Teachers, students, and interested readers can use this resource to examine Victorian life in a multitude of settings, from idyllic country estates to urban slums. Organized for easy reference, the volume provides information about the physical, social, economic, and legal details of daily life in Victorian England. Over sixty illustrations plus excerpts from primary sources enliven the work, which can be used in both the classroom and library to answer questions concerning laws, money, social class, values, morality, and private life.Chapters in the work cover: traditional ways of life in town and country, social class, money, work, crime and punishment, the laws of daily life (marriage, divorce, inheritance, guardians, and bankruptcy), the development of a modern urban world (with railways, electricity, plumbing, and telephones), houses, food, clothing, shopping, the rituals of courtship and funerals, family and social life, education, health and medical care, leisure and pleasure, the importance of religion, and the impact of the Raj and the Empire. Historical contexts are explained and emphasis is placed on groups often invisible in traditional history: children, women both at work and at home, and people who led respectable, ordinary lives. A chronology, glossary, bibliography, and index complete the work. This valuable resource provides students, teachers, and librarians with all the information they need to recreate life in Victorian England.

    She explores the importance of women's religious practices along with related themes of family and of social change. Weaving several of her own voices--analytic, descriptive, and personal--with the voices of her subjects in alternate chapters of traditional ethnography and ethnographic fiction, Brown presents herself as a character in Mama Lola's world and allows the reader to evaluate her interactions there. Startlingly original, Brown's work endures as an important experiment in ethnography as a social art form rooted in human relationships. A new preface, epilogue, bibliography, and a collection of family photographs tell the story of the effect of the book's publication on Mama Lola's life.

    Professor Douglas makes points which illuminate matters in the philosophy of religion and the philosophy of science and help to show the rest of us just why and how anthropology has become a fundamentally intellectual discipline.

    One tale recounts the author's search for a Kafka story that can only be found in an elusive and quite possibly cursed edition. Other stories feature humans dressing in full-body protective exoskins in the personas of old Hollywood movie stars to barter old Earth movies for an alien aphrodisiac and a young boy coming to terms with creation and moulding his own man out of detritus from a nearby forest. In the title story, a great fantasy writer loses touch with the world he has created and pleads with his young assistant to help him visualise the story's end and enable him to complete his greatest novel ever.

    Even the wealthy, powerful, and world-renowned must ultimately meet their Maker—though some have departed this life more ignobly than they might have wished.From Mozart to rock and roll, which performers ended their lives on the wrong note?What famous U.S. bridge is named after an explorer who was eaten by cannibals?Everyone wants to hit the lottery, but does Lady Luck visit winners with deadly fangs?Plus: Learn the real fate of Gilligan's Island castaways and all your favorite TV actors as well as famous writers, senators, saints, dictators, and philosophers, among many others.Michael Largo, the man who illuminated readers on the myriad ways of death in Final Exits, has compiled a fascinating, off-beat, and darkly humorous necrology that provides the grim, often outrageous details about the passing of influential persons. Meticulously researched—employing archaeological records, published obituaries, official documents, and forensic evidence—this authoritative, one-of-a-kind reference presents the unabashed truth about a multitude of celebrity deaths, while examining the various deeds, misdeeds, and lifestyle quirks that hastened the demise and determined the departed's role in history and popular myth. The Portable Obituary has the skinny on what made our late icons—whether through overindulgence or neglect: on the john, in the sack, or in some spectacular accident—what they are today: dead!

    His work ranges from “What Are Those Monkeys Doing?” in which he links the paintings of Rousseau to the writings of Rimbaud and Flaubert, to “Imaginary Americas,” a survey of the different roles America has filled in the imagination of Europeans. Davenport, 1 of the foremost American critics and intellectuals of the 20th century, brings his piercing intellect, encyclopedic references, and careful eye for detail to each piece in Every Force Evolves a Form.   Whether writing on the philosophy behind modernism or a study of table manners, the paintings of Henri Rousseau or the design of Shaker handicrafts, Davenport always devotes his full attention and multi-angled analysis to the subject at hand. To read this thought-provoking collection is to see the inner-workings of Davenport’s brilliant mind, with its varied fascinations and unparalleled insights.

    In seven provocative essays, Zipes discusses the importance of investigating oral folk tales in their socio-political context and traces their evolution into literary fairy tales, a metamorphosis that often diminished the ideology of the original narrative. Zipes also looks at how folk tales influence our popular belie

    The first volume of a multi-volume study of President Eisenhower, this book focuses on Eisenhower's conduct of the war and provides an extensively documented analysis of the political ramifications of the course of the war and Eisenhower's decisions.

    In 1871, Otto von Bismarck fused with "blood and iron" a motley collection of principalities, Free Cities, and bishoprics into one Reich. In England, Benjamin Disraeli observed that the world was witnessing "a greater political event than the French revolution of last century. . . . [T]here is not a diplomatic tradition which has not been swept away. . . . The balance of power has been entirely destroyed." Disraeli's powers of prophecy, in this as in much else, were formidable. The Age of Bismarck saw Germany become the dynamo of Europe--its preeminent economic and military power, its scientific and educational nerve center, and a place of tremendous artistic ferment. But there would be no simple spell to return to their bottles the genies unleashed by these vast forces, and Michael Sturmer traces the convergence of people and events that sent Europe's fragile balance of power over the brink and into conflict. No war was fought for less purpose or with greater slaughter than the First World War which, in Michael Sturmer's assured hands, arrives as the next-to-last act of an epic drama all the more tragic for the blazing brilliance of its opening scenes. Though the drama's final horrible act, the Second World War, takes place offstage from The German Empire, it is impossible to understand its origins without the history Michael Sturmer tells here with such elegance and insight.

    As mayor of Boston, as a United States congressman, as governor of Massachusetts, Curley rose from the slums of South Boston in a career extending from the Progressive Era of Teddy Roosevelt to the ascendancy of the Kennedy sons. While Curley lived, he represented both the triumph of Irish Americans and the birth of divisive politics of ethnic and racial polarization; when he died, over one million mourners turned out to pay their respects in the largest wake Boston had ever seen.Nominated for a National Book Critics Circle Award in Biography, Beatty's spellbinding story of "the Kingfish of Massachusetts" is also an epic of his city, its immigrant people, and its turbulent times. It is simply biography at its best."Beatty's book is a delight--rich, witty, flowing, and full of insight about the nature of political corruption."--Constance Casey, Los Angeles Times"A panoramic, exquisitely incisive biography that illuminates the triumphs, debacles, and personal sorrows of the irrepressible man known as Boston's 'Mayor of the Poor.'"--Robert Wilson, USA Today

    Many of the trees have been cleared, but connection with the wildwood remains. It is a place of danger, adventure and transformation, where anything could happen. Here is a collection of traditional folk tales of oak, ash and thorn, hunting forests and rebellion, timber and triumph in battle, wild ghosts and woodwoses. Lisa Schneidau retells some of the old stories and relates them to the trees and forests in the landscape of our islands today. These stories are essential reading for all those who feel a pull towards the wild in the landscape, and at the edge of our lives.

    S. Eliot as one of the chief sources for his great poem "The Waste Land," Jessie L. Weston's From Ritual to Romance remains a landmark of anthropological and mythological scholarship. In this book she explores the origins of the Grail legend, arguing that it dates back to a primitive vegetation cult and only later was shaped by Celtic and Christian lore.To prove her thesis, Weston unites folkloric and Christian elements by using printed texts to prove the parallels existing between each and every feature of the legend of the Holy Grail and the recorded symbolism of the ancient mystery cults. Specifically, she finds the origin of the Grail legend in a Gnostic text that served as a link between such cults and later Celtic and Christian elaborations of the myth.With erudition and critical acumen, the author provides illuminating insights into diverse aspects of the legend: the task of the hero; the freeing of the waters; medieval and modern forms of nature ritual; the symbols of the cult (cup, lance, sword, stone, etc.); the symbolism of the fisher king; the significance of such deities as Tammuz, Adonis, Mithra, and Attis; the meaning of the adventure of the Perilous Chapel in Grail romances; and much more.Awarded the Crawshay Prize in 1920, this scholarly yet highly readable study will interest any student of the Arthurian legends, mythology, ancient religion, and Eliot's poetry.

    It asserts that anthropology must pay more attention to history.

    Arnold van Gennep (1873-1957) was the first anthropologist to note the regularity and significance of the rituals attached to the transitional stages in man's life, and his phrase for these, "the rites of passage," has become a part of the language of anthropology and sociology.

    Tired of his decrepit house, he leaves his wife and mother behind and sets out for a night at The Boneyard. Joe has a knack for dice throwing and figures he can take on any opponent. But can he win when the stakes are raised, and it's his life he's gambling for?