Wimbourne Books presents the first in a series of rare or out-of-print ghost stories from Victorian authors. With an introduction by author Alastair Gunn, Volume 1 in the series spans the years 1852 to 1899 and includes stories from a wide range of female authors; English, Irish, Scottish, Welsh and American. Includes tales by Mary Elizabeth Braddon, Charlotte Riddell, Isabella Banks and Gertrude Atherton. Readers new to this genre will discover its pleasures; the Victorian quaintness, the sometimes shocking difference in social norms, the almost comical politeness and structured etiquette, the archaic and precise language, but mostly the Victorians’ skill at stoking our fears and trepidations, our insecurities and doubts. Even if you are already an aficionado of the ghostly tale there is much within these pages to interest you. Wait until the dark of the stormy night arrives, lock the doors, shutter the windows, light the fire, sit with your back to the wall and bury yourself in the Victorian macabre. Try not to let the creaking floorboards, the distant howl of a dog, the chill breeze that caresses the candle, the shadows in the far recesses of your room, disturb your concentration.

    He becomes obsessed with the another resident — a strange pale man who inexplicably moves from room to room. It's an eerie and extremely brief tale that can be consumed in less than 10 minutes — the perfect story for anyone looking for a quick way to get into the Halloween spirit. https://americanliterature.com/author...

    In her sweetly vibrant Mississippi drawl, Ms. Welty deftly draws the listener in to the uproariously multilayered "Why I Live at the P.O.," the spontaneous "Powerhouse" and the insightful voice of women's truths in "Petrified Man." Ms. Welty's reading brings immediacy and resonance to these wonderful tales.

    

    Some move toward the future heartened by what they learn from those around them--a tattoo artist, an invented medicine man, zoo animals, strangers, fellow outsiders. Deftly rendered, these stories abound with oddness and grace.In “Tattooizm,” included in The Best American Short Stories 2006, a young woman struggles with a promise that her boyfriend is determined to make her keep. In the Nelson Algren Award–winning “Space,” a reluctantly undertaken errand forces a young man to finally confront the death of his mother. And in “The Medicine Man,” hailed by the Times (U.K.) as “perfectly pitched and perfectly written,” a man recounts his manic attachment to his sister.Moffett’s closely observed stories are candid and complex, funny and moving. The world of Permanent Visitors is an idiosyncratic and generous one, its inhabitants searching for constancy in a place crowded with contradiction.

    Containing over 80 slice-of-life stories by a bestselling outdoor humorist, this collection brings together for the first time three works by McManus: A Fine and Pleasant Misery, Never Sniff a Gift Fish, and They Shoot Canoes, Don't They?.

    Yes, this task is outside Eunice Howard's usual realm of responsibilities, but he's willing to make it worth her time. Plus, she's ideal for the role. Who better to play his pretend lover than the one woman who knows him almost better than he knows himself? The last thing Eunice Howard expects when summoned to her boss's office is a request to play the role of his new love interest to appease his mother, restless to marry him off. Foolishly agreeing, she ventures with him to Farrington Estates for the Thanksgiving holiday. She thought she'd seen all sides of Blake Farrington, but the man who emerges is a man she could easily love. Their agreement blossoms into a connection neither expected-nor are willing to admit. When the lines between make-believe and reality blur, something phenomenal occurs.

    Laidlaw knew him in his laboratory, was one man; but Mark Ebor, as he sometimes saw him after work was over, with rapt eyes and ecstatic face, discussing the possibilities of "union with God" and the future of the human race, was quite another. "I have always held, as you know," he was saying one evening as he sat in the little study beyond the laboratory with his assistant and intimate, "that Vision should play a large part in the life of the awakened man-not to be regarded as infallible, of course, but to be observed and made use of as a guide-post to possibilities-" "I am aware of your peculiar views, sir," the young doctor put in deferentially, yet with a certain impatience.

    With Zach's mom in Bali and the woman of his dreams gone AWOL, he's facing a Christmas alone with Ringo—until Tessa the cute veterinarian appears at his door with an offer he and Ringo can't refuse.It's a Christmas he'll never forget....

    The Goon Squad 2014 Summer Special contains an introduction to the Squad, and four short stories: "Red Wolf, Red Wolf, Does Whatever a Red Wolf Can," "Changes," "No-No Dojo," and "Tale of Terror." Join Puppet Girl, the Revenant, Red Wolf, and Talos as they protect the fairly innocent, are sharply critical about modern newspapers, talk to a door in Salford, and recount the day the city nearly blew up.

    Munro (his pseudonym is from FitzGerald's Rubaiyat of Omar Khayyam) satirized the social conventions, cruelty and foolishness of the Edwardian era with a highly readable blend of flippant humor and outrageous inventiveness, often overlaid with a mood of horror.

    Smee is a crackling ghost story about a guest in a haunted house telling other visitors of the death of a young girl, years ago, playing a game of hide-and-seek.

    P. Lovecraft's Cthulhu Mythos. AROUND THE CORNER - A man whose parents raised him in a cult suspects the new tenants in his apartment complex belong to a similar cult, and are summoning up powers that will change the world...and not for the betterment of humankind. AFTER THE FALL - Around the world, after a great storm the sky becomes filled with the fossilized remains of vast monsters locked in an ancient conflict, leaving humans to interpret this vision and to consider their own humble existence. SCRIMSHAW - In this alternate history story set in 1851, men in seafaring ships do not harvest whale blubber, but seek strange treasures in the bodies of immense alien creatures. From Jeffrey Thomas -- the author of Punktown.

    Henry Prize stories collection has offered an exciting selection of the best stories published in hundreds of literary magazines every year. Such classic works of American literature as Ernest Hemingway’s The Killers (1927); William Faulkner’s Barn Burning (1939); Carson McCuller’s A Tree. A Rock. A Cloud (1943); Shirley Jackson’s The Lottery (1949); J.D. Salinger’s For Esme with Love and Squalor (1963); John Cheever’s The Country Husband (1956) ; and Flannery O’Conner’s Everything that Rises Must Converge (1963) all were O. Henry Prize stories. An accomplished new series editor--novelist and short story writer Laura Furman--has read more than a thousand stories to identify the 20 winners, each one a pleasure to read today, each one a potential classic. The O. Henry Prize Stories 2003 also contains brief essays from each of the three distinguished judges on their favorite story, and comments from the prize-winning writers on what inspired their stories. There is nothing like the ever rich, surprising, and original O. Henry collection for enjoying the contemporary short story.The Thing in the Forest A. S. Byatt The Shell Collector Anthony Doerr Burn Your Maps Robyn Jay Leff Lush Bradford Morrow God’s Goodness Marjorie Kemper Bleed Blue in Indonesia Adam Desnoyers The Story Edith Pearlman Swept Away T. Coraghessan Boyle Meanwhile Ann Harleman Three Days. A Month. More. Douglas Light The High Road Joan Silber Election Eve Evan S. Connell Irish Girl Tim Johnston What Went Wrong Tim O’Brien The American Embassy Chimamanda Ngozi Adichie Kissing William Kittredge Sacred Statues William Trevor Two Words Molly Giles Fathers Alice Munro Train Dreams Denis Johnson

    Taut, brooding, and densely atmospheric, these stories show us the ways in which murder can arise out of boredom, perversity can result from adolescent curiosity, and sheer evil might be the solution to unbearable loneliness. These tales are as horrifying as anything written by Clive Barker or Stephen King, but they are crafted with a lyricism and intensity that compel us to confront our secret kinship with the horrifying.