These new poems are powerful meditations born on the joineries of life and death, union and separation, memory and dream, where lovers speak to each other across the centuries, and daughters wander into their mothers' childhoods. As much about loss as they are about reclamation, Doshi's poems guide us through an 'underworld of longing and deliverance', making the exhilarating claim that through the act of vanishing, we may be shaped into existence again. Everything Begins Elsewhere was followed by her third collection, Girls Are Coming Out of the Woods, in 2018.

    Alternating between tough and gentle, sensitive and gritty, Bukowski lays bare the myriad facets of love—its selfishness and its narcissism, its randomness, its mystery and its misery, and, ultimately, its true joyfulness, endurance and redemptive power.Bukowski is brilliant on love—often amusing, sometimes playful, and fleetingly sweet. On Love offers deep insight into Bukowski the man and the artist; whether writing about his daughter, his lover, his friends, or his work, he is piercingly honest and poignantly reflective, using love as a prism to see the world in all its beauty and cruelty, and his own fragile place in it. “My love is a hummingbird sitting that quiet moment on the bough,” he writes, “as the same cat crouches.”Brutally honest, flecked with humor and pathos, On Love reveals Bukowski at his most candid and affecting.

    "With this fine new collection," says Library Journal, Martín Espada "joins the top ranks of poets anywhere"; in the words of Earl Shorris, he is "well on his way to becoming the Latino poet of his generation."

     When Emily Dorne is kidnapped off the street, she has no idea what kind of dangers await her—or what long forgotten feelings will be stirred up by the man who buys her. Her crush from high school is no longer a starry-eyed boy; he’s a powerful and sexy sheikh, and he’s ready to make Emily his. The last person Sheikh Adnan al Mahsi expected to see during his sting operation was an old flame. Now that he has her in his sights again, he wants to explore the sizzling heat between them. But will Emily let him, or will she run? Note: Story contains steamy scenes of passion and romance between an alpha Sheikh and a passionate young woman.

    In otherworldly vignettes, 1994 pairs the unreliable narration of Jacob’s Ladder (with its questions of identity and shifting realities) with the microscopic compulsiveness of Einstein’s Dreams. The book’s sense of hypnotic premeditation brings Donnie Darko to mind as well, as poem after poem scatters the breadcrumbs of a murder mystery leading us further away from the present self and deeper into the past. I Have to Go Back to 1994 and Kill a Girl is an astounding debut collection that will crawl under your skin and stay there."I Have to Go Back to 1994 and Kill a Girl is a remarkable book. It is innovative, original, unprecedented, and, at the same time, its originality and innovation are predicated on a passionate, even obsessive relationship with the past."—Lynn Emanuel

    We were made to sing and recite poetry in groups. The rhyming words somehow would bring a sense of enjoyment, and they won’t leave our mind even with the passing days. Poetry holds magic. A magic to change the moment and bring out the joyous hidden self. We all in some point or another had come across a poetry that either taught us the unlearned or brought back a memory or just a smile.Piece of poetry is an effort to share some thoughts through prose. Each poetry was written with a story in mind, willing to be talked about. The thoughts that didn’t need sophisticated words, but they were craving for rhythm.The idea was to point out some of the feelings and emotions that were desperate to be shared. Some untold words, a certain perspective that was always doubted by self and others. Piece of poetry is an honest attempt to format these feelings into a song, hoping that it would stick with everyone who decided to read it.

    Carry your sword, my prophetess. Obstinate contumacy training. Find the objective that is more draining. More strenuous tasks will make you grow. Pain upon you I bestow. I’ll take it all and nothing less. I claim it back; I repossess. Tip the scale; Turn it over. Mark the unused; What’s leftover. The main part no longer exists; Despite the reduction, it persists. Continued movement; A quest for traction. An opposite and negative reaction. Hex induced metamorphosis; Reoccur once again for us. Physically and internally changing. The process of rearranging. The alteration was so fitting. Now they’re pausing; They’re intermitting. In reaffirming the causation; Keep kempt, and maintain your original explanation. Wear our serpent, prophetess; Prior to you was profitless. The soil was sown with no reaping. Tear our hearts out for your keeping. Beyond the boundaries of what is permitted. Reward me for the sins I’ve committed. My acts were bold; Caress my flesh. I give it all and nothing less. The facsimile will shudder. Express what it is I utter. Amidst psychos and others. Among psychos and others. Live with vigor; Efficiently transfigure. Disfigure; Change his figure. Make it so; Mark the torso. Undergo; Nock the torso. Let it grow; Open the torso. Let him know; Carve the torso.

    It was the moment I watched Daddy die. Everything began to unravel then.’ When their father dies of a sudden heart attack, sisters Rebecca and Sarah Connaghan set aside their differences and return to the family home in Glasgow. Then Rebecca finds letters between her father and the mother she barely remembers that cast doubt on everything she’s been told about her family. Reeling from confusion and grief, she sets off alone for the remote Highlands village that may hold the key to the past. Above all, she is determined to prove the innocence of her father – the beloved, silent man she once thought she knew, now accused of a terrible crime.

    

    This year, guest editor Denise Duhamel brings her wit and enthusiasm and her commitment to poetry in all its wide variety to bear on her choices for The Best American Poetry 2013. These acts of imagination—from known stars and exciting newcomers—testify to the vitality of an art form that continues to endure and flourish, defying dour predictions of its demise, in the digital age. This edition of the most important poetry anthology in the United States opens with David Lehman’s incisive “state of the art” essay and Denise Duhamel’s engagingly candid discussion of the seventy-five poems that made her final cut.

    If it comes out, the tabloids will have a field day: Eddie Randall was a popular comedy actor in the 1960s. Nick goes in search of the truth and unexpectedly finds it impacts on a major insurance scam he is investigating. Then his estranged wife is found dead - and Nick realises that an unknown enemy is stalking him..."Occasionally brutal, but very readable... this writer seems to me to have real potential. I look forward to his next book." Martin Edwards, TANGLED WEB"Sins of the Father is a wonderful, exciting read full of twists and turns... This is a sterling effort from a new face on the crime scene."Chris Simmons, CRIMESQUAD"Sins of the Father is a rattling good read... a writer to watch for sure."Sharon Wheeler, REVIEWING THE EVIDENCEPraise for David Harrison (writing under the name TOM BALE):"What truly sells SKIN AND BONES is Bale's almost cinematic storytelling style, along the lines of what Lee Child does with his Jack Reacher series."Jim Winter, JANUARY MAGAZINE

    The poems in The Book of Endings try to make sense of, or at least come to some kind of reckoning with absence--the death of the author's mother, the absence of the beloved, the absence of an accountable god, cicadas, the dead stars arriving, the dead moon aglow in the night sky.

    Wright interweaves familiar, coloquial speech with strikingly inventive language, leaving each poem a distinctive entity, yet interconnected by linked metaphors and images.

    In Sensual Math, her broad-ranging intelligence continues to surprise and electrify. Drenched with the beauties of perception and language, with syntactical stretch and give, Sensual Math embraces areas often excluded from poetry. Drawing upon science, myth, popular culture, feminist theory, and autobiography, Alice Fulton creates an entrancing and important postmodern poetics. In the sequence called "My Last TV Campaign," an advertising executive tries to apply the successful imitative strategies of nature to a context of consumerism. By reimagining the myth of Daphne and Apollo, another sequence dismantles attitudes surrounding rape and the ancient association of woman with nature and man with culture. Daphne becomes a composite of Amelia Earhart, Annie Oakley, Emily Dickinson, and Marianne Moore. A major work by a poet who has been called breathtakingly fluent, blessedly unpredictable, "Sensual Math" figures the world as a blend of Zen and Elvis, calculus and honey. The final triumph is that poems so profound can be so profoundly engaging.

    A home of her own, a handsome husband, a doting son and a promising career as an author. But inside, she is a wreck. Her marriage is a sham and she hasn't succeeded in forgetting her one true love, Manu. The man she had wronged. The man she had almost married. Manu, now the senior editor with a science portal, believes that he has left Tara where she belonged: firmly in his past. But in reality, he hasn't forgotten anything. Not the love nor the hurt.Their past and present collide when they accidentally meet in Chennai. The city has come to a standstill after facing the worst flood in a century. While nature is unleashing its fury on humans, they must make peace with their past. Will they have the courage to do that? Can they fight the attraction that still burns bright?Or will the bunch of people they are with, teach them new life lessons? What is the secret that is eating Meera from within?