The contemporary consensus was that she admirably fulfilled their expectations for a royal consort and king's mother. Who was this 'perfect princess'? In this first major biography, Joan's background and career are examined to reveal a remarkable story. Brought up at court following her father's shocking execution, Joan defied convention by marrying secretly aged just twelve, and refused to deny her first love despite coercion, imprisonment and a forced bigamous marriage. Wooed by the Black Prince when she was widowed, theirs was a love match, yet the questionable legality of their marriage threatened their son's succession to the throne. Intelligent and independent, Joan constructed her role as Princess of Wales. Deliberately self-effacing, she created and managed her reputation, using her considerable intercessory skills to protect and support Richard. A loyal wife and devoted mother, Joan was much more than just a famous beauty

    They came from Fleet Street, Knightsbridge, Wolverhampton, Sweden and Wales. They wrote ballads, ran coffee houses, lived on country estates, they breathed ink-dust from printing presses and escaped people-traffickers. What they had in common was the year of their murders: 1888. The person responsible was never identified, but the character created by the press to fill that gap has become far more famous than any of these five women.For more than a century, newspapers have been keen to tell us that ‘the Ripper’ preyed on prostitutes. Not only is this untrue, as historian Hallie Rubenhold has discovered, it has prevented the real stories of these fascinating women from being told. Now, in this devastating narrative of five lives, Rubenhold finally sets the record straight, revealing a world not just of Dickens and Queen Victoria, but of poverty, homelessness and rampant misogyny. They died because they were in the wrong place at the wrong time – but their greatest misfortune was to be born a woman.

    But, at the battle of Lincoln, the seventy-year-old William Marshal led his men to a victory that would secure the future of his nation. Earl of Pembroke, right-hand man to three kings and regent for a fourth, Marshal was one of the most celebrated men in Europe, yet is virtually unknown today, his impact and influence largely forgotten.In this vivid account, Richard Brooks blends colorful contemporary source material with new insights to uncover the tale of this unheralded icon. He traces the rise of Marshal from penniless younger son to renowned knight, national hero and defender of the Magna Carta.

    So much of what people today accept as ancient Irish history--Celtic invaders from Europe turning Ireland into a Celtic nation; St. Patrick driving the snakes from Ireland and converting its people to Christianity--is myth and legend with little basis in reality. The truth is more interesting. The Irish, as the authors show, are not even Celtic in an archaeological sense. And there were plenty of bishops in Ireland before a British missionary called Patrick arrived. But In Search of Ancient Ireland is not simply the story of events from long ago. Across Ireland today are festivals, places, and folk customs that provide a tangible link to events thousands of years past. The authors visit and describe many of these places and festivals, talking to a wide variety of historians, scholars, poets, and storytellers in the very settings where history happened. Thus the book is also a journey on the ground to uncover ten thousand years of Irish identity. In Search of Ancient Ireland is the official companion to the three-part PBS documentary series. With 14 black-and-white photos, 6 b&w illustrations, and 1 map.

    Even the date and place of his birth have been mis-stated - until now. James Mackay uses all his skills as a historical detective to produce this definitive biography, telling the incredible story of a man who, without wealth or noble birth, rose to become Guardian of Scotland. William Wallace, with superb generalship and tactical genius, led a country with no previous warlike tradition to triumph gloriously over the much larger, better-armed and better-trained English forces. Seven hundred years later, the heroism and betrayal, the valiant deeds and the dark atrocities, and the struggle of a small nation against a brutal and powerful empire, still create a compelling tale.

    They placed a noose around his neck, dropped him from the gallows, and later pronounced him dead. But was he dead? While no less than nine eyewitnesses attested to his demise, Cragh later proved to be very much alive, his resurrection attributed to the saintly entreaties of the defunct Bishop Thomas de Cantilupe.The Hanged Man tells the story of this putative miracle--why it happened, what it meant, and how we know about it. The nine eyewitness accounts live on in the transcripts of de Cantilupe's canonization hearings, and these previously unexamined documents contribute not only to an enthralling mystery, but to an unprecedented glimpse into the day-to-day workings of medieval society.While unraveling the haunting tale of the hanged man, Robert Bartlett leads us deeply into the world of lords, rebels, churchmen, papal inquisitors, and other individuals living at the time of conflict and conquest in Wales. In the process, he reconstructs voices that others have failed to find. We hear from the lady of the castle where the hanged man was imprisoned, the laborer who watched the execution, the French bishop charged with investigating the case, and scores of other members of the medieval citizenry. Brimming with the intrigue of a detective novel, The Hanged Man will appeal to both scholars of medieval history and general readers alike.

    Each part contains six audio cassettes and course guidebook in a clamshell case.

    The character of every monarch is discussed, together with the principal events of their reign. For easy reference, each section begins with a listing of all the essential facts and dates, including key biographical details. Successive royal dynasties are clearly indicated, with genealogical trees to show how the hereditary line has been perpetuated.

    The entire continent was overshadowed by four rulers, all born within a ten-year period:King Francis I of France, the most interesting of the quartet, bursting with energy and swagger, was a great patron of the arts and the personification of the Renaissance.King Henry VIII of England—who was not born to be king but embraced the role with gusto—broke with the Roman Catholic Church, and made himself head of the Church of England.Charles V, Holy Roman Emperor, the most powerful man in the civilized world, obsessed with the religious disputes of Europe, was leader of the Spanish and then Roman Empire.Suleiman the Magnificent, the richest of them all, stands apart as a Muslim, who brought the Ottoman Empire to its apogee of political, military, and economic power, as well as to the golden age of its artistic and architectural prowess.Never before had humankind seen such giants coexisting. Against the rich background of the Renaissance, they laid the foundation for modern Europe. Individually, each man could hardly have been more different. Their mutual relations shifted constantly: often they were actively hostile and occasionally they were friendly. There was a healthy respect between them; never did one make the mistake of underestimating another. And together, they dominated the world stage.

    But murder as sensation and entertainment became ubiquitous, with cold-blooded killings transformed into novels, broadsides, ballads, opera, and melodrama—even into puppet shows and performing dog-acts. Detective fiction and the new police force developed in parallel, each imitating the other—the founders of Scotland Yard gave rise to Dickens's Inspector Bucket, the first fictional police detective, who in turn influenced Sherlock Holmes and, ultimately, even P.D. James and Patricia Cornwell.In this meticulously researched and engrossing book, Judith Flanders retells the gruesome stories of many different types of murder, both famous and obscure: from Greenacre, who transported his dismembered fiancée around town by omnibus, to Burke and Hare’s bodysnatching business in Edinburgh; from the crimes (and myths) of Sweeney Todd and Jack the Ripper, to the tragedy of the murdered Marr family in London’s East End.Through these stories of murder—from the brutal to the pathetic—Flanders builds a rich and multi-faceted portrait of Victorian society in Great Britain.  With an irresistible cast of swindlers, forgers, and poisoners, the mad, the bad and the utterly dangerous, The Invention of Murder is both a mesmerizing tale of crime and punishment, and history at its most readable.

    The author covers subjects from contemporary recipes, to courtship rituals, and popular slang, to common occupations.

    Produced under the supervision of the most renowned Domesday scholars, this authoritative translation of the complete Domesday offers a remarkable portrait of England in the late eleventh century.

    The Hundred Years' War ravaged the continent, yet gallantry, chivalry, and literary brilliance flourished in the courts of England and elsewhere. It was a world in transition, soon to be replaced by the Renaissance and the Age of Exploration -- and John of Gaunt was its central figure.In today's terms, John of Gaunt was a multibillionaire with a brand name equal to Rockefeller. He fought in the Hundred Years' War, sponsored Chaucer and proto-Protestant religious thinkers, and survived the dramatic Peasants' Revolt, during which his sumptuous London residence was burned to the ground. As head of the Lancastrian branch of the Plantagenet family, Gaunt was the unknowing father of the War of the Roses; after his death, his son usurped the crown from his nephew, Richard II. Gaunt's adventures represent the culture and mores of the Middle Ages as those of few others do, and his death is portrayed in The Last Knight as the end of that enthralling period.

    Random violence, mass migration, disease, and starvation were the only way of life. This is the picture of the Dark Ages that most historians promote. But archaeology tells a different story. Peter S. Wells, one of the world's leading archaeologists, surveys the archaeological record to demonstrate that the Dark Ages were not dark at all. The kingdoms of Christendom that emerged starting in the ninth century sprang from a robust, previously little-known, European culture, albeit one that left behind few written texts. This recently recognized culture achieved heights in artistry, technology, craft production, commerce, and learning. Future assessments of the period between Rome and Charlemagne will need to incorporate this fresh new picture.

    For over 1,500 years, the Arthurian narrative has enthralled writers, artists, and a limitless audience spanning the Western world and beyond - and its appeal continues unabated in our time. No other heroic figure in literature compares with King Arthur in terms of global popularity and longevity; now, each year sees literally thousands of new versions of the story appear across diverse media, from fiction writing and visual arts to film and popular culture. Delve into the historical mystery behind the figure of Arthur, and discover the magnificent breadth of these epic tales.These 24 spellbinding lectures reveal the full scope of the Arthurian tradition, from its beginnings in post-Roman Britain to its extraordinary trajectory across the centuries and its latest incarnations in modern times. Your pathfinder in this world of mythic adventure and romance, Professor Armstrong, is one of the world's leading Arthurian scholars and the current editor-in-chief of the academic journal Arthuriana. Demonstrating both encyclopedic knowledge and an infectious passion for the subject, she leads you in tracing how the myth developed across time, clarifying many misunderstood aspects of the narrative, such as the origins of the Round Table and the figure of Merlin, the illicit love between Lancelot and Guenevere, and the varied manifestations of the magical Holy Grail. You'll discover how the legend was appropriated and assimilated by differing cultures, and how each writer and artist in the tradition reflected and commented, through the Arthurian narrative, on the concerns of their own time and place. The result is an illuminating look at one of the most engaging, entertaining, and influential legendary traditions the world has ever known.Listening Length: 11 hours and 59 minutes