home and career. It isn’t long before money and success find him, but the price is steep and often unbearable, especially to a wife and daughter who must watch him walk the perilous path of lifelong ambition.A heartbreaking novel about human ethics, filial love and the corrosive nature of complicity.

    Retired journalist Peter D’Souza joins the investigation with his friend Inspector Zende and is drawn into a world of secret desire, blackmail and unspoken love—a world that he fears his son may be a part of. Driven as much by fear and empathy as by curiosity about men who seek men, Peter tries to track down the killer, with some help from the flamboyant Leslie Siqueira, ‘the Queen of the Queen of the Suburbs’. But time is running out.Jerry Pinto’s new novel—set in Mumbai, the city he writes about like no other—is a gripping murder mystery. It is also a compelling exploration of loneliness, ambition and greed in the great metropolis.

    Arranged Marriage, her first collection of stories, spent five weeks on the San Francisco Chronicle bestseller list and garnered critical acclaim that would have been extraordinary for even a more established author.For the young girls and women brought to life in these stories, the possibility of change, of starting anew, is both as terrifying and filled with promise as the ocean that separates them from their homes in India. From the story of a young bride whose fairy-tale vision of California is shattered when her husband is murdered and she must face the future on her own, to a proud middle-aged divorced woman determined to succeed in San Francisco, Divakaruni's award-winning poetry fuses here with prose for the first time to create eleven devastating portraits of women on the verge of an unforgettable transformation.

    Grab a mug of hot chocolate, sit back and enjoy a fairytale New York Christmas.... When Londoner Penny decides to visit her best friend Kate in New York for the festive season, the surprise appearance of a previous suitor sends her plans for a relaxing, carefree visit into complete disarray. When she and Mike last saw each other, the timing couldn't have been worse. But when Mike decides to show Penny the very best of what a snowy, festive, New York has to offer - resolving to make it a fairytale Christmas - will she be able to resist his charms this time round? And will finding one other again turn out to be the greatest Christmas gift?

    . . he is the son of a billionaire, she is the daughter of a socialist.. . . he is quiet and unassuming, she is a firebrand and spirited.However, the unexplained phenomena ties them forever – whenever they are in peril, they are each other’s only saviors.Over the following two decades Adi and Radha live through hope and despair, joy and sadness, and try to decipher their relationship. As the truth of their bond is revealed, they must confront the true nature of love, and ultimately, their destinies.

    The head of the family, Nadeem Dalvi, had been the subordinate mamlatdar of Madhusudan Sen, ICS, the Magistrate of Batia, and his trusted supplier of fresh eggs, fish and red meat. When it is discovered that the deaths had not been accidental or caused by fire, Sen vows to turn vegetarian until justice has been done.In this novella of stunning force and impact, a true original of Indian writing is in brilliant form.About the AuthorUpamanyu Chatterjee was born in 1959 in Patna. He spent over thirty calm and undistinguished years in the Indian Administrative Service; during that time, he wrote six novels—when no one was looking. He retired (early and honourably) in 2016 to devote himself full time to running the household. He has one wife and two daughters. He enjoys several solitary occupations.

    When a fellow passenger on his usual train goes missing, a man begins to wonder if everything is as it seems.

    The narrator of this story, a precocious nine-year old child, is sent to visit an aunt. This aunt, ignored by a husband whose only interest seems to lie in entertaining slim-waisted young boys, suffers from a relentless bodily itch, an itch, her niece discovers, no doctor can cure and only her maidservant can relieve. Frank and often wickedly comic, Chughtai's stories were the imaginative core of her life's work, drawn from memories of the sprawling Muslim household of her childhood. With her mastery of the spoken language, economy of form, and her fine eye for the details of the intricate and hidden world of women's experience, Chughtai captured the evolving conflicts of Muslim India. Her exploration of the myriad and subtle tyrannies of middle-class gentility, and, equally, of those unexpected moments of sexual liberation and spirit, is unrivalled in contemporary Urdu literature.

    They have a fun time in their London home, renting films on VHS and watching TV, even if Stephen can hardly ever get her to watch Doctor Who on Saturday nights.If their life really is so very ordinary, though, then why is a corpse slumped in the corner of their living room – and another in the downstairs toilet?

    Based on the Tamil Original Vikramaadityan Kadaigal. All the 24 riddles/stories that the Betal narrated to King Vikramaadityan. Also included is the story of the origin of the Betal - Who is the Betal? How did he/she become a Betal? What is its redemption?

    These stories hold the readers enthrall from the opening sentence itself, bringing the various characters to life in vivid detail.

    A free short story taken straight from the pages of THE MONSTER’S CORNER, an all original anthology from some of today’s hottest supernatural writers, featuring stories from the monster’s point of view.SPECIMEN 313 is the story of a meat-eating plant named Max, surviving in the greenhouse with his mad doctor keeper when he gets a new female neighbor.

    Malik is a fantasy novella about a disenchanted young Pakistani professor who grew up and lives in the United States, but is haunted by the magical, mystical tales his grandfather told him of a princess and a Jinn who lived in Lahore when the grandfather was a boy.