She had been happily married to her lover, until four years later she and her husband becomes an estranged couple. The lady gets lost in a whirlpool of her monotonous life, a life without love and respect, a life of servile existence, a life repressed in every sense from joy and desires. She starts beating her wings to escape from the deadly clutches of expectations and social repressions to rise above the menial existence and achieve what she wanted for her life.She falls in love with another man, a man who is her teacher and mentor. but she is afraid to acknowledge her feelings for fear of social accusations. But an incident drives to her to an awareness of the temporality of life and she indulges in an ambitious and sexual relationship with her mentor. She enters a world led by her lover where ambition becomes real and where she begins to face the disorder of the human world, of women particularly.a time comes when she is asked to choose between the men, and this is where she shows her independence and strength.

    This play, translated from the original Marathi, is one of his most gripping, socially relevant ones.

    Unable to understand each other, they embarked on one of the most unusual experiments in British art as the pitmen learned to become painters. Within a few years the most avant-garde artists became their friends, their work was taken for prestigious collections and they were celebrated throughout the British art world; but every day they worked, as before, down the mine.The Pitmen Painters premiered at Live Theatre, Newcastle-upon-Tyne, in September 2007, before transferring to the National Theatre in 2008.

    Out of this rare collaboration has come a dramatic work that is eminently readable and at the same time suitable for staging.

    Somerset Maugham’s “Before the Party” is a novelette first published in the December 1922 edition of “Nash’s Magazine.” After the death of her husband, an alcoholic colonial administrator in Borneo, Millicent returns to England to live with her parents and sister. Did Millicent’s husband die of a fever, as Millicent claims, or was his throat cut? And if the latter, was it suicide or homicide?Sample passage:Mrs. Skinner had thought it very peculiar that her daughter should have no photographs of Harold in her room. Indeed she had spoken of it once, but Millicent had made no reply. Millicent had been strangely silent since she came back from Borneo, and had not encouraged the sympathy Mrs. Skinner would have been so willing to show her. She seemed unwilling to speak of her great loss. Sorrow took people in different ways. Her husband had said the best thing was to leave her alone. The thought of him turned her ideas to the party they were going to.About the author:W. Somerset Maugham (1874-1965) was a British novelist, short-story writer, and playwright. Notable novels are “Of Human Bondage,” “The Moon and Sixpence,” and “The Razor’s Edge.”

    Also included are fascinating primary sources and background materials, an annotated bibliography, and discussions of the work by leading scholars Robert Louis Jackson, Richard Tempest, and Dariusz Tolczyk. Combining scholarship with accessibility, this critical companion--part of the acclaimed AATSEEL series--illuminates a great work of literature and will enhance its appreciation by students and teachers.

    While Mickey was a good person at heart, he had a dark side that went far beyond his well-known alcoholism and infidelities. In this fictional portrait, Mickey--now in heaven--realizes that he’s carrying a huge weight on his shoulders, as he did throughout his life. He needs to unburden himself of all the horrible things he did and understand for himself why he did them. He wants to make amends to the people he hurt, especially those dear to him; the fans he ignored and alienated; and the public who made him into a hero. Mickey never felt he deserved the adulation, could never live up to it, and tried his damnedest to prove it to everyone. The fact that he was human made the public love him that much more.Through the recounting of his exploits on and off the field, some of them side-splittingly hilarious, some disturbing, and others that will make your head shake in sympathy, Mickey comes clean in this novel in the way he never could in real life. 7: The Mickey Mantle Novel puts you inside the locker room and bedroom with an American Icon every bit as flawed and human as we are.

    Inspired by a true story, Radium Girls traces the efforts of Grace Fryer, a dial painter, as she fights for her day in court. Her chief adversary is her former employer, Arthur Roeder, an idealistic man who cannot bring himself to believe that the same element that shrinks tumors could have anything to do with the terrifying rash of illnesses among his employees. As the case goes on, however, Grace finds herself battling not only with the U.S. Radium Corporation, but also with her own family and friends, who fear that her campaign for justice will backfire.(Not to be confused with the one-act version of this story by the same title.)

    He explores the queasy relationships between life and art, love and estrangement, and the bane that is American identity drift, with unsparing but compassionate candor.” –Misha Berson, Seattle Times“Margulies’s remarkable gift of building characterization through realistic dialogue is undiminished. Full of aching ruefulness that underlies the comedy, Brooklyn Boy’s scenes are written with precision and humor. The play isn’t about Brooklyn, nor is it about a boy—it’s about a man without a home.” –Don Shirley, Los Angeles TimesThis new play by the Pulitzer Prize-winning author of Dinner with Friends follows the career of Eric Weiss, a writer whose novel hits the bestseller list the same time his life begins to unravel. His wife is out the door, his father is in the hospital, and his childhood friend thinks he has sold himself to the devil. A funny and emotionally rich look at family, friends and fame.Donald Margulies received the 2000 Pulitzer Prize for Drama for Dinner with Friends. The play received numerous awards, including the American Theatre Critics Association New Play Award, the Dramatists Guild/Hull-Warriner Award, the Lucille Lortel Award, the Outer Critics Circle Award and a Drama Desk nomination, and has been produced all over the United States and around the world. In addition to his adaptation of God of Vengeance, his many plays include Collected Stories, The Country House, Sight Unseen, The Model Apartment, The Loman Family Picnic, What’s Wrong with This Picture? and Time Stands Still. Mr. Margulies currently lives with his wife and their son in New Haven, Connecticut, where he teaches playwriting at Yale University.

    The show's unconventional structure consists of Cathy, the woman, telling her story backwards while Jamie, the man, tells his story chronologically; the two characters meet only once, at their wedding in the middle of the show.Jason Robert Brown won Drama Desk Awards for the music and the lyrics after the Off-Broadway premiere in 2002 starring Norbert Leo Butz and Sherie Rene Scott. The show has since been produced at almost every major regional theater in the U.S., and has been seen in Korea, Japan, the Philippines, Germany, Italy, Canada, Spain, and the UK.

     She must have been important because the mysterious client spared no expense to get her there to investigate the disappearance, making the gig too good to resist. Had Lindy known the victim’s identity, and her own financial reality were not so grim, she would have turned him down in an instant. Instead, she travels to a remote island with a man she’d rather avoid, and where the residents keep their secrets close. One of them knows the truth, and she must find it before it finds her.

    He runsaway to an uninhabited island, falls in love, digs up treasureand saves an innocent man. Mark Twain’s timeless story of TomSawyer will take you through a journey of evolving friendships,budding romance and thrilling adventures.

    It’s 1936 and Britain is in the grip of the Depression.Nell Flanagan is a decent, hardworking woman, married to Stephen, a tough, heavy-drinking brute of a man, who works as a casual in the docks — when there’s work available. Nell has hidden the abuse she has suffered at his hands from her young children, although most of the neighbours realise what’s going on.The Tanners think she must be asking for it, but nineteen-year-old Martin Lovell, has always admired Nell. When he sees Stephen actually attacking Nell, he can stand back no longer, but his actions have repercussions for all the families…

    He was born without a conscience and remorse is an alien concept. Will he ever find out the truth about the past that shaped who he really is?Cassie refuses to live up to the expectations of her family, instead choosing to have fun with her flat mates and go home with various deviant men.Her best friend, Lisette, on the other hand, just wants a quiet predictable life with her steady boyfriend Jarred. But can Lisette find a way to fix their mediocre love life?Police Sergeant Lynn Gough knows exactly what she wants – and that’s her childhood crush Pete. The only thing getting in the way is his fiancée, Tamika. Lynn knows about Tamika’s dirty secrets however, and will stop at nothing to get rid of her.Rita wants children, but her husband Lewis is not so sure. Rita’s traumatic childhood continues to impact her relationships as an adult. While she battles with her inner demons, Lewis finds other ways of occupying his time. Will Rita learn to address the past to save her future?Explore how sex, lies and love impact our complex web of relationships, and discover how deeply our choices can impact others.

    He wrote Chandrakanta, Chandrakanta Santati, Kajar ki Kothari, Narendra-Mohini, Kusum Kumari, Virendra Veer, Gupt Godna, Katora Bhar Khoon and Bhootnath. Babu Devkinandan Khatri wrote only six parts of the book Bhootnath, and was subsequently completed by his son Durga Prasad Khatri, who wrote the concluding volumes.